X: 330
T:White Rose (?) Waltz
M:3/4
L:1/8
Z:posted by Tony Ludiker 2/01
K:A
CB,|"A" A,2 C3 A,|"E7" B,2 D3 B,|"A" C2 E3 C|"D" D2 F3 F|
"A" E2 A3 A|A2 B2 c2|"E7" B6|B4 CB,|
"A" A,2 C3 A,|"E7" B,2 D3 B,|"A" C2 E3 C|"D" D2 F3 F|
"A" E2 A3 A|"E7" G2 c2 B2|"A" A6|A6||
"F" A6|"C7" =G3 A G2|"F" =F3 =G FD|=C4 A2|
"F" A6|"C7" =G3 A G2|"F" =F3 =G F2|"E7" E4 CB,|
"A" A,2 C3 A,|"E7" B,2 D3 B,|"A" C2 E3 C|"D" D2 F3 F|
"A" E2 A3 A|"E7" G2 c2 B2|"A" A6|A4||

X:329
T:Put Me in the Big Chest
T:Cuir a Chiste Mhoir Mi
S:K.E. Dunlay & D.L. Reich, Traditional Celtic Fiddle Music of Cape Breton
M:C|
L:1/8
R:reel
Z:transcribed by Jack Campin
Z:posted by Andrew Kuntz 2/01
K:Amix
% A lydian/major/mixolydian pentatonic; G and D gaps
F|EFAB c2cf|ecBA F/F/F AF|EFAB c/c/c cf|ecBc A/A/A A
F|EFAB c2cf|ecBA F/F/F AF|EFAB cB cf|ecBc A/A/A A||
c|efec eAAc|efec BABc |efec efaf |ecBc A/A/A A:|

X:328
T:Old Time Wedding Reel #3
T:Put Me In the Big Chest
T:Cuir's a' Chiste Mhoir Mi
R:Reel
A:Cape Breton
S:Sandy MacIntyre
N:From the playing of Sandy MacIntyre
Z:Transcribed Nov 20 1998 by Wil Macaulay
P:ABCB
M:C
L:1/8
K:A
P:A
F | EFAB c2cf | ecBA F/F/F AF | EFAB cBcf | ecBc A/A/A A :|
P:B
c | efec eAAc | efec BABc | efec efaf | ecBc A/A/A A :|
P:C
F | EFAB c2cB | c2cB ce fz |  EFAB cBcf | ecBc A/A/A A :|


X:327
T:Cuir sa chiste mhoir mi
T:Miss Cruikshank's Reel
T:Put Me in the Big Chest
L:1/8
M:C|
S:MacDonald - The Skye Collection
Z:AK/Fiddler's Companion
K:B_
FGBd e2 (eg)|fdcB cBGB|FGBd e2 (eg)|fdcd B/B/B B2:|
(gab)a (gf)ed|cBcd BGGf|(gab)a (gf)ed|cBcd B/B/B B2|gaba gfed|
cBcd BGGB|FGBc defg|fdcd B/B/B B2||

X:326
T:Unknown Reel #7
S:Don Roy
Z:posted by John Erdman 3/01
M:C|
L:1/8
K:D
FG|A2 Af edcB|ABAG F3 A|GAGF ECEG|ABAG FDFG|
A2 Af edcB|ABAG F2 FA|GFEF GABc|dfec D2:|
BB|B2 GB d2 dc|AFDF A2 FA|GAGF ECEG|ABAG FDFA|
B2 GB d2 cB|AFDF A2 cd|efed cBAG|FABc d2:|
dd|dBGd BGdG|AdFA ~d2 cd|efed cdcB|ABAG FE D2|
dBGd BGdG|AdFA ~d2 cd|efed cBAG FABc d2:|

X:325
T:Murray River Jig
M:6/8
L:1/8
Q:3/8=100
R:jig
Z:Transcribed to abc by Tony Ludiker
Z: posted by Tony Ludiker 10/00
K:A
v (A/B/|c2)c cBA|E3-E2 (A/B/|c2)c dcB|F3-F2 (B/c/|!
d2)d dcB|ug2ug g2f|fee e^de|(~f2e) c2(A/B/|!
c2)c cBA|E3-E2 (A/B/|c2)c dcB|F3-F2 (B/c/|!
d2)d dcB|ug2ug g2f|efe dcB|A3 uA2||!
uE|CA,A, A,CE|D=G,G, uG,2uB,|A,CE AGA|BEE (~E2D)|!
CA,A, A,CE|D=G,G, uG,2uE|AGA BAB|(~B2A) uA2:|!

X: 324
T; The logger
C: Trad.
S: Melvin Wine (Copen, WV)
T: Lani Herrmann
Z: posted by Lani Herrmann, 9/00
M: 3/4
K: G
G | dBG | dBG | dBA | G2d | b.a/2b/2a/2 | gdd | egg | d2 \
d | b.a/2b/2a/2 | gdd | egg | d2G/2B/ | dde | BGG | AcA | G3 ||

X:323
T:Jenny Dang the Weaver
L:1/8
M:C|
R:Reel
B:The Athole Collection
Z:AK/Fiddler's Companion
Z:posted by Andrew Kuntz 2/01
K:D
f/e/|d>A A/A/A AFAB|d>A A/A/A f2 ef|d>B B/B/B BABd|ABde faef|
d>A A/A/A AFAB|d>A A/A/A f2 ef|dB B/B/B BABd|ABde f2e||
f|d2fd efge|d2fd e2cA|d2fd efge|aA A/A/A f2ef|d2fd efge|defd e2cA|
defd efge|abag faef||

X:322
T:Grande Chaine, La
D:Boys of the Lough, can't remember which
Z:posted by Nigel Gatherer 2/01
M:4/4
L:1/8
K:G
D2|B3 c BAGB|d2 d2 BGBd|cdcB AFAc|dedc BGGA|
B3 c BAGB|d2 d2 BGBd|cdcB AFDF|G3 G G2:|]
z2|gagf efge|d2 d2 BGBd|cdcB AFAc|dedc BG G2|
gagf efge|d2 d2 BGBd|cdcB AFDF|G3 G G2:|]


X:321
T:Frank Gilruth
C:Peter Milne
B:Flowers of Scottish Melody (1935)
Z:posted by Nigel Gatherer 1/01
R:reel
M:4/4
L:1/8
K:E
e2 dc BEGB|cFAc BEGB|e2 dc BEGB|cedf cagf|e2 dc BEGB|cFAc BEGB|
edec BEGB|cedf gee||g|agfe dece|Bede geeb|agfe dece|
Bedf geeg|agfe dece|Bede geea|gbge fafd|egec dfdB|]

X:320
T:Fine Times at Our House
L:1/8
M:2/2
Z:posted by Andrew Kuntz 1/01
S:James H. "Uncle Jim" Chisholm, Greenwood, Albermarle County, Va.
K:A Mixolyian
E2 E>D CD E2|EAA>A A>BcA|E2 E>D CDE>F|G>EAG F D3|
E2 E>D C>D E2|EA A2 ABcd|efgf e2d2|cABd c A3||
A,4 CD E2|EA A2 ABcA|EDCD E2F2|GEAG F D3|EDCD E2A2|
A2A2 ABcd|edcB Aagf|edcB c A3||
K:A Dorian
ed c2 (d//c)Bcd|efga gagf|ed c2 (d//cBcd|ea2b a2 gf|edcB ABcd|1
efga g2d2|efgf e2d2|^cABc c A3:|2 egfa g2d2|ed^cB Aagf|ed^cA c A3||

X:319
T:Callan Lasses, The
Z:posted by Andrew Kuntz 2/01
L:1/8
M:C|
R:Reel
S:O'Neill - 1001 Gems (717)
K:D
AD (3DDD ADFD|ADEA BcdB|AD (3DDD ADFA|GFEF GABd|AD (3DDD ADFD|
ADFA BcdB|AD (3DDD ADFA|GFEF GABc||d2 fd AdFA|d2 fd cdec|
d2 fd (3Bcd AF|GFEF GABc|d2 fd AdFA|d2 fd cdeg|fdec dBAF|GFEF GABd||

X:318
T:The boys from the County Armagh
Z: posted by Tina Carlsen 2/01
R:waltz
M:3/4
K:D
F4 G2| A6| B4 c2| d6| f4 g2| a6| g4 f2| B6| B6 |A6| c4 d2|f2 e4| e2 c2 B2|
A6| d4 e2| f6| f2 d2 B2| A6| d4 e2| f6| f4 g2| a6| g4 f2| B6| B6| A6| c4
d2| f4 e2| e2 c2 B2| A4 g2| f4 e2| d6:|

X:317
T:Barrowburn Reel, The
R:Reel
C:Addie Harper
Z; 	posted  by Larry Warren 11/00
M:C|
L:1/8
K:D
|:A2|"D"D2DE "D7"FAAd|"G"B2BA BddB|"D"A2AB "Bm"d2de|"Em"fedB "A7"AFEF|
"D"D2DE "D7"FAAd|"G"B2BA Bdde|"D"f2af "A7"egfe|"D"dBABd2:||:cd|"A7"e2ef
ecBA|"D"f2fg fdBA|"Em"g2ga gecA|"D"a2agf2ef|"A7"g2ga gecA|"D"a2ag "D7"f2
ef|"G"g2ag "D"f2ed|"A7"BAAB "D"d2:|

X: 316
T:Ca Ira
Z: posted by Andrew Kuntz, 6/00
L:1/8
M:2/4
S:Elson (1899), from a collection of French cotillions dated 1791
K:G
GG/A/ GG/A/|GG/A/ G2|(G/A/B/c/) (d/B/)(e/d/)|(d/c/)(c/B/) BA|
GG/A/ GG/A/|GG/A/ G2|(G/A/B/c/) (d/B/)(e/c/)|BA G2:|
B(d/B/) (c/B/)(A/G/)|FA/F/ G/D/B,/G,/|B(d/B/) (c/B/A/G/)|
F/A/B/^c/ d2|d(d/e/) d(d/e/)|d(d/e/) d2|(d/e/)(f/g/) (a/f/)(b/a/)|
(a/g/)(g/f/) fe|d(d/e/) d(d/e/)|d(d/e/) d2|(d/e/)(f/g/) (a/f/)(b/g/)|fe d2|
d/c/B/A/ ^GG|^GG A>B|c/B/A/G/ FF|FF G2|ABcB|c(d/c/) BG|A/G/F/E/ D2||

X:315
T:Concertina Reel, The
R:reel
D:Patrick Street 1.
D:Noel Hill & Tony McMahon: I gCnoc na Grai.
Z:id:hn-reel-33
Z: posted by Nigel Gatherer, 8/00
M:C|
K:D
A2FA BAFA|A2FA BAFA|B2 (3cBA BAcA|BAcA BAFA|
A2FA BAFA|A2FA BAFE|FABc dedB|AFEF D2 (3EFG:|
|:Ad~d2 Ad~d2|AddA BAFA|B2 (3cBA BAcA|BAcA BAFA|
Ad~d2 Ad~d2|Addc d2dB|A2FA BcdB|AFEF D2 (3EFG:|


X:314
T:Frosty Morning
C:Traditional
S:Henry Reed
N:Transcribed into ABC format by Dan Mozell from graphic file at
N:Library Of Congress Archive - http://memory.loc.gov.
N:Archive also contains recording.
Z: Posted by Dan Mozell, 6/00
M:4/4
L:1/16
Q:1/4=110
K:ADor
A,2-|A,(CEG) A4 (ABcd) e4|(G2+G2B2+)G2+G2B2+ (GABc) d4|(A,CEG) A2A2 (AB)(cd)
e2(ed|
cB)(Ad B)(A^G2) (GA2)A-A2 :||: (+A2e2+-|+Ae+)(^c+Ae+f/g/) +A2a2+a2 (ab)(af)
e(d=cd)|
(+Ae+d)(ef) +B2g2++B2g2+ e(dcd) {d}e4|A4 {A}c2>(c2 dc)d2 e2(ed|
c)cA(d BAG2) (GA2)A- A2 :|

X: 313
T:Dionne Reel
T:Les Cinq Jumelles
L:1/8
M:C|
S:Alewine & Fleming - The Maid that Cut Off the Chicken's Lips
Z: posted by Andrew Kuntz, 4/00
K:D
(3BcB|:Adfd gdfd|Adfd ed (3BcB|Adfd gdfd|efec d2 (3BcB|Adfd gdfd|
Adfd ed (3BcB|Adfd gdfd|efec defg|afbf afde|fded Bdfg|afbf afde|
fdec defg|afbf afde|fded Bdfg|1 afbf afde|fdec d2 (3BcB:|2 afbf afde|fdec d2
GA||
K:G:
BGAG BGAG|BGAG EFGA|1 BGAG BGAG|EGFA G2 GA:|2 BGAG BGAG|
EGFA G2 AG||
K:D
F2 Ad fdAF|G2 Bd g3B|Acef gecA|defg afdA|F2 Ad fdAF|G2 Bd g3B|
Acef gecA|dedc dcBA|F2 Ad fdAF|G2 Bd g3B|Acef gecA|(3ded (3cdc (3BcB (3ABA|
F2 Ad fdAF|G2 Bd g3B|Acef gecA|dedc defg||
|:a2 fd adfa|g2 e=c gceg|1 a2 fd adfa|gecA defg:|2 a3f agfa|gecA d3||

X:312
T:Georgia Crackers
R:hornpipe
C:Frank Livingston
Z: posted by Dan Mozell, 8/00
Z:Cole's 1000 Fiddle Tunes
M:2/4
L:1/16
K:F
(3cde | fcAc fcAc | fefg agfe | fcAc fcAc | egec egec | fcAc fcAc | fefg afga |
bagf gfed | cbag f2 :||: ba | gfed cBAG | FCA,C FAcf | ecbg ecbg | fcc'a fcba |
gfed cBAG | FCA,C FAcf | ecbg ecBG | F2A2F2 :||

X: 311
T:Garry Owen
C:J-17
z: posted by Albert, 5/00
Z:Transcribed to abc by Mary Lou Knack
R:jig
M:6/8
L:1/8
Q:3/8=100
K:G
g/f/| "G"edc BAG| BcB Bgf| edc BAG| "D"ABA Agf|
      "G"edc BAG| BcB B2c| def gdB| "D"ABA A2 :|
|:\
B/c/| "G"d2B d2B| d2B dgf| "C"e2c e2c| e2c e2f|
      "G"g2a b2a| gfe dcB| def gdB| "D"ABA A2 :|



X:310
T:Jenny In The Cotton Patch
C:Traditional
S:Clyde Davenport
N:Transcribed into ABC format by Dan Mozell from
N:Graphic file of standard notation at Jeff Titon's web site.
N:(http://www.stg.brown.edu/projects/davenport/
N:JEFF_TITON.html)
Z: posted by Dan Mozell, 6/00
K:A
M:2/2
L:1/8
"Tune AEAE" (A2|:A)Bcd e2 d2 | (Bc)dd e2 e2 |
(+eB+ +e2c2+) +ce+ A2 AB | AFEF E A2 B | AFEF E(AA)B |
M:2/4
A4 (A4:|
M:2/2
|:A)BcA d2 ff | edef {f}=g3 f | edef abaf |
[1 eaab a2 A2 :|[2 eaab a2 ||


X:309
T:Mary's Wedding
C:David M. Barton
N:Written for Mary Larsen and Jerry Holland, as a wedding,
N:present, July 21, 1999. (The wedding was in the fall of 1999,
N:in Cape Breton, N.S., Canada.)
Z: posted by Dave Barton, 7/00
L:1/8
M:3/4
R:waltz
K:G

DGA-|:"G"B3 GB d-|"Am"c3 A c e-|"Em7"d2g2e2|"C"c4 d c-
|"G"B2 d3 g-|"Am"e2 c2 B2|"D"A3 GF G-|"D7"A4 d c-
|"G"B3 G B d-|"Am"c3 A c e-|"Em7"d2 g2 e2|"C"c4 d c-
|"G"B2 d3 b-|"Am"A2 "D7"G2 F2|"G"G6-|G2 B2d2|

|"G"g3 d B2|"Bm"f3 d B2|"Am7"e2 g3 e-|"D07"d B4 B-
|"A"A2 ^c2 e2|"A6"a2 f3 e-|"D"d6-|"D7"d2 e2 f2
|"G"g3 d B2|"Bm"f3 d B2|"Am7"e2 g3 e-|"D07"d B4 B-
|"C"A2 G2 E2|"Am7"DE3 G2|"G"G6-|1 G3:|2 G3|]

X:308
T:Pachelbel's Frolics
R:air
S:Eileen Ivers (first album)
Z: posted by Bill Reeder, 3/00
M:2/2
L:1/8
Q:80
K:D
dcde fefg|~a3b agfd|~B3c ~d3B|ABGA F2DF|
GFGA BABc|dcde fga2|gfed (3Bcd ef|1 gedc d3A:|2 gedc d2fg||
~a2fa dafa|~a2ea caea|~f2df Bfdf|AGAB =cAFD|
GFGA BABc|dcde fga2|gfed (3Bcd ef|1 gedc d2fg:|2 gedc d3A||

X:307  
T:Pirntaton Waltz, The
C:Nigel Gatherer
Z:posted by Nigel Gatherer, 7/00
M:3/4
L:1/8
K:D
F>E|D3 FA>c|d2 c>d B>c|A>B G>A F>G|E4 e>D|C3 EA>B|c3 de>c|B>c A>B G>A|
F4 F>E|D3 FA>c|d2 c>d B>c|A>B G>A F>G|E4 e>D|C3 EA>B|
c3 de>f|g3 ab>c|c4||c>d|e3 Ac>e|f3 Ad>f|g3 ef>g|a3 f d2|
B2 g>dB>G|A2 f>dA>F|E2 c3 B|B2 A2 F>G|A>D F>A d2|B>D G>B d2|
c>E A>c e>f|d2 b>a f>d|B2 g>d B>G|A2 f>d A>F|E3 DC>E|D4|]

X: 306
T:See It There
M:4/4
L:1/8
Q:1/8=90
C:Liz Carroll
S:trans by Paul O'Brien from CD
Z: posted by Paul O'Brian, 6/00
K:G
|A,[|:D2 FA df eg|fd e=fecAG|E2CD EGAB|{Bc}BAGE cAGE
|D2FA dfeg|ecG=F (3EFG) cE|{EG}EDAc BGAd
|1Gc (3EFG) FD D2:||2Gc (3EFG) FDDg|]
![|:fd (3efg) (3fga)  ge|dcAG FDDF|FE cE dE (3ABc)
|d2AG{G}FDDg|fd (3efg) (3fga)  ge|d2 AG{G}FD Ac|
BG Ad Gc (3EFG)|1cG EG FD D g:||2cAEG~FDD2|]

X: 305
T:Soldier's Joy
L:1/8
M:C|
S:Kuntz - Ragged but Right
Z: Posted by Andrew Kuntz, 8/00
N:From the playing of Fiddlin' John Carson
K:D
(3dcB|A2 FF D2 FF|A2 BA d2 dB|ABAG FGFD|E2 E4 (#G|
A2) FF DEFD|A2 BA d3 (e|f2) ff efec|d2 d4 (3dcB|A2 FF D2 FF|
ABAF dBAF|ABAG FGFD|E2 E4 (^G|A2) FE DEFD|A2 BA d3e|
f2 ff efdc|d2 d4||
|:A2|d2 f2 abaf|e2 ef g2 ge|d2 df abaf|edcB A3A|
d2f2 abaf|edef g2 ge|fafd egec|d2 d4:|

X:304
T:Tam Lin
M:4/4
L:1/8
Z: posted by Andrew Kuntz, 8/00
K:Em
B,E (3EFE DEFD|C2EC GCEC|D2FD ADFD|CDEG FEDC||
B,E (3EFE DEFD|C2EC GCEC|D2FD ADFA|1GFED B,EED:|2GFED B,EEB||
|:eBBA GEGB|eBBA GEGB|dA (3AAA FAAB|dAAB defd||
eBBA GEGB|eBBA GEDE|CB,CD EDEF|1GBAF GEGB:|2GBAF GEE2||

X:303
T:Tam Lin
M: 4/4
L: 1/8
Z: posted by Andrew Kuntz, 8/00
K: Am
EA (3ABA GABG| F2AF cFAF|G2BG dGBG|FGAc BAGF|
EA (3ABA GABG|F2AF  cFAF|G2BG dGBG|1cBAG EAAG:|2cBAG EAA2||
aeed cAce|aeed cAce|gd (3ddd Bdde|gdde gabg|aeed cAce|aeed cAGA|FEFG
AGAB|1cedB cAce:|2cedB cAAG||


X:302
T: Tree of Life
M:3/4
L:1/8
C:©1988 James Garber
Z: posted by James Garber, 7/00
K:Am
|:E2|"Am"A2 ABcd|e2 c2 e2|"Dm"d2{ed}A2 d2|"Am"c2 cdBc|A2
ABcd|e2 eceg|
"D" ^f2 fdfa|"E7"+B2^g2+ +c2a2+ +d2b2+|"Am" c'bac' ba|"E7"b2
^g2 e2|"Dm" fgfe df|
"Am"ea A2 AB|"F"c2 cAcf|"E7"B2 B^GBe|"Am"Acea ec|1 A4:|2 A4 G2|
|"C"e2 c2>e2|"G"dc B2 cd|"C"c3 ded|c2 cdcB|"Am"A2 A2 AB|
"F"cB A4|"C"G3 FEF|"G"G4 cd|"C"edcd ec|"G"dcBc dB|"Am"A2 B2 c2|
"F"F2 G2 A2|"C"GF E4|"G"B2>A2 B2|"Am"A6|"E7"B4||

X: 301
T:Where The Shannon Rises
M:C
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
R:Reel
N:
N:Where the Shannon Rises. Ed was proud to recall 
N:that the majestic Shannon rose in his county. 
N:For this reason he called his first book
N:of tunes: Where the Shannon Rises.
Z:Joe Reavy
K:D
d|:DEFA defe| (3dcB (3cBA BFFG|AGFE DEFA|dBAF EDCE|
DEFA defe|(3dcB (3cBA BFFG|AGFE DEFA|1 (3Bcd ef fddF:|
2(3Bcd eg fdde fdde||fgaf dcdf|eBfB fBfe|de)g afea|
gfeg fedc|defg afdf|edcd efge|(3f^ga ec dcdA|
(3Bcd AF EDCE||

X: 300
T:Red Tom of the Hills
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
M:C
L:1/8
Z:Joe Reavy
N:Red Tom of the Hills. Tom came from somewhere 
N:in the Monaghan Hills-no one knew exactly where. 
N:He loved to ceili and "pack it in" 
N:Tom had a "shakey" hand that could have 
N:been a trial to most. But you would never know 
N:it from the way Tom could slap large cuts of butter 
N:on his bread at tea time. Mom Reavy said 
N:Tom's hand was not to be pitied
N:"for it always shook deeper into the butter."
K:G
GF|DG (3GFG DE=FD|GABc defa|gfdc (3Bcd BG|(3ABc AF DE=FD|
G2 dG c=fA^F|GABc defgf|dc B2 (3dcB|cAfA g2:||
Bd|g2 afb gfg bg BFFe|=f a^f gfaf|(3fef af dcBc|
dG(3gfg bf (3gfg|BFBd gdBd|=fefa g^fga|fdcA G2||

X: 299
T:Never Was Piping So Gay
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:Never Was Piping So Gay. The concluding line 
N:of O'Driscoll's refrain in Yeats' poem, the 
N:Host of the air. O'Driscoll dreamed that 
N:his wife Bridget was taken by the Host 
N:as he was playing harmlessly at cards with 
N:"the merry old men." When O'Driscoll 
N:awoke from his dream,all that remained of the 
N:dream was the strange unearthly sound of a pipe
N:piping away in the distant air- 
N:"And never was piping so sad, And 
N:never was piping so gay."
K:G
DB,|:G, B,D GBdB|caf dcA FA|G2 BG DGBG|AF (3FFF dFcF|
G2 BFDGB,D|Aafd ^cdef|gfgd cBcA |1FGAc BFDB,:|2FGAc BG G2||
fgd ^cdBF|FGBd cAFA|GB (3cBA BcdB|cafd ^cdef|
gfgd ^cdBF|FGBdcAFA|BG (3GGG AF (3FFF|BdcA G4 ||
gd ^cdBG|FGBd cAFA|GB (3cBA BcdB|cafd ^cdef|gbaf gd^cd|
BGFG cAFA|BG (3FFF AF (3FFF|BdcA G2||

X: 298
T:The Bog of Allen
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compostions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:The Bog of Allen. Mentioned eloquently in Joyce's 
N:short story, "The Dead" (in Dubliners). This 
N:desolate region reminds us of Yeats' line 
N:"the drifting, indefinite bitterness of life" 
N:Ed has always felt that far too much is made 
N:of Ireland's greenery and not enough said 
N:of her terrible greyness. Ed has lived to 
N:see the whole of Ireland, and he has tried 
N:to get as much of it as he could into his own tunes.
K:G
dc|B(F (3AGF G=FDE|=F AF^FDCB,|DG (3AFF GABc|dgfa gfdc|
BG (3GF G=FDE|[A,2=F2] AF ^FDCB,|DG (3AGF GABc |dgrd c2:||
Bc|dg (3gfg bfag|dggf dcBc|dg (3gfg ag gfg|defd c2 Bc|
dg (3gfg bgag|dggf dcBA|GABc defa|gefd c2:||

X: 297
T:The Peddlar's Punch
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:The Peddlar's Punch. Ed likes a title that 
N:can be taken in more than one way. In this one 
N:you don't know which punch of the peddler 
N:is the most lethal. He might pack quite a 
N:wallop if you cross him, but take just one good sup 
N:of his poteen and you'll be lucky if you 
N:don't take total leave of your senses.
K:G
df|G2 BF DGBF|=F2 f CFAF|G2 GB DGBc|dgfd (3cBA FA|
G2 BF DGBG|=F2 [FA]F CFAF|GABc (3dcB (3cBA |1 GBAF DGGF:|
2 GBAF DGGA||B2 gefdcB|A=f (3fefABCA|G2 ge fd^cd|
gfga gfdc|Bdge fdcB|A=f (3fef ABcA|GABc defa|gbag fdcA:||

X: 296
T:Leddy From Cavan
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:Leddy from Cavan. John Leddy and Ed worked 
N:in the plumbing business together and became close 
N:friends over the years. John was proud of 
N:Ed's accomplishments, particularly because both 
N:were Cavanmen. His son John Jr. was a promising 
N:young fiddler who studied with Ed in the fortie
N:John Sr. played the fiddle a bit himself 
N:and had a great love of traditional music.
K:D
DE|:=FEDF EDCE|Dd{e}c defd|[E2C2] {d}cB cAFE|=FEDF EDCE|
DE=FE DA,G,A,|FGAF G2 FG|Ad{e}dc defd|1=cAFE D2 EG:|
2cAFE DEFA||d2 fd Adfd|c2 ec Gcec|d2 [df]d Adfa |gfge fddc|
defd Adfd|cdef g2 fg|(3agf 93gfeA=cBd|1 ^cAGE DEFA:|
2 ^cAGE D2 EG||

X: 295
T:The Slaney Bog
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:The Slaney Bog. This tune became an 
N:instant favorite with "the
N:New York fellows" back in the forties.
K:D
[F3A3] G FGAB|=cAFA G2 FG|(3AB=c AG FGAg|fdec dfec|
AFAF FGAB|=cAFA G2FG|(3AB=c AF FGAg|fdec dde|f2 gf gfed|
cAAB cdeg | fdfa g2 fg|(3agf gfe fddf|(3agf (3gfe fdec|
dfed dAGE|Dddc defg|1(3agf gfe dfec|2(3agf gfe d2||

X: 294
T:Mairedelia
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:Mairedelia. Ed's granddaughter, who is 
N:carrying on the tradition 
N:herself. Maire has won several first 
N:place fiddle medals in local 
N:and New York area feises.
K:D
FG|Addc dcAF|FDA,D FGAB|[Dc]Bcd dAGA|d2 fd ^cAFA|
dcde (3fga ec|dcAF GE=CE|DEFG =cBAF|GE=CE D2:||
fe|defg abaf|e=c (3cBc efge|defg adfa|gece d2 fg|
abaf efge|BecA GE=CE|DEFG dcAF|GE=CE D2:||

X:293
T:Johnny McGoohan's
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:Johnny McGoohan's. Good musicians need 
N:good listeners, and two 
N:of the best listeners where Johnny 
N:and his wife Katey. Johnny would 
N:be waiting on his front porch 
N:hours before "the fellows" were 
N:expected on an evening for a 
N:session of music; and no matter how 
N:long they played, it was never too 
N:late for a few more tunes at 
N:the McGoohans. Tea and skohn did not 
N:mean (as it usually does) that 
N:the fiddling would stop. As Johnny 
N:would put it, "We'll have a bite 
N:to eat and be back at it for a few more 
N:before the night is done." 
N:And Katey would never disagree.
K:G
DF|G2 Bd gdBG|DGBd cAFA|G2 Bd gdBd|cBAG FADF|GABd gfaf|
gedB A2 Bc|(3dcB(3cBA BFAF|1 ACB,A,G,A,B,D|2G2 Ac BFFA|
B2 GA Bdef|gfga gedc|B2 GA B2 eB|dBAF EFFA|B2 GA Bdef|
gfe^c d2 ef|gbag fagf|1 e^cAF G2 GA|2 e^cAF G2||

X: 292
T:The Blessings of Silver
R:Reel
C:Ed Reavy
S:The Collected Compositions of Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
Z: transcribed by Bil 3/00
N:The Blessings of Silver. Written 
N:for Lou and Mary Quinn's 
N:twenty-fifth wedding anniversary. 
N:Ed loved the connotations of 
N:the title: the blessings of twenty-five 
N:years of marriage, the blessings of a 
N:couple growing old together, and the many rewards 
N:of family life. Ed admired Lou not 
N:only because of his musical talent, but also because he 
N:was a self-made man who set high standards 
N:for other immigrants who followed him to the New World.
K:Bb
g>A.|BdBF DGGF|(3d=EF CF DFCF|DFFA Bcdg|{a}g^fdf fdcA|
Bdce dcBA|DGBG ^FDCA,|DFFA Bcdg^fdcA G3:||g|bfa^f gfdc|
=bcd=e fdcd|bga=e f2 ge|fdcA BG[G,G]g|(3bag (3ag^f gfdc|
=Bcd=e {fg}fefa|gbag ^fag+e|1=fdcA BGG:|2=fdcA BDD||

X: 291
T:The High Hill
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
R:Reel
N:It's the hill that almost 
N:disappears in the mist, 
N:where the hill people reside. 
N:Stories have been told about it and about
N:those who live there. Their music is 
N:the music of a lost art and their 
N:stories are the tales of a forgotten time. 
Z:Joe Reavy
K:D
FG|:AD (3FED A,DDE|FGAc dcAG|AD (3FED A,EFA|GE=CE G2FG|
AD (3FED A,DDE|FGAB cBce|dcAG FGAF|GE=CE D2 FG:||
Addc d2 cd|ed (3dcd edd=c|AGAB =cBcd|e=c (3cBc ecdc|
Add^c d2 cd | ed (3dcd edd=c|AGAB =cded|1=cAGE DEFG:|
2=cAGE D2||

X: 290
T:Love At The Endings
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compostions of Ed Reavy
R:Reel
N:Who can forget the impassioned speech of 
N:O'Killigan in O'Casey's Purple Dust, 
N:especially when he sets out to 
N:woo Avril away from her British lord. 
N:O'Killigan has only the simple 
N:things in his favor. But Avril finally 
N:succumbs to his grand talk as 
N:he urges her "to spit out what's here" 
N:and make a home with him out 
N:in the west of Ireland where they'll 
N:both find "things to say and 
N:things to do, and love at the endings."
Z:Joe Reavy
K:D
FE|:DEFA BcdB|AF (3FDF AFEF|DEFA (3BcB AF|(3GFE (3FED B,DDF|
DEFABcdB|AF (3FEF ABde|fgfe dfec|1 dBAF D3 E:|
2 dBAF D3 g|fgfe defg|afbf afed|fgfe dfbf|afdf e2 de|
fgfe dcdB|AF (3FEF E2 DE|FABc dfec|1 dBAF d3 g:|2 dBAF D3 E||

X: 289
T:The Gypsy Girl
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
R:Reel
N:Like Sarah Casey, Synge's "beauty of Ballinacree," 
N:the gypsy girl represents those strange 
N:beauties of the road who have 
N:such devilish wild appeal, unlike any 
N:others we know. And you'll never
N:see the likes of them in any other setting 
N:however far you venture.
Z:Joe Reavy
K:A
ED|CEAc fedc|(3gfe fg aece|(3dcB BA GBEG|Bdgf edcB|
cAED CEAc|dcBc defg|aece dbfg|afec A2:||cd|eaag aece
|dBgB aBgB|Aaag aece|dcBd cAcd|eaag aece|(3dcB Bc defg|
aece dbfg|afec A2:||

X: 288
T:Lane To The Glen
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
R:Reel
N:This is the lane that led to the glen 
N:fiddler, the same solitary fiddler
N:of Ed's dreams. Ed heard him often in 
N:the New World, particularly in th
N:early morning hours when dreaming reaches 
N:its peak performance. Long after we left Cor
N:own, Ed began to speak more openly of 
N:this "strange fiddler" whose music seem
N:to come to him from all the familiar 
N:shops in the old neighborhood. Whenever 
N:we got a tape of a promising young player 
N:from Ireland, Ed would listen
N: it intently. "He's good," he'd always 
N:remark, "but he's no glen fiddler
Z:Joe Reavy
K:F
DE Fdc=B Aefa|G2 dG BGdG|F2 cF Acde|fedc ABcA|
d^cde f2 ag|fedc AFDE|FEFG AGFG |Add^c d2 DE|
Fdc=B AEFA|G2dB =BGdG|F2 cF Acde|fedc A=BcA|
d^cde f2 ag|fedc AFDE| FEFG (3A=BA DE|FDE^C D2 de|
f2 agfddf|ec (3c=Bc Gcef|f2 ag fede|fdec Adde|
fefg (3agf (3gfe|fedc AFDE|FEFG AGFG|Add^c d2 de|
f2 ag fddf|ec (3c=Bc Gceg|f2 ag fede|fded Adde|
(3fgf df dfdf|(3efe ac cece|(agf gfe dcAG|FDE^C D2||

X: 287
T:Aughamore
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
S:The Collected Compositions of Ed Reavy
R:Reel
N:Delia's town, just a short distance from 
N:her native village of Aughtaboy.
N:Like so many beautiful Irish places names, 
N:Aughamore could fit nicely in
N:any charming line of verse.  No wonder the 
N:immigrant takes pride in rehearsi
N:the sound of his own native place.  He has 
N:lost much, but certainly not all.
N:No feeling can quite match that stirring 
N:of the heart when an exile 
N:hears his "own place home" spoken on 
N:the lips of those he loves.
Z:Joe Reavy
K:D
FG|ADFA dAFG|ADFA fedc|BEED EFGf|gfed cAAc|
dfdf cece|BcdB AFDF|EFGA B2 (3dcB|1cAGE D2:|
2cAGE FD D2||fgaf gece|dfed cAAg|fg (3agf bgec|
dfeg fddf|afdf gece|dfed cAGE|FGAB (3ccd ed|
1 cAGE FD D2:|2 cAGE D2||

X: 286
T:Brian Quinn's
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:Brian is now a very successful physician 
N:in Flemington,New Jersey. He is also a 
N:brilliant piano accordionist and a great lover
N:of traditional music. He is the second of
N: Lou's five boys (two girls), 
N:and they all play music instruments.
Z:Joe Reavy
K:G
GF|DGGB dBGB|A=FFE FGAF|DGGB dBGE|=FGAF DGG^F|
DGGB dBGB|A=FFE FGAF|GABc dgbg|1 fdcA (3Bcd GF:|
2 fdcA BGGA||(3Bcd gd Bdgd|BABd cA=FA|(3Bcd gd Bdga|
bgfa gfga|(3bag (3agf gfdc|(3Bcd =fd cA=FD|GABc (3dcB (3cBA|
1BdcA BGGA:|2 BdcA BGGF||

X: 285
T:The Ceilier
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:He would come with his fiddle to "make his ceili." 
N:And he would never come without a new 
N:tune or some new version of an
N:old tune he heard since his last visit. 
N:He could also tell an odd 
N:good story or two.
Z:Joe Reavy
K:G
Bc|d<GBd c=FAc|BGBd gfdc|Bcde =fdeg|^fdBd c=FAc|
BGGF GABc|d<GBd c2 Bc|dgfa gbag|fdcA G2:||
Bc|dggf g2 gf|dgBg dcBc|de=fe f2 fe|d=fcf dcBc|
dggf gfga|(3bag (3agf gfde|=f2 fe fdeg|^fdcA G2:||

X: 284
T:O'Leary's Ireland
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:Yeats wrote about John O'Leary in his poem, 
N:"September 1913." At that time, Ed had just 
N:left Ireland, because his parents saw no 
N:future in the farm and no real opportunities there 
N:for their six children. The poet mourns the 
N:passing of O'Leary in the 
N:1913 poem and the passing, too, 
N:of all the things O'Leary stood for: 
N:"Romantic Ireland's dead and gone, 
N:It's with O'Leary in the grave." 
N:Ed believed in O'Leary-and in Emmet and 
N:Tone. This reel celebrates 
N:their Ireland: O'Leary's Ireland.
Z:Joe Reavy
K:C
GF|EGcG EDEF|GAGE FDDE|FAdA FAde|fedc BGFD|EGcG EGcd|
edcB dcBA|GABc defg|1afdB c2 GF:|2 afdB cde^f|| 
g2 ec gcec|gcec g2 ^fe|de^fg add^c|de^fg adfd|
=cde^f gccB|cde^f g2 fe|1de^fg afdc|BGAB cde^f:|
2de^fg afdB|cedB cBAG||

X: 283
T:Eleanor Kanes's
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:reel
N:Eleanor Kane's. Eleanor lives in 
N:Chicago with her husband Jim (Neary).
N:Both are long time friends of Ed. 
N:Eleanor is one of the few pianists in
N:the tradition who play melody as well 
N:as chords. This reel is considered
N:one of Ed's top tunes.
Z:Joseph Reavy
K:G
GFGA B2 GA|Bgfg edBA|GFGA B2 EF|(3GFE (3FED EB,B,D|
GFGA (3BcB GA|Bgfgefga|(3bag (3agf gafg|ecAF GFGA|
BGFG EFGA|Bgfg edBA|GFGA B2 EF(3GFE (3GED EB,B,D|
GFGA B2 GA|Bgfg efga|(3bag (3agf gafg|ecAF GFGA||
Bdef gfga|(3bag af gfed|BGEF GFGA|Bdd^c d2 ef|
(3gfg af gedc|(3BcB Ac BGEF|GABG FGAc|(BcB AF GFGA:||

X: 282
T:Reilly Of The White Hill
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:Reilly had a wild look and a fondness for 
N:cheating at cards. Before the night was 
N:finished you could bet your
N:last skin of a potato that Reilly would 
N:be stirring up trouble. No one 
N:knew his first name. He was one 
N:of the "White Hill people" from a 
N:region beyond the northern borders 
N:of Ed's farmland.
Z:Joe Reavy
K:D
FG|:Agfe dcdA|B2 (3dcB AFDF|GFGB AFDF|EA,CE DEFG|
Agfe dcdA|B2 (3dcB AFDF|GFGB AFDF|1 EA,CE DEFG:|
2EDCE D2 g||fdAd fgaf|bged cdeg|fdAd fgaf|
bgeg fdde|fgfe dfaf|gfed cdef|dcdA (3Bcd AF|
1EDCE D3 g:|2 EDCE DEFG||

X: 281
T:In Memory of Coleman
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:reel
N:No tune can adequately commemorate this 
N:great fiddler. Ed felt that he 
N:was the last of the great players, 
N:and the only one he ever heard who 
N:had that strange wildness in 
N:his playing that only the great 
N:ones possess. Ed wrote the tune as 
N:if Mike were to play it. Perhaps he 
N:alone had the tools to do 
N:it complete justice.
Z:Joe Reavy
K:Bb
F|DFBd cBGF|DF (3F=EF GFDF|GABc d^fga|(3bag (3ag^f dgga|
(3bag (3ag^f g=fdc|(3=Bcd BG FDCD|FGBd c2 =Bc|c=BcA  _BG G:||
A|B2 fB gagf|=ec (3cBc AFFA|B2 a/2g/2f/2=e/2 fdcA|FGAc BGGA|
B2 fB DBfB|DBfB AF (3F=EF|GABc dbag |d (3cBA BG G:||

X: 280
T:The Glen Fiddler
M:2/2/
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:Ed was told there lived near the edge of the
N:glen a fiddler unlike any he had ever heard. 
N:To this day he wonders 
N:about that solitary fiddler and the strange 
N:tunes he played beside a 
N:distant glen in Cavan. Although he never saw 
N:him play, Ed has heard 
N:some of those same strange tunes in his 
N:dreams. And they have become 
N:his finest compositions.
Z:Joe Reavy
K:G
DF|G2 dG BGdG|=F2 cF AFcF|G2 dG Bcd=f|ec (3cBc BGFA|
G2 dG BGdG|=F2 cF AFcF|GABc (3dcB (3cBA|1 GBA=F DGG^F:|
2 GBA=F DGG^f|| g2 dg Bgde|=f2 a^f gfaf|g2 dg Bgdg|
fd (3cBA BGGf|g2 dg Bgde|=f a^f gfaf|gbag fagf|defd cAFA||

X: 279
T:The Highest Hill In Sligo
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:From this county came some of the greatest 
N:fiddlers in the tradition: Coleman, 
N:Morrison, Scanlon, O'Beirne, and 
N:others before them. It is their Sligo, 
N:the Sligo of Ballymote, Gurteen,
N:and Collooney. And it is also the 
N:Sligo of Ben Bulben, that most famous
N:hill immortalized in the verses of 
N:Ireland's Nobel Prize winning poet 
N:William Butler Yeats.
Z:Joe Reavy
K:D
AF|:FdAF G2 EG|FEFD CDEG|FDFA efaf|gece dBAG|
FdAF G2 EG|FEFD GFEG|FAdf ecdB|1 AFGE FDDE:|
2 AFGE FD D2||fgaf defa|gfga bgeg|fgaf defa|
gbeg ed d2|fg (3agf bagf|(3agf ec dcAG|FAdf ecdB|
1AFGE FD D2:|2AFGE FDDE||

X: 278
T:KnockBride
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:The Reavys lived half way 
N:between Knockbride and Maudabawn 
N:chapels. They had the luxury of 
N:attending either. And they did.
Z:Joe Reavy
K:D
c|d2 cd fdAB|cBcd dAGA|d^cAB [E2=c2] AG|FGAB cAGA|
d^cde =fdec|dcAF GE=CE|DEFG (3ABA GE|=FDEC D3:||
c|defg ad (3ddd|adfd adfB|=cdef gc (3ccc|g=cec gcec|
defg (3agf (3gfe|fdec dcAG|FGAB cBAF|GECE D3:||

X: 277
T:Shanvaghera
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:The name of Brigid's school in County 
N:Mayo. Like so many other place names in 
N:Ireland it has the sound of the tradition in it.
N:The school no longer stands, but Ed's 
N:tune, we trust, will live on to honor
N:the memory of Delia's little schoolhouse 
N:in the far west of Ireland.
Z:Joe Reavy
K:D
FG | Addc d2 AB|=cAG=F ECCE|DA,DE FEFG|(3ABA G_B Adde|
=fedf ed^ce|d^cA^F GE=CE |DEFG Ad=cA|GE=CE D2:||
A2|defg afdB|[E2=c2] Gc EcGc|defg afdf|e=c (3cBc Addf|
afdf edce|dcAF GE=CE|AEFG Ae=cA|GE=CE D2:||

X: 276
T:Hughie's Cap
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:A favorite story of Ed's tells of 
N:Hughie, an easygoing sort who had a fierce 
N:look when he wore a certain cap. Friends would
N:take Hughie along whenever a fight was 
N:anticipated. One look from Hughie and
N:his cap would silence the most 
N:quarrelsome bullies. One night, as it
N:would happen, Hughie's friends found 
N:themselves in the worst sort of mix and quickly 
N:looked for Hughie's help. But Hughie, 
N:alas, had ventured out this time without 
N:his menacing capeen. "Oh God," one 
N:exclaimed, "somebody go fetch Hughie's cap, 
N:or there'll be hell to pay for all 
N:of us this night!"
Z:Joe Reavy
K:F
FG|A2 de fedc|AF (3FEF DGGB|A2 de f2 df|ec (3c=Bc agfe|
A2 de fedc|AGFE FDEC|A,DDE FGAd|1cAGE F2:|2 cAGE FGA=B||
c2 AF A=BcA|d2 =BG =Bcdf|ec (3cBc agfe|fagf dcA=B|c2 AF A=BcA|
d2 =BG =Bcdf|ec (3c=Bc agfe|1 fdcA FGA=B:|2 fdcA F2||

X: 275
T:Maudabawn Chapel
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:The local chapel in Ed's parish 
N:where he first 
N:learned the simple ways of faith.
Z:Joe Reavy
K:D
EF|(3GFE (3GED ECDB,|G,A,B,D ECEB,|G,A,B,D GABd|gabg eaaf|
gabg efge|dfed Bc d2|(3efg fa gbec|dBA=c BEEF|
(3GFE (3FED ECDB,|G,A,B,D ECDB,|G,A,B,D GABd|
gabg eaaf|gfga (3bag (3agf|gfed efge|dfe=c BcdB|
A=cBA GEED||:E2 BE eEBE|GABG AFDF|EDEF GFGB|A2 (3FED A,DFD|
E2 BE eEBE|BAFA B^cde|f2 (3agf gfec|1dBA=c BEED:|2dBA=c BEED||

X: 274
T:The Time We Had In Bansha
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:The tune commemorates the day the local 
N:fife and drum corps went to Bansha.
N:It happened over seventy years ago,
N:but Ed remembers it as yesterday.
Z:Joe Reavy
K:D
A,||:D2 FA =cBA=F|ED^CD EFGE|D2 (3FED FAdB|cege fdde|
fgaf dfed|=cAG=F EC (3CB,C|DEFG AB=cA|1 G=FEG FDDA,:|
2 G=FEG FDDg:|fgag fddB|=c2 gc acgc|fgaf gfge|cdeg fddf |
a^gaf gfge|cded cAGE|D2 (3FED FGAB|1 =cAGE =FDDg:|2=cAGE D3||

X: 273
T:The Wild Swans at Coole
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:reel
N:Ed wanted one of his tunes to commemorate 
N:this favorite poem of his. He didn't know 
N:much Yeats, but what he knew
N:he appreciated-particularly 
N:the last verse of "the Swans"
N:But now they drift on the still water, 
N:Mysterious, beautiful; 
N:Among what rushes will they build, 
N:By what lake's edge or pool, 
N:Delight men's eyes when I awake someday, 
N:To find they have flown away.
Z:Joe Reavy
K:D
dc|:Ad (3edc d2 AB|cBcG E=FGE|DA, (3A,G,A, =CA, (3A,G,A,|
=FEDB, =CA,G,_B,|A,2 =FE FED=C|A,B,=CD =FGAB|=cd^fg agfa|
1 ge^ce d3 c:|2 ge^ce d2 Ac||d2 Ad fgaf|e=c cBc efge|d2 Ad fgaf|
gfag eddc|defg abag|e=c (3cBc efge|a^ga=g (3efg ed|
1=cAGE D3 c:|2=cAGE D3 E||

X: 272
T:Brefni O'Reilly
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:Reel
N:Is one of the landed names of 
N:Cavan and of old Brefni before it. The 
N:O'Reillys have spread far and wide to wherever the
N:immigrant has ventured in his many meanderings. 
N:This title could well be our
N:proud county's battlecry, or the triumphant 
N:chant of a Cavan footballer
N:scoring a winning goal at Croake Park.
Z:Joe Reavy
K:G
DF||:G2 dG FDCD|GAcd fgaf|gd (3dcd cAGA|dcAG FDCD|G2 dG FDCD|
GAcd fgaf|gbaf fagf|1dcAF DGGF:|2dcAF DGGA||B2 ga fagf|
dcBc A=F (3FEF|GABc defg|agfa gfga|(3bag (3agf gfdc|
BGdG A=F (3FEF|GABc dgbg|1 gdcA BGGA:|2fdcA BGGF:||

X: 271
T:Ann From Monaghan
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed's favorite aunt on his mother's side. She was a 
N:lively story teller who could capture 
N:the hearts of the children who heard
N:her speak. And she knew everyone who lived 
N:in her region. Ed never quite
N:finishes talking about this fascinating 
N:woman of the tradition. Much of
N:his musical inspiration has been kindled 
N:by recollections of what Aunt 
N:Ann said many years ago.
K:D
c|:d2 fa gece|dged dAA=c|BGGB AFFA|GFED CDEF|D2 FA E2 GB|
ABce defg|afge fded|cAGE FD D:||g|:faa^g afdc|dfa=g fdd=f|
egg^f ge=cB|=ceg=f ecce|d2 eg ^f2 af|g2 bg ecAf|
(3agf (3gfe (3fde fded|cAGE FD D:||

X: 270
T:The Lad From Balinrobe
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Written to honor the memory of Steve Murphy, 
N:Joe's father-in-law, who was born outside 
N:Balinrobe in the Neale in the early nineteen hundreds.
N:Steve was a spirited man and a true friend.
K:D
D2 (3FED FGAB|=cdeg fd^ce|dcAG FGAc|dcAF GECE|D2 (3FED FGAB|
cBcd cAGA|dcdB =cBcA|1GE=cE D^CA,C:|2GE=cE D2||:(3ABc|defg addc|
Addc defd|=cdef gccB|=cdef gfeg|f2 ec dcAG|FGAB =cdeg|
(3fgf e^c dcAF|GECE D2:||fe|:defg abae|cdef gage|defg abaf|
gece d2 fg|abag efge|defd AB=cA|FGAB =cBAF|GE=cE D2 z:|
2GE=cE D^CA,C||

X: 269
T:The Hunter's House
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:It would be furnished with every evidence 
N:of the prize game he caught. 
N:It would be a place where the best men 
N:would choose to gather and listen 
N:to Ireland's finest players. This is the 
N:setting Ed provides for this 
N:most popular of his tunes.
K:G
A|:Bd (3dcd =cAFA|G2 BG dGBG|Bd (3d^cd =cAFA|GBAG FDCA,|
DGBG cAFA|BGAF GABc|defg agfd|cAFA G2 GA:||B2 gB aBgB|
(3BBB gf edcB|A2 ad bdbd|(3ddd af gfed|B2 gB aBgB|
(3BBB gf edcB|cBAg fdBd|cAFA BGGA|B2 gB aBgB|
(3BBB gf edcB|A2 ad bdad|(3ddd af gfed|B2 gB aBgB|
(3BBB gf edcB|cBAg fgaf|gdBd cAFA:||

X: 268
T:The Letterkenny Blacksmith
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Written to commemorate a legendary 
N:smithy with the strength of 
N:"the Hair O'Brady," who could toss a 
N:stubborn six hundred pound 
N:jackass clear across a stream. 
N:Neil Dougherty was the
N:first to tell Ed of this hulk of a 
N:man who handled horses as if they were
N:just a simple sack of meal.
K:G
DF|:G2 BG AGFD|GABG EA,A,F|G2 BG A2 (3B^cd|ed=cA FDEF|
G2 BG AGFD|GABG EA,A,2|G,A,B,D EFGA|1(3BcB Ac BGGF:|
2(3BcB Ac BGGA||:(3Bcd gd Bdgd|^ceae ce a2|B=cd gd Bdge|
fdcA BGGA|(3Bcd gd Bdgd|^ceae ce a2|(3efg fa gbag|
1fdcA BGGA:|2fdfd cAFA||

X: 267
T:The Way to Shercock
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:When Ed returned with us to 
N:Ireland for a visit in 1969, 
N:we were amazed at his recall of 
N:the old roads in his native region.
N:He knew which ones stood and 
N:which were changed. He never lost his 
N:childhood sense of direction. To 
N:this day, he could still show us the 
N:way to Shercock.
K:G
c|:d2 Ad fdAB|[E2=c2] Gc EcGc|d=cAG FGAF|G2 E=C EFGB|
A2 FA FGAB|[E2=c2] Bd cAGB|Addc defd|cAGE D3:||
c|:defg afdB|=cdef gedA|defg adfa|ge^ce d2 fg|
adfa g=ceg|fedc dcAG|1FGAB cded|cAGE D3:|
2FGAB (3ccd ed|cAGE D3||

X: 266
T:The Whistler of Rosslea
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed was to a fair once in Rosslea and heard 
N:this whistler. He had a 
N:whistling range that could 
N:easily match the register 
N:of a fiddle or flute. And he had 
N:all the embellishments of a great 
N:traditional player, too. He sold fish 
N:in the market places and charmed 
N:his customers with choice 
N:tunes-many of his own making.
K:D
GABc (3dcB cBA|=fdcA BGGE|=FGAB c2 Bc|(3dcB (3cBA BGAF|
GBAc Bdce|dgfa gfdc|3Bcd =fd c2 A^F|1 G2 AF DGGF:|
2G2 AF DG G2||:g2 dg Bgdg|gbag fdde|=f2 cf Afcf|
=fedc AG=FA|Gggf gfdc|Bcde fdcd|gfde =fdcA|
1GBAF DG G2:|2GBAF DGGF||

X: 265
T:The Shoemaker's Daughter
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed wrote the tune in the fifties, 
N:but it did not become popular in Ireland 
N:until the seventies, when it 
N:was record by Seamus Connelly, 
N:the well-known Galway fiddler.
K:G
DF|:G2 DG BcdB|G=FDE FDCD|G2 DG Bcde|=fdBd c2 Bc|
dg (3gfg dc (3cBc|Bcde =fdcd|g^fdc BcdB|FGAF G2:||
ef|:g2 dg bgdg|gfdg fdcd|g2 dg Bgdg|f2 (3cBA BGGf|
g2 dc BGGE|^FGAB c2 Bc|dg (3gfg de=fd|cA^FA G2:||

X: 264
T:The Fisherman's Island
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed believes that fishermen long 
N:to have their own island so 
N:they can live surrounded by the sea they love. 
N:This reel celebrates their quest for 
N:that elusive island home. It is 
N:one of Ed's most popular compositions.
K:D
B,|:A,DFA d2 cd|BA^GB AFDF|(3GFD (3FED CDEF|GBed cBAg|
fd (3dcd edAc|dcdB AGFD|EFGA cded|1cAGE FDEC:|
2cAGE FD E2||:fd (3ddd AF (3FEF|DFAd fdAf|gece bece|
dfed cAGE|DF (3FEF Adfd|Bg (3gfg edcB|Adfa gbed|
1cAGE FD D2:|2cAGE FDEC||

X: 263
T:The Cuilcagh Mountains
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:The origin of the majestic Shannon 
N:is in this small remote mountain 
N:range in Cavan. Ed took pride in this 
N:and for that reason called his 
N:first book of tunes: Where the Shannon Rises.
K:G
DF|:G2 AG FDCD|G2 Ac defg|agfa gfdc|(3ABc AG FGAF|
G2 dG FDCF|G2 Ac defg|agfa gfdc|1AGFA G3 F:|
2AGFA G3 f||g2 ag fdcd =fefg ^fdcd|fgag fdcA|
GBAF DG G2|gfag fdcd|cdfa g2 fg|agfa gbag|=fefg ^fdcA||

X: 262
T:The House of Hamill
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed's mother was a Hamill and 
N:they came from Monaghan. They had
N:a fondness for music and the 
N:traditional way of life.
N:Ed learned many tunes from Mom, who 
N:as an old-time "lyddler." She played
N: no instrument, but she could hold a 
N:tune with the best in her region.
K:D
D|:EBBA BFAF|EBBc dAFD|EBBA (3Bcd ef|gfec dAFD|
EBBA BFAF|EBBc dAFD|EBBA (3Bcd ef|gfec dAFA||
BE (3EEE dE (3EEE|BE (3EEE dAFA|BE (3EEE (3Bcd ef|
gfec dAFD|BE (3EEE dE (3DEE dAFA|BAGF GBef|gfec dAfA||
B2 ^GB eBGB|BA^GB ADFA|B2 ^GB eBGB|=gfec dAfA|
B2 ^GB eBGB|BA^GB ADFA|BA=GF GBbf|gfec dAFD:||

X: 261
T:The Day We Went To Kells
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed was quite young when it happened, 
N:but he remembers vividly the festivity of 
N:the occasion-music of course, and young 
N:and old together to celebrate the trip 
N:to some far off place they had only dreamed of going.
K:G
GA||:BG (3GFG AGFD|BGBG cAFA|BG (3GFG A2 Bc|dfed cAFA|
BG (3GFG AGFD|BGBG cAFA|BG (3GFG A2 Bc|dfed dAFA||
(3Bcd gf afgB|(3ABc eg fdcA|(3Bcd gf afge|fdcA BG G2|
(3Bcd gf afgB|(3ABc eg f2 fg (3agf ge fdeg|fdcA BG G2:||

X: 260
T:The Flight Of The Wild Geese
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:It could be a title that recalls the flight of those 
N:Ulster patriots or just a celebration of 
N:one of nature's recurring themes: the 
N:departure of a wild flock to some distant 
N:shore. The tune is superbly built and 
N:fitting to honor both occasions.
K:D
FG|A2 FA gfec|dBAF E2 FG|(3ABA FA BGBc|dBcA G2 FG|
AF (3FEF EFGA|BGFG E2 ef|gece bged|1cdfe d2:|
2cdfe defg||a2 fd DFAG|FAdf afdf|g2 e=c Gceg|
fagf eAce|a^gab afdf|gfga gece|(3fga fd bged|
1cdfe defg:|2cdfe d2||

X: 259
T:Pat Clark's
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed learned some of the basics of 
N:fiddle playing from this 
N:old Cavan friend who died in 1969 
N:(just a short time after our visit there). 
N:It was also through Pat that Ed 
N:(and his brother George) joined the local 
N:fife and drum corps in Cootehill. The tunes 
N:he learned stimulated an interest 
N:in the old marches. Pat also taught 
N:him a few traditional tunes that he 
N:himself had mastered on the fiddle.
K:D
D2 (3FED FAAc|defd  gbeg|fedf ecAF|GBAG EDCE|
D2 (3FED FAAc|defd gbeg|fedf edce|1dBAF DA,G,A,:|
2dBAF D3 g||fedf ecAF|GBAF GEEF|DFAF EGBG|
FAdf e2 fg|afbf gfec|defd AGFA|(3GGG BG (3FFF AF|
1EDCE D3 g:|2EDCE DA,G,A,||

X: 258
T:The Ireland We Knew
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Much has come and gone in 
N:Ireland since the early 
N:days of this century. Nothing remains 
N:the same in a world that has long 
N:since entered its most advanced technological 
N:age. But poets dream their 
N:dreams, and the heart of every Irishman 
N:longs for the Ireland he once knew.
K:G
dc|BdcA BGG_B|A=F (3FEF ABcA|BdcA G2 A=F|DCB,C DE (3=FGA|
BdcA BGG_B|A=F (3FEF CF (3FEF|GABc (3dcB (3cBA|BdcA BGGA:||
Bggf gd^cd|A=F (3FEF DEFD|Bggf gdBd|cBdc BG=FD|Ggfg agfg|
ecBc A=F (3FEF|GABc dcBc|dg (3gfg fdcA:||

X: 257
T:Chapel Gate
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:The Chapel Gate is Knockbride's, 
N:the family parish. Many a good wedding 
N:party started there featuring the wedding 
N:fiddler and his charming selection 
N:of nuptial tunes.
K:A
A2 EA cdef|gfga gede a^ged cdeg|aged cA=GD|E=GAB =cBAG|
E=GGF G2 AB|^cde^g aged|cA=GB A2 z:||cd|eaag a2 ag|
ea (3aga bgag|edBd =gfgf|(3ef=g dg edcd|eaag a2 ag |
(3ba^g (3a=gf gfed|cdef gfec|dB=GB A2 z:||

X: 256
T:The Light in Dennis Munion's Window
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Dennis lived along the "starry" lane. 
N:His place was near Aunt Ann's home. 
N:As children, Ed and his brother George 
N:would often walk Ann home when night 
N:came on. Ann had keen eyesight and was 
N:able to see Dennis' place long before 
N:the boys could. She said she could 
N:always tell the time of night it was by 
N:"the light in Dennis Munion's window."
K:G
AG|FGAF BDB,D|GBAc BGGA|B^cdf eB=cA|E2 AG FDB,D|
(3GGG BG AGBG|GABc defg|(3agf ge defd|cAFA G2:||
GA|B2 ef gfed|(3BcB GB ABGA|B2 ef gfga|(3bag (3agf gfed|
B2 ef gfed|eBBA B^cdf|(3efg fa gbaf|gedB G2:||

X: 255
T:The Donegal Doughertys
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:In memory of the many talented Dougherty 
N:families. First, of course there 
N:was Neil and his son John, who were 
N:from the Glenties. Neil, a very close friend 
N:of Ed's and a gifted fiddler, was 
N:a special talent. Ed praised Neil as 
N:"a little known master of his trade." 
N:The tune also comemorates Charlie 
N:Dougherty and his wife Mary ("dear people"), 
N:no relation to Neil. And finally 
N:the tune recalls John, the tinker, 
N:and his musical family from the same region of 
N:the Glenties.
K:D
D2 FA dfaf|gece dcAG|FEFG A^GAB|cBcG ED^CE|
DEFD G2 FG|ABcA dcde|fgaf cded|1 cAGE EDCE:|
2cAGE EDDc||d2 fd fafd|cAGF EFGE|d2 fd fafd|
cdeg fddf|(3agf (3gfe fdec|dcAG FEFG|(3AAG AB cBcd|
1faeg fddc:|2(3efg ed cAGE||

X: 254
T:The Village Of Cong
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:This is the village of the Quiet Man, where 
N:Sean Thornton (John Wayne) squares of against 
N:Squire Danaher (Victor McLaglen) in one of 
N:Hollywood's legendary donnybrooks. Ed loved the 
N:quaintness of this village and the people he met there.
K:G
A|GFDE FEFD|G2 dG eGdG|=FEDC B,CDE|F2 cF dFcF|
G^FGA GFDA|GABc defg|(3agf (3gfe d^cde|=fd=cA G3:||
f|gfgd BGGe|=fefc AFF^f|gfga (3_bag ag|fgaf dfga|
(3_bag (3agf gfde|=fage fdcA|G2 (3ABc dBcB|GE=FE DEFE||

X: 253
T:The Loughs of Cavan
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Cavan, "the place of caves," is 
N:also a region spotted with lovely lakes 
N:like Lough Sheelin. Ed likes to refer 
N:to his Cavan birthplace as "my old lake country home."
K:G
GFGB AF (3FEF|dBcA BGAF|GBAF DEFA|dBcA BGAF|
GFGB AF (3FEF|dBcA BGAF|GBAF DEFA|dBcA BGGf|
g2 ag fddf|eccB cdef|gbag fafd|cBAc BGGf|
g2 ag fddf|eccB cdef|gbag fafd|cedc (3Bcd cA||

X: 252
T:The Exile
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:The sad gaiety of this tune celebrates 
N:the longing of the exile for his native 
N:home. No one quite understands the 
N:irony of a happy farewell as well as the poet 
N:in Frank O'Connor's translation from the Irish: 
N:What happier fortune can one find, 
N:Than with the girl who pleases one's mind; 
N:To leave one's home and friends behind 
N:And sail on the first favoring wind.
K:G
FE|DGBd cAFA|DGBd g2 fg|afdf gfed|^cdBG FGAF|
DGBG B,DFA|GABd c2 Bc|(3dcB (3cBA fdBd|cAFA G:||
ef|g2 bg fgaf|^cdeg fddf|eccB cde^c|defd =cAFA|
g2 dg bgdg|fed^c defg|(3agf (3gfe BABd|cAFA G:||


X: 251
T:The Passing Fancy
R:Reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Only the great tunes survive. But in 
N:our time we also welcome the charming 
N:lift of a passing fancy. The first fresh 
N:strains of a well-wrought tune make 
N:us all a little bit better for the hearing of it.
K:G
DF|G2 Bd cAFA|GBAG FDB,D|G2 Bd (3cBA FA|defd cAFA|
G2 Bd (3cBA FA|GBAG FEFA|GBAc (3B^cd eg|1fdcA BGGF:|
2fdcA BGGf||gfeg fedf|gfga bgef|gfeg fedf|ecAG FGAf|
g2 eg fedf|gfga bgeg|(3bag (3agf agfg|1ecAc BGGf:|
2ecAF G2||

X: 250
T:Charlie Mulvihill's
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Named for a very popular musician who was 
N:born in the Bronx of Irish parents. 
N:He probably knew more tunes than any musician 
N:in Ed's memory. He had a great love 
N:for the tradition and this was reflected 
N:in his sensitive renditions of the countless tunes he knew.
K:D
A2 FA DAFA|G2 E=C EFGB|(3ABA FA DAFA|defd ^cAGE|
A2 FA DAFA|(3GGF E=C EFGB|AB^Cd fded|cAGE DEFG:||
d2 fd fafd|e=c (3cBc efge|d2 fd fafd|cAGE EDDc|
d2 fd fafd|e=c (3cBc efge|defg abag|eaag eddc:||

X: 249
T:Molly on the Shore
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Fritz Kreisler once recorded a setting 
N:of this popular tune. Ed re-wrote the first 
N:two parts and added an original third 
N:part. That third part is one of his 
N:finest compositions.
K:G
GF|DGGB d2 cA|d2 cA FGAF|DGGB d^cde|=fd=cd Agg^F|
DGGB d2 cA|d2 cA FGAF|DGGB d^cde|=fd=cd AGGA|
dg (3gfg afgf|dfcf dfcf|dg (3gfg afgf|d=fcd AGGA|
dg (3gfg afgf|dfcf dfcf|(3bag (3agf gfde|=fdcA G2 G^F|
DGGB dcAG|D=FCF DFCF|DGGB d^cde|=fdcd AGG^F|
DGGB dcAG|D=FCF DFCF|DGGB d^cde|=fdcA AGGA|
g3 a fe^fa|gfga fdcf|gfga fgag|^fdcd AGGA|
g3 a fe^fa|gfga =f2 ga|(3_bag (3agf gfde|=fdcA G2||

X: 248
T:Killour House
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:The home of Matty and Bridie Murphy 
N:in the Neale (County Mayo). Ed visited there 
N:in '69 with Joe and his wife Mary Jo, 
N:(niece of the Murphys). The house was 
N:traditionally Irish: no hot water, 
N:no "fancy plumbing," only a full 
N:measure of love and genuine 
N:Irish hospitality. The Murphys follow the 
N:simple life and this left us 
N:with fond memories long 
N:after we returned to the States. 
N:May Killour House live 
N:on in this traditional tune 
N:dedicated to them by Ed.
K:G
dc|BGFG Bdgd|BGFG cAFA|B^cdf e=ceg|fafd =cAFA|
(3B^cd AF GDB,D|G,B,DG Bdeg|(3fga fd cAFA|GBAF G2:||
ga|bagf gdBd|cBcA FGAF|GBdB ceag|fgfd ^cdef|
gbaf gdBd|cBcA FGAF|GABd cAfA|GBAF G2 ga||
bagf fdBd|cBcA FGAc|BcdB ceag|(3fga e^c d2 ef|
(3gfg bg dBGB|cBcA FGAF|GABc (3dcB (3cBA|GBAF G2||

X: 247
T:Whitecross
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:A title Ed picked for Lou Quinn, 
N:a lifetime close friend who comes from 
N:a place near Whitecross in County Armagh. 
N:It was mainly through Lou's encouragement 
N:and support that Ed continued to 
N:write traditional tunes for the 
N:last sixty years.
K:G
B,C|DG (3GFG G,A,B,C|DEFD (3GFG GA|BGdG Bcde|=fdBd Af (3FEF|
GABc de=fd|g^fdB c2 Bc|dg (3gfg dcBd|1cA=FA G2:|
2cA=FA G2 GA||K:Bb B2 df =egcA|B2 dB AcFA|B2 df =egcA|
(3Bcd cA BGGA|B2 FB DBFB|DBFB AF (3F=EF|GABc d2 CA|
BdcA BGGA|B2 df =egcA|B2 dB AcFA|B2 df =egcA|
(3Bcd cA BGGA|B2 FB DBFB|DBFB AF (3F=EF|
GABc (3dcB (3cbA|BdcA BGG=F||

X: 246
T:The Tinker Cart
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:This is Ed's setting of an old tune 
N:that is seldom heard today. It's one of those 
N:lovely slow reels that has the right 
N:touch in the most important spots. Ed's "fixing" 
N:of it in this setting makes it atruly superb fiddle tune.
K:G
D|GABd cAFG|AGGF GABc|(3dcB AG FGAc|BGAF GFED|
GABd cAFB AGGF GBdg|fdcA FDEF|1AGGF GDEF:|2AGGF G2 Bd|
gage fgfd|(3cBA Bc dcdf|gage fgfd|(3cBA dB c2 ef|
gage fgfa|gfed ^cdfg|(3bag fd cAFG|AGGF G2 Bd||
gage fgfd|(3cBA Bc dcdf|gage fgfd|(3cBA dB c2 ef|
gage fgfa|gfed ^cdfg|(3bag fd cAFG|1AGGF GDEF||

X: 245
T:Pat Boyle of Glencolumkill
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed met many fiddlers through the years, 
N:but Pat was special. He came to Corktown 
N:early in the century and encouraged 
N:young Irish musicians who settled there. Some of 
N:Ed's best compositions were 
N:inspired by the playing of Pat Boyle.
K:D
DEFG A=cBd|=cAG=F EC (3CBC|DE^FG A=cBd|=cAGE (3DED D^C|
DEFG A=cBd|=cAG=F EC (3CB,C|DE^FG A=cBd|=cAGE (3DED DA|
def^g (3aga fd|cdef g2 ec|def^g (3aga fd|cA=GE FDDc|
def^g (3aga fd|cdef g2 Bc|dfe=g fdcA|GBAG (3FGF (3EFE||

X: 244
T:The Glen Reel
M:2/2
L:1/8
C:Ed Reavy
Z: transcribed by Bil 3/00
R:reel
Z:Joe Reavy
N:Glens are not always pictures of springtime 
N:greenery. Ed remembers them much as 
N:Nora did in Syngeis Shadow of the Glen- 
N:"and seeing nothing but the mists rolling 
N:down the bog, and the mists again, 
N:and they rolling up the bog, and hearing nothing 
N:but the wind crying out in the bits of 
N:broken trees left from the great storm, and 
N:the streams roaring with the rain." 
N:Ireland is the terrible beauty of the dark glen 
N:in the depth of its wild wind and storm.
K:Bb
GF||:DGGA B2 AG|Agfd cAGF|DGGA B2 AG|AdcA AGGF|
DGGA (3BcB AG|Agfd cAGF|DGGA B2 AG|1AdcA AGGF:|
2AdcA AGG^f||gbag fdd=e|(3ff=e fd cAGA|gbag fdd^c|
dg^fa gfga|(3bag (3ag^f gfd_e|(3=ff=e fd cAGF|
DGGA B2 AG|1AdcA AGG^f|2AdcA AGGF||

X: 243
T:John Roarty's
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:John had a taproom in West Philadelphia 
N:in the thirties. Ed on occasion 
N:played there for John and his friends. 
N:John himself played the fiddle at the Philadelphia 
N:dance halls (29th and Market Sts.) back in the twenties.
K:C
AG|EGAB cGAG|EGAB c2 AG|EGAB cGAc|d2 ed d^cAG|
EGAB cGAG|EGAB c2 AG|EGAB cGAc|d2 ed ^cde^f|
g2 ec Ace^f|gece abag|ecgc abag|ed^ce d=ca^f|
g2 ec Ace^f|gece abag|ecgc abag|ed^ce d=cAG||

X: 242
T:The Market Day
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Always a special day in the old tradition.
K:D
A||dcAG FDDE|FEFG AB (3=cBA|dcAG FDDg|fdec dfec|dcAG FDDE|
FEFG AB (3=cBA|d^cAG FDDg|fdec d2 (3ABc|d2 fd adfd|
cdeg fdec|d2 fd adfd|cdeg fddc|defg bged|
cdef g2 fg|(3agf (3gfe fded|cdeg fddc||

X: 241
T:The Starry Lane to Monaghan
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Barnagrove is near the Monaghan border. 
N:On a starry night, so the story goes, one 
N:could look down this lane and see clear through 
N:to the neighboring county. Ed's mother came 
N:from Monaghan. To this day, he has a special 
N:fondness for Monaghan people.
K:G
EF|GEBE eEBE|GFGB AFDF|GEB,E GABd|(3efg fg ed^cd|
BEEF GEB,E|GFGB AFEF|GABG FGAF|1EFGA BEEF:|
2EFGA BEEf||gbef gbeg|fdd^c defa|gbef g2 fe|
defd Beef|geBA ^GABd|^cdeg fddf|(3gab eg fe^ce|
1dBAF E2 ef:|2dBAF E2||

X: 240
T:Lisnathara
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed says it was a legendary place in Ulster 
N:where musicians gathered once a year 
N:"to revel and make grand music. 
N:"This reel is the fulfillment of a young boy's dream.
K:Bb
GA|BdBF DGGA|(3Bcd BF D=EFA|G^FGA BABc|dg^fa gfdc|
=Bcd=e fdeg|^fd=Bd cAFA|(3=Bcd BF D=EFE|1=FGAc =BGGA:|
2=FGAc =BGGg||(3bba gf gfdc|Bcde =fdcd|gabg ^fgaf|
dggf gfga|(3bag (3agf gfdc|_BABd cAFA|(3=Bcd B=F DCB,C|
1=FGAc BGGg|2=FGAc BGGA||

X: 239
T:The Old Players
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:The tune commemorates the great fiddlers of 
N:the past: Michael Coleman, Kipeen Scanlon, 
N:and a host of unheralded ones who went to the 
N:clay unrecognized. The history of Ireland is 
N:a fiddle. It alone can convey the sounds and 
N:feelings of sad gaiety that characterize the 
N:plight of that long-troubled land.
K:C
BG|EAAB ^cded|^cdec dBGD|EAAB ^cde^f|ge^fa gefd|
^cde^f gfge|a^ge^c d2 cd|ede^f gfge|dBGB A2:||
e^g|a2 ^gb aged|^cdef gfef|g2 ^fa gfef|g^fgd BGG^g|
a2 ^gb aged|^cde^f gfge|(3aa^g a^f =gfge|dBGB A2:||

X: 238
T:The Last Tune
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:It may not be the last one, but it certainly 
N:will do as a fine conclusion to a story that began 
N:almost a century ago on a country farm near the 
N:town of Cootehill in County Cavan.
K:C
AB|c2 GF ECCD|B,CDE FDB,D|G,A,B,C DE^FG|AB (3ccd edcB|
c2 Bd cGEG|FEDC B,CDF|(3EED EG ^FGAc|1Bcdf eccB:|
2Bcdf ecc^f||g2 ^fa gece|=fedc BGGB|AFFE FGAc|
(3Bcd eg ^fdBd|g2 ^fa gece|=faaf dBGB|AFFE FGAc|
1Bcdf ecc^f:|2 BcdB cGAB||

X: 237
T:The Mountain Home
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:There is a mountain road that leads to this secluded home 
N:in the Irish hills. The hill people that live there cherish 
N:the old values. The exile secretly weeps for what is gone 
N:forever: his long lost mountain home.
K:G
GA|BcdB GFGB|A=FcF dFcF|BcdB GFGB|AGFG AGGA|
BcdB GFGB|A=FcF dFcF|BcdB GFGB|AGFA G2:||
Bc|dggf gbag|fd^cd fd=cA|dggf gbag|fdcA G2 AF|
Gggf gbag|fdcd =f2 fg|ag^fa gbag|fdcA G2:||

X: 236
T:Charlie McDevitt's
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Named for a keen observer of the music. He was one 
N:of the many Donegal fiddler friends of Ed, who came 
N:often to exchange tunes and old stories. Charlie had 
N:a great head for the music, but not the hands to match. 
N:Trying to finger a difficult passage he was often heard 
N:to exclaim, "They won't go down." But this did not deter 
N:Charlie from becoming an important influence in the 
N:tradition at that time. He affectionately called Ed, 
N:"the Doctor".
K:D
ed|cAAG FDEF|GDEF G2 AB|cBAG EDEG|Addc dfed|
cAAG FDEF|GDB,D G2 AB|cBAG EDEG|Addc d2:||
ed|cdef gfge|a^gaf =gfge|cdef gfge|fage d2 ed|
cdef gfge|a^gaf =gfed|(3Bcd ef gfge|fage d2:||

X: 235
T:Crossmaglen
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:I'm told that the road from Carrickmacross to Crossmaglen 
N:is lined with your worst sort of rogues. The verse 
N:perhaps comes from some old cantankerous Irishman 
N:who probably never himself walked this road. If he had, 
N:he would surely have been charmed with the likes of what he 
N:saw and heard. (Another tune to delight Ed's close friend 
N:from Armagh: Lou Quinn).
K:F
de|fedc ADDE|FDAD FDDF|Ec=Bc ECCE|Ddd^c d2 de|
fgdf edce|(3ddc AF EDCE|DE^FG AdcA|GECE D2:||
de|fefg afdf|ec (3cBc Gceg|fefg afdf|ed^ce d2 fg|
afdf ed^ce|(3ddc AF EDCE|DE^FG AdcA|GECE D2:||

X: 234
T:The Drover's Journey Home
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:The drover was a part of the tradition that Ed felt 
N:should be remembered. He drove his herds across the cold, 
N:dark fields of that ancient land much as his father did 
N:before him. A part of that story is told beautifully 
N:in Padraic Colum's poem "The Drover."
K:D
D (3gfd dfed|cAGA cdec|dcAG FGAE|FEDB, CA,G,B,|
A,2 DE =FD=CD|=FEFG A^cde|(3fga gf dcAF|1GE=cG EDCE:|
2GE=cG EDD^c||d2 ad bdad|(3ddd ag efge|d2 ad bdad|
=cAGA cdec|d2 ad bdad|(3ddd ag efge|abag efge|
dB=cG EDD^c||d2 ad bdad|(3ddd ag efge|d2 ad bdad|
=cAGA cdec|d2 ad Adad|(3ddd ag efge|abag efge|
dB=cG EDCE||

X: 233
T:Monaghan Hills
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:One of his tunes had to pay tribute to these hills; 
N:not the Fork Hill region that Paddy Kavanaugh celebrated, 
N:but the same nearby hills of Monaghan that Ed's mother 
N:and his Aunt Ann spoke of in childhood stories. Ed's 
N:mother played no musical instrument, 
N:but she could "lyddle" all the great 
N:tunes of her region. This love of the tradition she 
N:passed on to Ed.
K:G
DG (3GFG BGAB|cABc dfeg|(3fga fd ^cdec|AB=cA FGAF|
G2 Bd cAFA|GABd cABc|(3dcB (3cBA fdBd|1cAFA G3 F:|
2cAFA G3 f||g2 bg BcdB|cbag fdde|f2 af ABcB|
cbag fddf|g2 dg Bgdg|cBAG FGAB|(3dcB (3cBA BGAG|
1FGAc BGGf:|FGAc BGGF||

X: 232
T:Captain Tom Connolly's
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:For an old New York friend of Ed's and a fine fiddle 
N:player himself. This fulfills a promise to Tom made 
N:several years ago.
K:G
Bc|dBgB cAFA|DGBG FGAF|DGBd gdBd|cBAG FGAF|
DGBG B,DFA|GABd cABc|dg (3gfg defd|cAFA G2:||
ef|g2 dg Bgdg|Bcde fdde|fgaf defa|gfge fddf|
gbag fagf|d^cde fefg|(3agf (3gfe defd|cAFA G2:||

X: 231
T:Tales Of Barnagrove
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:What we feel in Paddy Kavanaugh's verses we can also 
N:hear in Ed's tunes: the simplicity of country people, 
N:their old roads and villages, and the nearby rising 
N:Monaghan hills. Tales of Barnagrove tells how Ed 
N:felt about his early native experiences in that 
N:region of Ireland.
K:A
cd|eA (3cBA EAcd|eAce aecd|eA (3cBA agec|dB=GB d2 cd|
eA (3cBA EDCD|EAcd ef=gd|ea (3aga =gece|dB=GB A2:||
cd|ea (3aga bgag|ea (3aga edcd|eg (3gfg agfg|(3ef=g fg gdBG|
ea (3aga bgag|edcB cdef|gfge a^gec|dBGB A2:||

X: 230
T:The Side Of The Road
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:The talented, wayward travelling people made it their home. 
N:We weep to tell the sad loss of talent among those wild 
N:wanderers of the road. Some of the best fiddle players in 
N:Ireland came from their ranks.
K:G
ef|gfed BEEF|(3GFE B,E G,EB,E|GFGA BABd|(3efg fd e^def|
gfeg fedf|edBG FDB,D|EDEF GFGA|(3B^cd AF E2:||
ef|gfga bgeg|fd (3d^cd Adfa|geBA ^GABg|fe^df e2 g2|
bagf agfg|ed^cd BGEF|GFGA BABd|(3efg fd e2:||

X: 229
T:Fiddlers Mountain
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Fiddlers need to be heard, so why not a place apart, a mountain 
N:just for them. And where is this spot to be where the great tunes 
N:of Ireland are commemorated? If it is only in the mind of man, 
N:it is place enough for those of us who seek it.
K:C
AB|cGAG EGGB|cGAB cded|cGAG EGGB|cedB (3AGA AB|
cGAG EGGB|CGAB cded|cGAG EGAB|cedB (3ABA AB|
cde^f gfge|dBGB dedB|cde^f gfge|a2 (3ba^g a=ged|
^cde^f gfge|dBGB dedB|^cde^f gfge|1(3a^ga (3bag a=ged:|
2a2 (3ba^g a2||

X: 228
T:The Old Camerionian
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed's setting of a very old tune. Just how much he altered the reel 
N:over the years is hard to say now. Some of his later compositions are 
N:traceable to the fine strains of this old tune.
K:F
A=B|cF (3FFF cFAF|cF (3FFF cFAc|=BGG^F GABc|dG (3GGG dcA=B|
cF (3FFF cFAF|cF (3FFF cFAc|=BGG^F GABc|dG (3GGG dcAG|
Ffeg fdcA|Ffeg fdcA|Gg^fa gbag|=fage fedc|Ffeg fdcA|
Ffeg fdcf|egcg ^fade|1=f2 ag fed=B:|2=f2 ag f2||

X: 227
T:The Hills Of Old
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ireland has no mountains, only high hills. And these 
N:hills are older than the centuries of man, and 
N:older too than the many tunes he fondly fashions.
K:F
de|fagf dcAF|G2 AG FDCD|FEFG AGFG|cAGc Adde|
fagb agfe|1dfec dcAG|FGA=B cdeg|fdec Adde:|
2dfec dcAE|FGA=B c2 AF|G=BAG FDDe||f2 af Afaf|
Afaf gece|f2 af Afaf|gece fdde|f2 de (3efe ce|
defd cAGA|FEDE FGAc|fdec Adde:|2FEDE FGA=B|cAGE D2||

X: 226
T:Green Island Home
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Many a green island rests along the rim of the far oceans; 
N:but for those Irishmen that cherish the memory of their own 
N:dear land, there is only one Green Island Home.
K:D
AB|=cBcA G2 fg|Addc AddB|=cBcA GBAG|FD=CG, A,DDB|
=cBcA G2 FG|AB=cA d^cde|f2 df edce|1dcAG FDDB:|
2dcAG FDDe||fgaf dcdf|e=ccB cdeg|fgaf d^cdB|
^cAGF Addf|abaf gage|fedc defg|(3agf (3gfe fded|
1cAGE D2 de:|2cAGE D2||

X: 225
T:The Creel Of Turf
R:reel
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/2
L:1/8
Z:Joe Reavy
N:Ed got the "strains" of this tune 
N:many years ago from Jimmy McElroy, 
N:a County Monaghan flute player. The title 
N:comes from Synge's verse 
N:about Patch Shaneen and Maurya 
N:Prendergast. Shaneen grieves 
N:the passing of Maurya, his wife, 
N:who travelled the roads with 
N:him "west in Carnareagh"- 
N:"She'd pick her bag of carrageen 
N:Or perries through the surf, 
N:Or loan an ass of Foxy Jim
N:To fetch her creel of turf." 
N:The poor couple had little, but they loved 
N:much. The poem and tune make a 
N:good match for anyone seeking 
N:a glimpse of the old Ireland.
K:D
dc|AD (3DDD AGAG|E=CCD EDEG|AD (3DDD AGAG|EDCE DcBc|
AD (3DDD AGAG|E=CCD EDEG|AGAB cBcA|1GE=CE D2:|
2GECE D3 F||GAcd efed|cAGA cAAF|GAcd efed|
cAGA c2 [E2c2]|GAcd efed|cAGA cBcd|edec dedc|
aG (3ABc dedc||

X: 224
T:The Crossroads Dance
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:It was a popular place for holding 
N:dances in the old tradition. Ed was not 
N:much of a dancer, but he went along 
N:just the same in hopes that an 
N:"odd good player might be manning the fiddle."
K:G
e/2f/2|gfe dcB|A2 E E2 F|GFG DEF|G2 D D2 f|
gfe dcB|A2 E E2 F|GFG DEF|G3 G2 f||gfe dcB|
e2 E E2 F|GFG DEF|G2 D D2 f|gfe dcB|e2 E E2 F|
GFG DEF|G3 G2 A||:B^cd efg|dcB A2 B|cBA a2 g|
fdf gdB|GBd gfg|dcB A2 B|cBA a2 g|1fdf g2 A:|
2fdf g2 f:||

X: 223
T:Both Meat and Dhrink
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:"Old Pat Kane" was a Wexford 
N:man who worked on a rich man's 
N:estate in the Philadelphia suburbs. 
N:Ed visited Pat and his wife 
N:in the early seventies, a year 
N:or so after his visit to Ireland. 
N:Pat worked the farm much as he did 
N:in the Old Country and he had 
N:great flavor in his language. He 
N:liked his bottle of "Porther," 
N:whenever he could get it. He 
N:often exclaimed that man needed 
N:nothing else to sustain himself 
N:in this life. "It is more 
N:than a drink," he was heard to 
N:say-"it's both meat and dhrink."
K:G
DGB d^cd|edB cAF|GBd gfg|bag fga|geg fdf|
edB cde|fdf agf|1gdB cAF:|2cAF G2 g||
gfg gfg|dBG FGA|=fef fef|ag^f agf|gfg bag|
fga gfd|cAF DEF|AGF G3:||

X: 222
T:The Women of Monaghan
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:For the Hamill women and the 
N:other lovely people that Ed 
N:knew as a child in neighboring Monaghan.
K:G
B/2A/2|GEF GAB|g2 B f2 B|efg fdf|e^ce dBA|
GEF GAB|g2 B f2 B|edc BcA|1G3 GBA:|2G3 G2 f||
gfe fga|f2 d def|gfe fga|b2 e e2 f|gfe def|
agf g2 f|edB cBA|G3 G2 f||gfe fga|f2 d def|
gfe fga|b2 e e2 f|gfe def|agf gfe|dcB cBA|G3 GBA:||

X: 221
T:The Castleblaney Piper
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Ed said that this was a great place for pipers 
N:in his day. Ed is not a great lover of the pipes, 
N:but he had a special feeling for these great pipers 
N:of his childhood days when he visited the Hamills 
N:and family friends in County Monaghan.
K:D
A/2G/2|FDF ABc|dfd AGF|GBG EFG|FDF GFE|FDF ABc|
dfd cde|faf gec|edc d2:||e||fed gfe|fed cAF|
GBG FGA|BGE E3|f2 d g2 e|fed cde|faf gec|edc d2 e||
fed gfe|fed cAF|GBG FGA|BGE EFG|FDF ABc|dfd cde|
faf gec|edc d2|| 

X: 220
T:Swans Among The Rushes
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Ed loved to watch their flight and see them 
N:"paddle in the cold companionable streams or 
N:climb the air." He watched them, too, when 
N:they laid their eggs among the rushes in the lake 
N:waters near the family farm in Barnagrove.
K:G
f|gfg agf|gdB e2 d|cBc EFG|AGE D2 B,|DGB BAB|dcB cBc|
fed cAF|GBA G3:||Bcd efg|fdf ecA|GBd eag|fdf g3|Bcd efg|
fdf ece|fef agf|gba g2:||

X: 219
T:Two Sisters
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:For two of Ed's grandaughters,
N:Sheila and Eileen Steskey.
K:G
D/2F/2|G2 B F2 A|GBd gdB|G2 B F2 A|cAG FDB,|d2 B F2 A|
GBd gdB|cec BdB|AFA dBA:||Bd^c d2 e|dBd gdc|Bd^c d2 B|
AFA cBA|Bd^c d2 e|dBd gdB|cec BdB|AFA cBA:||

X: 218
T:The Bearded Fiddler
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Farley was a great tramp fiddler who roamed 
N:through Monaghan and Cavan on fair days. His 
N:daughter sold the family wares as he played 
N:to the delight of their customers. Ed recalled 
N:one day that Farley played so beautifully that 
N:the daughter threw her arms around him in a 
N:burst of spontaneous joy. Ed never forgot the 
N:wholesome feelings expressed there, nor did 
N:he fail to recognize the life-warming 
N:secrets shared by those who love the 
N:music of Ireland.
K:D
A/2G/2|FAd fAF|GBd gAG|FAd fAF|GEF GFE|FAd fAF|
GBd gag|fed edc|d3 d2:||f/2/g/2|afd Adf|gec Afg|
afd AGF|G3 GAG|FAd fAF|GBd gag|fed edc|d3 d2:||

X: 217
T:The Town Of Coothill
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Ed's own town in Cavan, just a short distance from his 
N:native village, Barnagrove. He was amazed at how little 
N:the town had changed when he visited there in '69 - 
N:"Only the lane where the fish was sold has 
N:changed," he remarked. "It's still the same old Cootehill."
K:F
FAc faf|ece gfe|bgf ece|gfe fcA|FEF Acf|
eGA BAG Adc BGE|FGF F3:||Acf Acf|dBB B2 A|
GBd GBd|ecc cde|faf ebg|ece gfe|fcA BGE|FGF F3:||

X: 216
T:Packy's Place
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Owned by Ed's favorite neighbors, the Clerkins. 
N:Their son Packy was running the farm when we made 
N:our visit there in '69.
K:G
f|gdB GFG|ABG FED|gdB GFG|Ad^c def|gdB agf|
bag faf|gdB cAF|GAG G2:||A|B^cd def|gfe d=cB|
BGB dBG|cBc ABc|BGB def|gdB ecA|fdB cAF|GAG G2:||

X: 215
T:Aughtaboy
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:The village the Morleys came from Delia (Brigid), 
N:Ed's wife, was born there February 18, 1902. The old 
N:house still stands after these many years, though no 
N:one now lives there. Four of the eight children are 
N:still living: Delia and Margaret here in the States, 
N:and Jim and Eileen in England.
K:G
D|GAG BGB|d^cd gdB|GFG BAG|FDF AGF|GDB, G,B,D|
DAF FEF|BdB cAF|AGF G2:||A|Bdg fdf|ece dBG|Bdg fdf|
agf g2 A|Bdg fdf|ece dBG|c/2c/2AG FEF|AGF G2 A||
Bdg fdf|ece dBG|Bdg fdf|agf g2 a|bag faf|gdc BAF|
GBB FAA|cAF G2||

X: 214
T:Gene O'Donnell's
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Written for Eugene O'Donnell, the talented 
N:dancer and fiddler from Derry. Gene has been a close 
N:friend of Ed's since the fifties.
K:G
E/2F/2|GFG AGA|Bef gfe|BFE EFG|FDF AGF|EB,E GFG|
BAB efg|ed^c dAF|1GEE E2:|2 GEE E f|eBe gfg|
bge efg|fdd d^cd|fdf agf|eBe gfg|bge efg|
ed^c dAF|GEE E2 f|eBe gfg|bfe efg|fdA FAd|
fdf agf|gbg faf|gfe Bcd|ed^c dAF|GEE E2||

X: 213
T:The Swallow's Nest
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Ed could not explain why certain tunes became 
N:jigs and not reels or hornpipes. His simple 
N:retort was: 
N:"I guess a jig was just meant to be a jig."
K:D
A/2c/2|dcd gdc|dAG FED|FAd cAF|E=cE GFE|DFA dAF|
EGB efg|f/2f/2df gec|edc d2:||f/2g/2|a<ba fdf|
gag ecA|fef gfg|ecA GFE|DFA dAF|EGB efg|
1f/2f/2df geA|edc d2:|2f2 f gec|edc d2||


X: 212
T:The Irish Washerwoman
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:JoeReavy
N:The original setting of this all-too-familiar tune
N:has been thoroughly played out. Ed's 
N:setting elevates the strains of the old tune and 
N:gives it more dignified footing. There is no Kiss 
N:Me, I'm Irish in Ed's version of this popular 
N:St. Patrick's Day tune.
K:G
d/2c/2|B<GB DGB|DGB dcB|cAG FGA|fef gdc|BGB DGB|
DGB dcB|cAG FGA|BGF G2:||f|gdB GFG|gfg bag|faf d^cd|
fdf agf|efg dBd|gfe fdB|cBc Adc|BGF G2 f||
gdB GFG|gfg bag|faf d^cd|fdf agf|g2 g efg|agf gdB|
1cBc def|gag fdc:|2CBC Adc|BGF G2||


X: 211
T:The Neale
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Dedicated to the people of this quaint region 
N:of Mayo. Ed was the guest of his daugher-in-law's 
N:family (the Murphys) when he visited the Neale in 1969. 
N:He was charmed by the simplicity of their life 
N:and the realization that many of his own 
N:childhood values still remained there. 
N:If his plan had been to return to Ireland, 
N:the Neale, he felt, would have been a fitting 
N:place to settle. But the exile seldom returns in 
N:the end, and so the Neale too becomes 
N:another part of his ultimate dream.
K:A
g|aec aec|fga ecA|aec aec|B2 c dcB|aec aec|
fga Bcd|gfe dBG|AGA A2:||d|c2 a ecA|cBc ecA|
c2 d e2 f|gfe dB^G|A2 a ecA|cBc efg|aec dBG|
ABA  A2:||

X: 210
T:The Girl From Killencare
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Ed has long cherished a love for the 
N:written and spoken word. He might have 
N:been a poet if his educational opportunities 
N:had taken a different route. One of his earlier 
N:verses talks of this lassie from Killencare: 
N:Though frost may come and the winter's snow, 
N:And bitter winds down the mountains blow, 
N:I'll see you here again, my dear, 
N:When spring comes 'round to Killencare.
K:G
A/2G/2|FDF ABc|dAF BGE|FDF ABc|dfd cAG|FAF A,DE|
DFA cBA|ged CAC|edc d2:||f/2g/2|afd dcd|Bcd efg|
fdf ged|cEF GFE|DFA dAF|EGB efg|fdf gec|edc d2:||

X: 209
T:The Traditional Jig
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Ed took one of his favorite reels (McKenna's) 
N:and changed it into his extraordinary little jig. 
N:Any musician who has tried this feat knows how 
N:frustrating it can be. I'm reminded of a story 
N:once of one who tried to change a tune and failed. 
N:All too quick to take credit for his own 
N:latest "improvement" of an old tune, our would-be 
N:composer waited anxiously for the praise he 
N:so confidently expected. A crafty old judge of 
N:tunes himself was only too happy to deliver the 
N:final judgment: 
N:Son, if you left out what you put in 
N:and put back in what you left out, 
N:it'd be a good tune.
K:G
B/2c/2|dBG GFG|Bcd =fdB|cA=F FEF|CFA cBc|dBG GFG|
Bcd ^fga|gfd cAF|GAG G2:||B/2c/2|dgg gfg|bag agf|
cde fef|agf agf|dgg gfg|Bcd ^fga|gfd cAF|GAG G2:||

X: 208
T:Tubber Fair
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:Synge told us of the things of this world the 
N:world of "Red Dan Sally's ditch and drinking 
N:in Tubber Fair." Being a fiddler of sorts himself, 
N:John would have relished this little jig in G. 
N:He would have thought it a fitting tune to 
N:be played at Tubber Fair.
K:G
G/2A/2|BGA B2 f|gef gfe|BdB AGA|BGE EFG|BGA B2 f|
gef gfe|BdB AGA|BGF G2 A||BGA B2 f|gef gfe|BdB AGA|
BGE E2 F|GEG FEF|EFG B^cd|edB AGA|BGF G2 e/2f/2||
gba gfe|Bd^c def|g2 f gfe|Be^d e2 f|gbg faf|gfe def|
gfe BcA|BGF G2 e/2f/2|gba gfe|Bd^c def|gbg afd|
Be^d e2 f|gbg faf|gfe def|gfe BcA|BGF G2||

X: 207
T:Beyond Ballybay
R:jig
C:Ed Reavy
Z: transcribed by Bil 3/00
M:6/8
L:1/8
Z:Joe Reavy
N:As a boy, Ed was fascinated with the thought 
N:of going to Ballybay "and beyond." He remembered 
N:it as a lovely town, "full of grand music 
N:on a market day."
K:D
A,|DFA dcd|fed cAF|DFA CBC|=cBA GEC|DFA dcd|
DFA cBc|d=cB cGE|1DED D2 A:|2DED D2 f/2/g/2||
afd dcd|Bcd efg|bge efd|ced cBA|1afd dcd|
Bcd efg|fed gec|edc d2 f/2g/2:|2fed gfe|
agf bag|fed cAG|FDD D2||

X: 206
T:Lad O'Beirne's
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Dedicated to Ed's friend Lad, who recently passed on. 
N:He was one of the most talented people to come from 
N:Ireland.
K:G
Bc|(3dcB gd BdcB|Agfa gfge|dfec BdcA|
FBAG (3fed (3CB,A,|G,B,DG BGDB,|
CEAB cedc|BGBd cAFA|1(3GFG BA G2:|
2Ggfa gfga||bgdg bgdf|afdf afdf|
gafg efdA|FBAG (3FED (3CB,A,|G,B,DG BGDB,|
CEAB cedc|BGBd cAFA|Ggfa gfga|bgdg bgdf|
afdf afdf|(3gag (3fgf (3efe dB|
(3cBA (3BAG (3FED (3CB,A,|G,B,DG BGDB,|CEAB cedc|
1BGBd cAFA|(3GFG BA G2:|2BABd cBAG|
(3FED (3CB,A, G,2 z||

X: 205
T:Brigid Of Knock
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Named for Ed's wife, who came from Knock. 
N:She was part of everything he did. To me, 
N:she represents the warmth, beauty, and love 
N:that inspires each of us to value what 
N:we are and what we came from.
K:G
(3DEF|GFGA Bdgf|agfc ed^cd|BGDG cAFG|
ABcB AG (3FED|G,B,D=F ECEG|FDFA GBAc|
Bgfd cAFA|G2 GF G2:||fg|afdg bgfa|
gfge dcBd|ceAc BcdA|FAcA FD (3CB,A,|
G,B,D=f ECEG|FDFA GBAc|Bgfd cAFA|
G2 GF G2:||

X: 204
T:Muster Grass
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:The other half of Connemara Skies (cf. 99 ).
K:G
B,A,|G,B,DG B2 cB|cAFA G2 FG|A^GAB cBA=G|
FGAF D2 Bc|dBGD G,B,DG|cAFA c2 dc|
(3BdB GB ADFG|AGGF G2:||Bc|dggf gedc|
BGBD gdcB|Aaa^g aba=g|fbaf gefd|bagf gdBG|
FGAB cbag|fedB cAFG|AGGF G2:||

X: 203
T:Connemara Skies
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:It is one of Ed's many exquisite hornpipes. 
N:Nice to pair it with Munster Grass. Both titles come from a 
N:line in Yeats: "full of Munster grass and Connemara skies."
K:D
FE|DA,G,A, FA,G,A,|GFGB ADFA|dAFA Bdgf|
(3edc (3dcB (3AGF (3GFE|DA,G,A, FA,G,A,|
GFGB AdcB|Adfa gece|dfaf d2:||cd|edcd fage|
fd (3dcd bagf|edcd efgf|(3edc (3dcB AGFG|
fdcd fage|fd (3dcd bagf|edcB Acec|dfaf d2:||

X: 202
T:Tara Hill
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:A little-known hornpipe of Ed's that could 
N:in time become one of his most popular compositions.
K:G
(3def|gd^cd BGDC|B,DGB edcB|cAFD ^CDFA|
(3cBc ed cAFA|BGDC B,G,B,D|GABd cAFA|
fed^c =cAFA|GDB,D G2:||(3def|gdcd edcd|
eaa^g a2 ef|gfge fdcA|Gggf gedc|BGDC B,G,B,D|
GABd cAFA|fed^c =cAFA|GDB,D G2:||


X: 201
T:Killala Bay
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:For the great bay in the west, where so many 
N:of Ed's friends came from.
K:G
DG|BGBG AGFD|GABG B^cdf|eBcA FGAF|GBAG (3FED (3CB,A,|
G,B,DG BGFG|EA^GA cABc|dfeg fdcA|1GBAF G2:|
2GBAF GFGg||bgdB GFGf|afcA FEFA|B^cdf egfa|
gbag (3fed (3cBA|GFGA BGBG|ABcA B^cdf|
(3efg fd cAFA|1GBAF GFGg:|2GBAF G2||

X: 200
T:Cavan's Own
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Ed is truly Cavan's own, as is this 
N:delightful dancing hornpipe.
K:A
ED|CEA,C EAce|dcBa gece|(3fga ec dcdf|edcd BGED|
CEA,C EAce|dcBc defg|aece dBGB|(3ABA GB A2:||
cd|eAce aece|fd (3dcd bagf|eAce aecA|BE (3EDE BEGB|
cAce aece|fdcd bagf|eAce dBGB|(3ABA GB A2:||

X: 199
T:Quinn of Armagh
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:For Ed's longtime friend Lou Quinn, who resides in 
N:Flushing, New York. He has been Ed greatest supporter 
N:through the years. Lou helped to publish Ed's first book 
N:of tunes in 1971.
K:D
d2|DFA<d EAce|dfeg fdBd|ceA=c BGEG|(3GED A,D GECE|
DFA<d EAce|dfeg fdBd|cbaf gece|(3ddd f2 d2:||
fg|afdf Adfa|gfge cdec|dfba gfed|(3cdc (3BcB AGFE|
DFA<d EAce|dfdg fdBd|cbaf gece|(3ddd f2 d2:||

X: 198
T:Jim Erwin's
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:To Ed's friend, Jim Erwin, a \
N:talented dancer and dance instructor 
N:from New York. This is one of 
N:Ed's most popular hornpipes.
K:G
Bc|dBGB dgfg|ecAG FGAB|cBAG BGFG|(3ABA (3GFE ECB,C|
DB,G,B, DGFG|ECA,C EGAB|cAFA DAFA|G2 FA G2:||
Bc|d^cdf gdcd|eA^ce agfe|dgBd ceAc|BdGB ADFA|d^cdf gdcd|
eA^ce agfg|bgdB Afag|fecA G2:||

X: 197
T:The Gypsy's Return
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:He roams the land and drinks 
N:his fill-and still returns 
N:in triumph to the one who waits 
N:patiently to share his love. 
N:Gypsy fiddlers died young, but 
N:not before they 
N:tasted the fullness of life.
K:A
g|aecA EAce|fdBA GABd|cAEC DfBc|dfba gfed|
ceag agce|d2 ba gfed|cAEc dBG|(3ABA GB A3:||
d|cAEc dBGB|ecAc fdBa|gece dcBA|GABc dBGB|
cAEc dBGB|ecAc fdBg|aece dBGB|(3AGA GB A3:||

X: 196
T:The Lone Bush
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:There was a bush that bloomed 
N:alone outside Ed's farmhouse. 
N:Many times he has wondered about 
N:that bush and why it survived 
N:when all around it perished. 
N:It has meant many things to 
N:him and has always been 
N:a life-sustaining thought".
K:G
DF|GcBd (3CBC dB|GABd c2 Bc|dgfa gfdc|BABG FDCD|
GcBd (3cBc dB|GABd c2 Bc|dgfd cAfA|G2 AFG2:||
Bd|gdBd =fcAc|gdBd f2 (3de^f|gb=fa g^fde|
(3fga ge fdcA|GcBd (3cBc dB|GABd c2 Bc|dgfd cAFA|
1G2 AF G2:|2G2 g2 G2||

X: 195
T:Sean Quinn's
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Lou's oldest son, a very talented musician who plays 
N:professionally in the New York area. He also helped us 
N:produce Ed's first volume of tunes in 1971.
K:G
dc|BGBd (3gag fg|eBcA FEDC|B,DGB cBAG|FGAB A2 dc|
BGBd (3gag fg|agfa gdBd|cAFA cAFA|G2 B2 G2:||
AB|cAfd agfa|gfga gdBd|cBAG FEFG|(3ABA (3GFE DCB,A,|
G,B,DG Bdgd|bgdB cAFA|(3Bcd FA DAFA|G2 F2 G2:||

X: 194
T:The Man From Barnagrove
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:The child is the father of man. And this same child is 
N:the man from Barnagrove.
K:G
EF|GFGA BABd|e^def gfga|(3bag af gfed|(3Bcd BG FDB,D|
EDEF GFGA|BAGB d2 ef|gbaf gfed|B2 e^d e2:||
ga|bged Bdga|bge^c d2 ga|(3bag (3agf gfed|
BAFB [F2A2] BA|GBEF GFGA|(3Bcd ef gfga|
bagf gfed|B2 e^d e2:||

X: 193
T:The Doctor's Cross
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:I'm sure he had many a cross 
N:to bear, but this title really 
N:commemorates the crossroads located 
N:near the old country doctor's 
N:place outside Cootehill. 
N:Ed tried to find these crossroads 
N:during his '69 visit, but to 
N:no avail. The road had been changed 
N:some years back, and the doctor 
N:had long since gone from the old 
N:place that Ed knew as a child.
K:D
FG|ADFA d2 eg|(3fgf ec dAFA|GEB,E G,EB,E|FEDF E2 FG|
ADFA d2 eg|(3fgf ec dAFA|fdAf gece|1d2 dc d2:|
2d2 dc d3 e||fefa gfge|fefd ecAg|(3fgf df gfed|
c2 A^G A3 g|fefa gfga|bgec dAFA|fdAf gece|
1d2 dc d3 e|2d2 dc d2||

X: 192
T:The Blackrock Shore
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Aunt Ann used to sing the 
N:Maid of the Blackrock Shore, and 
N:she never missed a verse. Ed recalls part 
N:of the song, but these lines stuck in him memory: 
N:For seven long years
N:I waited on the maid 
N:from the Blackrock Shore. 
N:Ed loved the old songs that were sung by the people of his region.
K:D
g|fedc dAFA|GFGF EDCE|DFAF EGBG|FAdf gfed|
fefd gfec|defd AGFA|GFEG FEDF|1EDCE D3 z:|
2EDCE D2 EF||GFED CEA,C|DFAc d2 cd|edef gfga|
bgec dAFA|dfaf bgec|defd AGFA|GFEG FEDF|
1EDCE D2 EF:|2EDCE D3||

X: 191
T:Big Willie's Wedding
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Willie was a sight to behold and his wedding was 
N:not in the grand tradition. But everyone 
N:in Barnagrove loved Big Willie.
K:D
FE|DAFA DAFA|BGEd cAFA|fdAf gece|dfed (3cBA (3GFE|
DAFA DAFD|A,CEF GECE|DFAc Bdce|d2 dc d2:||
ed|cdeg fdcd|fgaf bged|cBAB cdef|gbed (3cBA (3GFE|
DFAc BGEd|cAFA fdAf|gecA ^GAce|d2 dc d2:||

X: 190
T:The Street Player
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Dedicated to Tom and Jim McCafferty, the great 
N:street players who played in towns of Cavan 
N:and nearby Monaghan in the early years of 
N:this century.
K:D
FE|DFAd (3fgf ec|dcde fdAF|GFED CDEF|GBAF EA,CE|
FDA,D FGA=c|BGBG ^cdeg|fagf edcd|(3efe d2 d2:||
eg|(3faf dc dfaf|gbed cdeg|fg (3agf gfed|
(3cBA (3BA^G A=GFE|FDFA dAFA|GFGB edcB|Adfa gecd|
(3efe d2 d2:||

X: 189
T:The Fair Grounds
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:For the many fairs held in the old days. 
N:The land still feels special on the grounds 
N:where those grand old festivals were held. 
N:(A tune Ed dedicated to his old friend Tom Caulfield.)
K:A
E2|AcBd c<EGB|Aceg aece|dfBd ceAc|dBcA GEDG|
AcBd c<EGB|Aceg aece|dfBd ceAc|B<EGB A2:||
ce|agab aece|dcdf ecAc|defd cdec|BcdB GEDG|AcBd cedf|
efge aged|ceAc (3BcB GB|Aaec A2:||

X: 188
T:Reavy's Grand Hornpipe
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:As excellent as the other tunes are, some feel 
N:that Ed's reputation will stand because of the high 
N:quality of his hornpipes. If this dance form were 
N:more fashionable today among the musicians, Ed would 
N:certainly be much more widely acclaimed. No one has 
N:written so many exquisite hornpipes, and the 
N:Grand Hornpipe surely is a fitting example of 
N:Ed's talent for this rhythmical dance form.
K:D
AG|FGAB =cAFA|G2 GF G2 EF|GEcd edcB|Adfa gece|
fedc dAFD|EFGE CDEG|FAce gece|d2 dc d2:||
fg|a^gba fdAf|gfge cdec|dfaf efge|cdef gece|
(3a^ga ba fdAf|gecA ^GABd|cdef gece|1d2 dc d2:|
2(3dcd AF D2 DE||

X: 187
T:The Road To Drum
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Ed took this road once when he was young. 
N:The boys were on holiday to attend a session of music 
N:in Drum. It was the first time Ed heard flutes 
N:and fiddles playing tunes like Trim the Velvet, 
N:Rakish Paddy. It was an early awakening to the 
N:music for him that he never forgot.
K:D
D2 FA dAFd|c2 Ad cdeg|(3fgf ec dcAF|GECE A,ECE|
D2 FA dAFd|c2 Ad cAFG|(3AAA ce gece|1d2 dc dBAF:|
2d2 dc def^g||a2 ^gb afdf|(3aaa ^gb afdf|g2 fa gece|
Aece Aec^g|a2 ^gb afdf|(3aaa ^gb afdf|gece bece|
1d2 dc def^g:|2d2 dc dBAF||

X: 185
T:Kipeen Scanlon's Hornpipe
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Reputed to be one of the fiddlers who influenced 
N:Michael Coleman. Mike once told Ed that Kipeen was the 
N:best player in Ireland. A sad thing it is that none 
N:of his playing was ever recorded for the younger 
N:generation of players.
K:G
dc|(3BdB GB (3ABc FA|GBDC B,DGF|EGcB Acfg|(3agf (3gfe fdcA|
(3Bcd (3Bcd cAFA|GDB,D GDB,D|EcBc DAFA|G2 B2 G2:||
Bc|(3ded Bd bgdB|(3cdc Ac agfe|(3dgd Bd (3cdc Ac|
(3BdB GB ADFA|(3Bcd (3Bcd cAFA|GDB,D GDB,D|
EcBc DAFA|G2 B2 G2:||

X: 184
T:Cavan Town
R:Hornpipe
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:One of Ed's favorite towns. He wanted to celebrate
N:its memory before he had completed life's work. 
N:May Cavan Town live on wherever this hornpipe is played.
K:D
e|fece dAFA|EFGE CDEG|FDFA ^GABD|cdef gece|dfAd FADF|
EFGE CDEG|FAce gece||d2 dc d3 e|fece dAFA|EFGE CDEG|
FDFA ^GABd|cdef gece|dgAd FADF|EFGE CDEG|FAce gece|
d2 dc d2||fg|afdA FAdf|gecA EAce|fgaf efge|cdef gece|
(3fga dc dfaf|(3efg cA EAce|ba^ge cABc|1d2 dc d2:|
2d2 dc d3||

X: 183
T:Neil Of The Glenties
R:Highland
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Ed's close friend, who died some time ago. 
N:He was a true traditional player who knew how 
N:to "brighten" tunes in the right places. 
N:Ed called him "a little known master of his trade." 
N:He was a superb player of highlands and a great 
N:Donegal fiddler.
K:D
df (3edc dFFA|GEEG FDD<c|df (3edc dFFA|GEAG FDD<c|
df (3edc dFFA|GEE^G AFD<c|df (3edc dFFA|GECE D2 D2|
fgaf defd|cdef gece|fgaf defd|AFGE FD D2|fgaf defd|
cdef gece|(3fga ec defd|AFGE FD D2:||

X: 182
T:Lovely Lough Sheelin
R:Highland
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:The lake near Ed's home in County Cavan.
K:D
D2 FA dAFD|E2 CD A,ECE|D2 FA dAFA|fdec dBAF|
D2 FA dAFD|E2 FA dAFD|E2 CE A,ECE|D2 FA dAFA|
fdec d2 dg|f2 af defa|gbed dAAg|f2 af defa|
gbec d2 dg|f2 af defa|gbed cAAg|(3fga ec defg|
(3agf ge fd d2:||

X: 181
T:The Fiddler's Wife
R:Highland
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:She deserves to be recognized-if only for 
N:the many long patient hours she waited 
N:when tea was held for "just one more tune."
K:D
A|FABc (3dcd AF|GEFD EA,CE|DFAc dfed|cAGE D2 DA|
FABc (3dcd AF|GEFD EA,CE|DFAc dfed|(3cBA (3GFE D2 Dg|
fece dAFA|f2 gf edce|fdec dfed|cAGE D2 Dg|
fece dAFA|f2 gf edce|fdec dfed|(3cBA (3GFE D3||

X: 180
T:Castle Bray
R:Highland
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Ed didn't write many highlands, 
N:but the ones he wrote are
N:superb compositions.  And this 
N:is the best of those highlands
K:A
A2 (3Bcd edcA|A,B,=CE DB,=G,B,|A,2 (3B,=CD ED^CD|
EAce dB=GB|A2 (3Bcd edcA|A,B,=CE DB,=G,B,|
A,B,=CD EA^ce|dB=GB A2 Ad|ceac dcBA|GABa gedB|
ceac dcBA|GABd cAAB|ceac dcBA|GABc d2 fg|
(3aba (3gag (3fgf ec|dfec Aaga:||

X: 179
T:Lovely Bannion
R:Highland
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:A very quaint modal highland.  
N:Ed says it is not his tune,
N:but he has been wrong before.  
N:It has the earmarks of a Reavy tune:
N:surprising accidentals, unusual 
N:cadences, and a brilliant
N:matching of the two parts.  
N:I have never heard anyone
N:but Ed play it.
K:G
FG|ABAG F<DDG|ABAG A<dd^c|ABAG FGAB|cAFA G2 FG|
ABAG F<DDG|ABAG A<dd^c|A2 BG FGAB|cAFA G2 FG|
Adde fde^c|Adde f2 e^c|Adde fed^c|AB=cA G2 FG|
Adde fde^c|Adde f2 fg|(3agf (3gfe fde^c|AB=cA G2||

X: 178
T:The Merry Wives
R:Highland
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:They are surely not from Windsor; 
N:and they are merry
N:because their mena are off 
N:"flutherin' with some old tunes,"
N:while they have the kitchen 
N:to themselves.  They have some
N:work of their own to do, 
N:and no one will escape them
N:in the end.  When the gossiping 
N:wives make merry, there's hell
N:to pay in every quarter.
K:C
cA|GEcE GcEc|GcEc d2 cA|GEcE GcEc|(3efe d^c d2 =cA|
GEcE GcEc|GcEc d2 cA|GEcE GcEc|(3efe d^c d2 ec:||
cdef gfge|abaf g2 ed|cdef (3ggf ge|a^gec d2 ed
|cdef gfge|abaf g2 ge|cdef g2 bg|(3agf ge d2:||

X: 177
T:The Dances At Kinvara
R:Barn Dance
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:Ed heard of them from a friend, 
N:but never visited Kinvara himself.  
N:He has long cherished this
N:unfulfilled wish.
K:G
(3DEF|G2 B2 BdBG|c2 D2 [F3A3] G|FGAB cdef|gfaf gd^cd|
B2 G2 DBcB|A2 D2 [F3A3] G|FGAB cAFA|G2 B2 G2:||
GA|B2 dB c2 e2|d2 b2 b3 f|agfe dcBA|G2 g2 g2 (3def|
g2 dB e2 cA|d2 BG [E2C2] AF|FGAB cAFA
|G2 B2 G2:||

X: 176
T:Silent The Lonely Glen
R:Air
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/4
L:1/8
Z:Joe Reavy
N:The tune laments the passing of the old ways and
N:the tradition as Ed remembers it: the old Ireland
N:he once knew.
K:G
g/2f/2|ed/2B/2 AG/2A/2|B/2d^c/2 dg/2f/2|ed/2B/2 AG/2A/2|
B/2>A/2G/2/F/2 eg/2f/2|ed/2B/2 ba/2g/2|g/2f/2e/2^d/2|
eg/2B/2 AF/2A/2|BG/2E/2 Ee/2f/2|ge/2g/2 ba/2g/2|
fd/2f/2 ag/2f/2|ge/2g/2 ba/2g/2|fd/2f/2 ag/2f/2|
ge/2g/2 ba/2g/f/2ed/2ee/2f/2ge/2g/2 fd/2f/2|
ed/2B/2 Bgf|ed/2B/2 AG/2A/2|bG/2E/2E||

X: 175
T:Cara's Song
R:Air
C:Ed Reavy
Z: transcribed by Bil 3/00
M:2/4
L:1/16
Z:Joe Reavy
N:An air Ed wrote for his granddaughter 
N:Cara.  Cara is autistic, but has a 
N:special fondness for music.  
N:Maybe someday his music will touch her, too.
K:G
D2EF G2FG|A2FD B2GE|c2AG F2A,B,|C2B,A, B,2B,C|
D2B,D G2FG| A2FD B2GE|c2AG F2EF|G>G G2Bc||
d2ed B>G|Ec cBAG (3F2D2F2|G2FG A2FD(3c2B2A2 B2Bc|
d2^cded B2G2|EccBAG (3F2D2B,2|C2B,C F2EF|G2>G/2 G6 z||

X: 174
T:The Corncrake
R:Air
C:Ed Reavy
Z: transcribed by Bil 3/00
M:4/4
L:1/8
Z:Joe Reavy
N:The mournful cry of this 
N:creature can still be heard
in the remote country 
N:places of Ireland.  This
N:strange air of Ed's takes 
N:us back to an earlier age
N:when one could wander 
N:through the night fields of
N:Ireland and hear the dark 
N:sigh of the solitary corncrake.
K:G
d>c|B G3 (3GFG BB|c2 (3cBc d g3|
M:2/4
g>f d3|
M:4/4
cB G F3 d>c|B G3 (3GFG BB|c2 (3cBc d g3|
M:2/4
gf d2|
M:4/4
cB G2 G4||
M:3/4
e=f f2 c3c2 de/2f/2 g2|gf d2 c2|BG/2D/2 =F d>c|
M:4/4
B G3 (3GFG BB|c2 (3cBc d g3|
M:2/4
gf d2|
M:4/4
cB G2 G2||

X: 173
T:Hangman's Reel
Z: posted by Andrew Kuntz 12/99
L:1/8
M:2/4
N:AEAE Tuning
N:Notated as it would be fingered if played in standard tuning, not as it
actually sounds
N:The second time through the last part may be played an octave lower.
Z:Andrew Kuntz
K:A
(D/|A/)D/A/(A/ B/)A/B|c/B/c/(A/ B/)A/B|AA B/A/B/B/|c/B/c/c/ B&gt;B|AA BB|
c/B/c/A/ B(A/B/|c)B/c/A/ B/A/B|(D/A)(D/ A):|
|:(A/|e/)(A/c/)(A/|e/)(A/c/)(A/|B/)A/B/B/ c/B/A|ec ec|B/A/B/(B/ A:|
(A|:B&gt;)(A B)(A|A/)B/c/A/ B/A/E|(A/B)(A/ B/)A/B|e/f/e/(d/ c/B/)A:|
|:c/B/c dd|cc/c/ d/c/d|cc d/c/d|c/B/c/A/ BB|c/B/c d/c/d c/B/c d/c/d|c/B/c
B/A/B|D/AD/ A2:|

X: 172
T:Down Home
R:Waltz
Z: posted by Tony Ludiker 2/00
M:3/4
L:1/8
K:D
ABc|d2 c2 (3BcB|A2 G2 (3FGF|E3 FGA|B6|
A3 BGA|F3 FEG|F4 FG|F3 ABc|
d2 c2 (3BcB|A2 G2 (3FGF|E3 FGA|B6|
A3 BGA|F3 FEF|D6|A,2 D2 FA|
E3 FGB|A4 AG|F3 Ace|d4 dc|
B3 cde|f3 fed|B3 gfg|e3 ABc|
d2 c2 (3BcB|A2 G2 (3FGF|E3 FGA|B6|
A3 BGA|F3 FEF|(D6|D3)||

X: 171
T:Unknown Reel #6
M:4/4
L:1/8
Q:232
S:Grant Lamb (Portage La Prairie, Manitoba)
R:reel
Z: posted by Vivian Williams, with abc help from Nigel Gatherer 10/99
K:A
cBAF E2 AB / cdec B2 B2 / cBAF E2 AB / cdec A2 A2 ://
cdeg f2 ed / cdec B2 B2 / cdeg f2 ed / cdec A2 A2 :/]

X:170
T:I'm A' Doun For Lack O' Johnnie
B:The Songs of Scotland Without Words, J T Surenne
Z:posted by Nigel Gatherer 11/99
M:4/4
L:1/8
K:G
D2|G3 F E2 FG|A3 F D2 EF|G3 F E3 D|D G3- G2 D2|
G3 F E2 FG|A3 F D2 EF|G3 F E3 D|D G3- G2||
D2|G2 d2 d2 GA|B2 A2 A2 D2|G2 Bd e3 d|B2 d4 D2|
G2 d2 d2 GA|B2 A2 A2 EF|G3 F E3 D|D G3- G2|]

X: 169 
T: Music For A Found Harmonium
C: Simon Jeffes
S: Penguin Cafe Orchestra: "Broadcasting from Home" (EG Records 1984)
Z: This is the whole thing as played on the album.
Z: posted by Philippe Varlet 9/99
M: 4/4
K: C
|:C|ECFC ECCC|ECFC ECB,C|ECFC ECCC|DCB,C ECC:|
|:C|DCB,C DCB,C|ECB,C ECB,C|FCDC B,CFC|ECCC C2C:|
|:C|ECFC ECCC|ECFC ECB,C|ECFC ECCC|DCB,C ECC:|
|:C|DCB,C DCB,C|ECB,C ECB,C|FCDC B,CFC|ECCC C2C:|
K: Bb
|:E|BEDE FE2E|BEDE D3E|BEDE FE2E|BEDE D3:|
K: Eb
E|AECE FE2E|AECE FE2E|AEDE FD2E|AEDE FD2|
K: C
F|BFDF B,F2F|BFDF B,F2F|BFDF B,F2F|BFDF B,F2|
|:C|ECFC ECCC|ECFC ECB,C|ECFC ECCC|DCB,C ECC:|
|:C|DCB,C DCB,C|EC_B,C EC_B,C|FCA,C FCB,C|ECCC C2C:|
K: Bb
|:E|BEDE FE2E|BEDE D3E|BEDE FE2E|BEDE D3:|
K: Eb
E|AECE FE2E|AECE FE2E|AEDE FD2E|AEDE FD2|
K: C
F|BFDF B,F2F|BFDF B,F2F|BFDF B,F2F|BFDF B,F2|
|:C|ECFC ECCC|ECFC ECB,C|ECFC ECCC|DCB,C ECC:|
|:C|DCB,C DCB,C|ECB,C ECB,C|FCDC B,CFC|ECCC C2C:|
|:C|ECFC ECCC|ECFC ECB,C|ECFC ECCC|DCB,C ECC:|
|:C|DCB,C DCB,C|ECB,C ECB,C|FCDC B,CFC|ECCC C2C:|
|:C|DCB,C DCB,C|ECB,C ECB,C|FCDC B,CFC|ECCC C2C:||


X:168
T:Galopede
T:(also known as Yarmouth reel or Persian dance)
C:Trad, countemelody by Laurie Griffiths
Z: posted by Laurie Griffiths 9/99
L:1/8
M:4/4
K:G
V:1
dc | "G"B2Bc "D"A2AB | "G"G2G2G2AB |\
"Am"cB c d ed c B | "D"A2A2A2dc |\
"G"B2Bc "D"A2AB | "Em"G2G2G2AB |\
"Am"cB A G "D7"FG A F | "G"G2G2G2:|
dc | "G"B2gf "C"e2e2| "G"dc B c "D7"A2BA |\
"G"G2gf "Am"ed c B | "D"A2A2A2BA |\
"G"G2gf "C"e2e2| "G"dc B c "D"A2dc |\
"G"Bd c B "D7"Ac B A | "G"G2G2G2
Bc |
"G"d2d2d2g2| "G"d2d2d2g2|\
"G"d2d2"Am"ed c B | "D7"A2A2A2Bc |\
"G"d2d2d2g2| "G"d2d2d2g2|\
"C"ed c B "D7"dc B A | "G"G2G2G2||
V:2
L:1/8
M:4/4
K:G
BA | G2G2F2D2| G2B2B2cB |\
AG A B cB A G | F2D2D2BA |\
G2G2F2D2| G2B2B2AG |\
FG A B cd e f | g2B2B2:|
Bc | d2d2c2c2| Bc d e f2f2|\
gf e d cB A G | F2D2D2F2|\
d2d2c2c2| Bc d e f2f2|\
gf e d fe d c | B2B2B2
GA | B2B2B2d2| B2B2B2d2|\
B2B2cB A G | F2D2D2GA |\
B2B2B2d2| B2B2B2d2|\
gf e d cd e f | g2B2B2||
 

X:167
T:John Brown's Spirit - descant to JB's Body
C:Laurie Griffiths
L:1/8
M:6/8
Z: posted by Laurie Griffith 9/99
K:G
%Flute: play in highest octave you can!
ggg g2g | g2f e2d | g2f g2a | b3-b3|
c'c'c' c'2c'| b2g g2g | b2b b2a| g3 g3 |
ggg g2g | g2f e2d | ^d3 f3 | b3 b2b |
c'3 c'3 | d'c'b agf | gfe dcB | ABc def ||

X:166
T:John Brown's Body
C:Trad
L:1/8
M:6/8
Z: posted  by Laurie Griffiths 9/99
K:G
Q:420
"G"d3 d3 | "G"B2d g2a | "G"b2b b2a | "G"g6 |
"C"e3 e3 | "C"g2f g2e | "G"d2e d2c | "G"B6 |
"G"d3 d3 | "G"B2d g2a | "B"b2b b2a | "Em"g3 g2g |
"Am"a3 a3 | "D7"g3 f3 | "G"g6- | "G"g6 ||


X:165
T:Henry Ford's Old Barn Dance
S:Dave MacIsaac, "From the Archives" Pickin' Productions 02 50400
Z: posted by Dan Mozell 8/99
M:4/4
L:1/8
Q:1/4=170
K:D
z F-F2 G2 ^G2 |: "D" .A2 .D2 .B2 .d2 | "D" f2 a2 afdB | "D" A^GAd fefd |
"A" c6-cF | "A" GGAA ccee | "A" z a-aa ge =cB | "A" A^G A2 =gf b2 |
"D" f4-fF G^G | "D" .A2 .D2 .B2 .d2 | "D" f2 a2 afdB | "D7" .=c2 .B2 bagf |
"G" a b/a/ g2-gB _B=B | "G" (3aaa g z "Gm" z B_B=B | "D" (3ggg .f z2 A ^GA |
"E7" (3BBB B2 "A7" (3ccc c2 | [1 "D" d4-dF G^G :|[2 "D" d8 |
"D" (3F=F^F (3A^GA (3dcd (3f=f^f | "D" b2 ba z4 |
"D" (3F=F^F (3A^GA (3dcd (3f=f^f | "A" a2 _a.g z2 =A2 |
"A" B2 =c.^c z c'2 c' | "A" b2 a2 a2 z2 | "A" (3EFG A>a (3gfe (3dcB |
"D" A8 | "D" (3F=F^F (3A^GA (3dcd (3f=f^f | "D" b2 ba z4 |
"D" (3F=F^F (3A^GA (3dcd (3f=f^f | "A" a2 _a.g z=A3 | "A" B2 =c^c z c'2 c' |
"A" b2 a2 z A ^GA |[1 "E7" (3BBB B2 "A7" (3ccc c2 |
"D" d4-dF G^G :|[2 "E7" .B2 z2 "A7" .c2 z2 |
z2 "Db" +c'2_a2=f2+ "D" +d'4=a4^f4+ ||


X: 164
T: Rustic Dance
L:1/8
M:6/8
Z: Posted by Laurie Griffiths 7/99
K:G
B,/C/^C/ |: "G"DB/GE/ "G"DD/_D=D/ |\
"C"Ec/Ac/ "C"EE/A/G/_G/ |
"D"Fc/Ec/ "D"DD/D/E/F/ \
|1 "G"G/B/A/G/F/E/ "G"DD/B,/C/^C/ :|2\
"G"G z/2  D z/2  "G"G ||
d/^c/d/ |: "G"ed/BG/ "G"DG/FG/ |\
"C"AG/FG/ "C"EE/AG/ |
"D"Fc/Ec/ "D"DD/D/E/F/ \
|1 "G"G/B/A/G/F/E/ "G"D z/2  d/^c/d/ :|2\
"G"G z/2  D z/2  "G"G ||

X: 163
T:Monaghan Jig, The
M:6/8
L:1/8
R:jig
S:Philippe Varlet
Z: Posted by Philippe Varlet 7/99
K:D
BGE ~E3|BGE FGA|BGE ~E3|AFD FGA|
BGE ~E3|BGE FGA|dcB ABG|FDF AFD:||
EGB efg|fed eBG|EGB eBG|FDF AGF|
EGB e2g|fed edc|dcB ABG|FDF AFD:||
~g3 e2f|geg bge|~g3 efg|~f3 dfa|
~g3 e2f|geg bge|dcB ABG|FDF AFD:||
EGB eBG|BGE FAF|EGB eBG|FDF AGF|
EGB GBd|Bdg egb|fed ABG|FDF AGF:||


X: 162
T: Ace of Spades
Q:350
R:Reel (!)
N:Set polyphonic to 'on' - there are double stops :-)
M:4/4]
Z: Posted by Erica Mackenzie 7/99
Z: Joel Shimberg identified this as Benny Thomassen's recording of Ace of Spades
K:G
de/2f/2|:g2f2 gdBg|ecAe dBGd|cAFE DCB,D,|G,B,DE Gdef|
g2fa gdBg|ecAe dBGd|cAFE DCB,D,|1G,A,/2B,/2/2C/2D/2E/2F/2 G2
de/2f/2:|2G,B,DE G2[BG]z|
:[B5G5]~BAG|[E5G,5]BAG|FGAB cdef|g2fa g2[BG]z|[B5G5]~BAG|[E5G,5]BAG|FGAB
cdef|geae g4:|
K:D
|:fafe dedB|ABAG FEDF|ECEF GECE|DA,DE FABd|
fafe dedB|ABAG FEDF|ECEF GECE|1D2F2 DABd:|2D2F2 D4|
|:AAdA AeAA | fAAg AAfA | afdB gece | daf/2a/2f dBAF |
 AAdA AeAA | fAAg AAfA |afdB gece |1 daf/2a/2f dBAF:|2 daf/2a/2f d2-|


X:161
T:Peek A Boo Waltz
M:3/4
Q:340
N:Tune of old song, learned from numerous old-timers.
Z:posted by Joel Shimberg, 5/99
K:D
FG|A2 f2 e2|d2 c2 B2|A3B A>G|F2 z2FG|A2f2e2|d2c2d2|e4 e>f|e2F2G2|
A2 f2 e2|d2 c2 B2|A3B AG|F2 G2 A2|B2 g2 f2|e2 B2 c2|d4 d>e|d4:|
F>G|A4 f2|A2 ^G2 A2|B4 g2|B4 d2|c4 (3cdc|B4 (3BcB|A3 BAG|F4 F>G|
A4f2|A2^G2A2|B4g2|B4d2|c2B2A2|g2f2e2|d3 cd>e|d4:|

X:160
T:untitled jig #5
M:6/8
L:1/8
Z: posted by Erica Mackenzie 5/99
Z: is this Rakes of Kildare?
K:Am
|: D | EAA AGA | Bcd e2^f | g^fg ege | dBA G2D |\
EAA AGA | Bcd e2^f |g^fg edB| A3 A2 |
a| aea aea | aea b2a | g^fg ege | dBA G2a |\
aea aea | aea b2a | g^fg edB A3A2 :|

X:159
T:Bridge Over the River Ash
M:2/8
Q:550
Z: postedby Erica Mackenzie 6/99
K:G
d/2d3[|g4|f4|e4|d2ef|g2d2|B2c2|{ABA}AG2|F2D2|
g4|f4|e4|d2ef|g2A2|^c2d2-|d4-|dd/2d3|
g4|f4|e4|d2ef|g2d2|B2c2|{ABA}AG2|F2D2|
g4|f4|e4|d2ef|g2A2|^c2d2-|d4-|dAA2|]
[|c4|B4|d2AB|cAB2|g2AB|cAB2|D2d2-|ddd2|
c4|B4|{f}g2f2|e2d2|c2B2|A2G2-|G4-|1G2DD2:|2G4|]
d4|a4|
K:D
[|f3f|g2b2|z2B2|c2A2||~d2cd|~e2de|~f2ef|~g2ea|A2e2|d{ed}ec2|A4|e4|
K:A
[|c3c|d2f2|z2F2|G2E2|~A2GA|~B2AB|~c2Bc|~d2Be|E2B2|A{BA}AG2|
M:3/4
Q:280
Ad2cBE|Be2dcA|
M:2/8
Q:550
K:D
~d2cd|~e2de|~f2ef|~g2ea|A2e2|d{ed}ec2|d4|.a3z|
[|f3f|g2b2|z2B2|c2A2||~d2cd|~e2de|~f2ef|~g2ea|A2e2|d{ed}ec2|A4|e4|
K:A
[|c3c|d2f2|z2F2|G2E2|~A2GA|~B2AB|~c2Bc|~d2Be|E2B2|A{BA}AG2|
M:3/4
Q:280
Ad2cBE|Be2dcA|
M:2/8
Q:450
K:D
~d2cd|~e2de|~f2ef|~g2ea|A2e2|d{ed}ec2|d4|.d'3z|]


X:158
T:Westville Polka
S:Jehile Kirkhuff, Susquehanna Co., PA
Z:posted by Joel Shimberg 3/99
Q:400
M:C
L:1/8
K:G
B>A | G2DG B2GB | d2Bd g3g | f2 e2 ed^cd | e2 d2 dcBA |
       | G2DG B2GB | d2Bd g3g | f2 e2 ecAF | G2B2G2:|
K:D
|: zG | A2f2 f3A | G2e2 e3e | d2c2 BA^GA | B2A2 A2 z2 |
       | A2f2 f3A | G2e2 e3d | d2c2 B2c2 |d6 :|

X:157
T:Old Time Wedding Reel #3
T:Put Me In the Big Chest
T:Cuir's a' Chiste Mhoir Mi
R:Reel
A:Cape Breton
S:Sandy MacIntyre
N:From the playing of Sandy MacIntyre
Z:Transcribed Nov 20 1998 by Wil Macaulay
Z: posted by Wil Macaulay 4/99
P:ABCB
M:C
L:1/8
K:A
P:A
F | EFAB c2cf | ecBA F/F/F AF | EFAB cBcF | ecBc A/A/A A :|
P:B
c | efec eAAc | efec BABc | efec efaf | ecBc A/A/A A :|
P:C
F | EFAB c2cB | c2cB ce fz | EFAB cBcF | ecBc A/A/A A :|
 

X:156
T:Old Time Wedding Reel #2
T:Hamish the Carpenter
T:Och a Chiallain
R:Reel
A:Cape Breton
S:Sandy MacIntyre
N:From the playing of Sandy MacIntyre
Z:Transcribed Nov 20 1998 by Wil Macaulay
Z: posted by Wil Macaulay 4/99
M:C
L:1/8
K:Amin
B | A2GE GABd | E2dB degB | A2GE GABd | egdB A/A/A AB |
A2GE GABd | E2dB dega | gedB GABd | egdB A/A/A A ||
B | Aaab a2ge | gaba gegd | eaab a2ge | dBgB A/A/A A B, |
A,aab a2ge | gaba gegd | egab ageg | dBgB A/A/A A ||

X:155
T:Old Time Wedding Reel #1
R:Reel
A:Cape Breton
S:Sandy MacIntyre
N:From the playing of Sandy MacIntyre
Z:Transcribed Nov 20 1998 by Wil Macaulay
Z: posted by Wil Macaulay 4/99
M:C
L:1/8
K:Amin
B | AGEG AGEG | cdcA G2Gc | A/A/A cd edce | cAcd e2eg |
abag egdB | cAGE c2cd | edcA GEcE | D/D/D EG A3 :|
g | ageg agea | gedB g2gb | agea gbed | cAcd e2eg |
abag egdB | cAGE c2cd | edcA GEcE | D/D/D EG A3 :|

X:154
T:The Golden Pheasant
S:78rpm record (Adam Rennie & his Band)
Z:Nigel Gatherer
M:6/8
L:1/8
Z: posted by Nigel Gatherer 4/99
Z: (orig. in Bb)
K:A 
C/D/|E2A E2A|E2A c2A|E2A d2c|cBA B2E|E2A E2A|E2A c2d|
e2A F2A|ABG A2:|A|G2B B2e|A2c c2e|B2e e2g|fe^d e2B|
G2B B2e|A2c c2e|B2e c2a|gf^d e2=d|c2B A2d|c2B A2E|
F2A E2e|edc B2d|cdB A2d|cdB A2a|e2a fad|cdB A2|]

X:153
T:New Year's Cotillion
M:3/4
L:1/8
Q:180
C:Jesse Owsley
Z: posted by Jesse Owsley 3/99
K:D
(F>E)|"D"D3EF>A|"A"e3cd>e|"Bm"f2d2A2|"F#m"F4(3DEF)|"G"G3AB>d|"D"AF3(3DEF)|
"G"G3AB>G|"A"E4F>E|"D"D3(EF>A)|"A"e3cd>e|"Bm"f2d2A2|"F#m"F4(3DEF)|
"G"G3AB>d|"D"AF2DE>F|"A"E3{FE}>D>C|1"D"D4(F>E):|2 "D"D>E F>A d>e|| 
"D"fa3a>b|a2g2f2|"A"eg3g>a|g2f2e2
|"Bm"f2d2A2|"F#m"f2c2A2|"G"G2A2B2|"A"E4F>E|"D"D3EF>A|"A"e3cd>e|"Bm"f2d2A2
|"F#m"F4(3DEF)|"G"G3AB>d|"D"AF2DE>F|"A"E3({FE}>D)>C|1 "D"D>E F>A d>e:||
2 "D"D4:||

X:152
T:Molly Put the Kettle On
S:Tape recording of Manco Snead
A:Cherokee, North Carolina
N:Manco mumbles a bit, so it's unclear whether
N:he says "Molly" or "Polly." Calling it "Molly"
N:keeps it separate from the common song tune.
I:/ above a note indicates a slide up to that note,
I:+ above a note indicates sharpening, V indicates
I:flattening. Manco changes his pitches more than
I:a little.
Z: posted by Joel Shimberg 4/99
N:Parts played in order:123443
Z:Joel Shimberg
M:C|
L:1/8
K:G
"1"{A}BAG=F DC"v"B,C | DE=FG FD C2 | D2GA GFGA | B"+"cdd =fdg2-| ga g=f
d2(3cdc |
BcBG =FD"v"B,2 | DGGA GFGA | {A}B2G2G3 G- || "2" GA"v"Bc d4| _Bcdc _BG=F_B |
GABc dcdc | BcBF G2DF | GA_Bc d4 | _Bcdc =BG=F_B | GAG"v"F DCB,C |
DG2FG2G2 ||"3"A<B G=F DC (3A,B,C | DE=FG FDC2 | D2GA GFGA |
B"+"cdd =fdg2- | ga g=f d2(3cdc | BcBG =FDB,2 | DGGA GFGA |
B2G2G3 "/"G- ||"4" GAB"+"c d4 | de=fg fdc2 | dgga gfd2 |
gagf d^cde | fgaf gfd2 | c2BG F2G2 | GAG=F DCB,C | DG2F G2G2 ||

X:151
T:Bay of Fundy
C:Bill Guest
L:1/8
M:2/2
Z: posted by Cindy Harris 4/99
K:D
Q:420
fg |\
"D"a2 ab afdf |\
afbf a2 ef |\
"C"gfga ge=ce |\
geae g2 fg |\
"D"a2 ab afdf |\
afbf a2 ef |\
"A"gfeg "D"fedf |\
"A"ecAc "D"d2 :: cB |\
"D"Adfd edfd |\
"G"Bdgd Bdgd |\
"D"Adfd Adfd |\
"A"cAcd efec |\
"D"Adfd edfd |\
"G"Bdgd Bdgd |\
"D"fedf "A"edce |\
"D"d2 f2 d2 :|

X:150
T:Earl of Dalhousie's Happy Return to Scotland, The
R:Reel
C:Niel Gow
D:Abby Newton: Crossing to Scotland
M:4/4
L:1/8
Z: posted by Ted Hastings 4/99
K:D
D3 E G>F E<D|C2 E2 A,2 C2|D3 E G>F E<D|d4 A2 d2|B2 g>B A2 f>A|!
G>F E>D C>D E>F|[1G>F E>D E>F G<A|B4 c2 d2:|[2G>F E>D A>D C<E|D6 (3ABc||!
d4 f3 d|e>d c>B A>B c<A|d3 e f>e d<c|B4 A2 (3ABc|!
d2 D2 F>G A<E|D2 A2 B>A G<F|E3 D E>F G<A|B4 A2 (3ABc|!

X:149
T:Bucks of Oranmore
M:4/4
L:1/8
S:Oisin MacDiarmada
R:Reel
O:Ireland
Z: posted by Shelley Connolly 4/99
K:D
"D"A2FA (3AAA dB|A2FA "Em"BE (3EEE|"D"A2FA (3AAA Bd|egfd "G"ed{e}dB|
"D"A2FA (3AAA dB|A2FA "Em"BE (3EEE|"D"DEFG AFAB|"Bm"defd
"G"efdB|]"D"AD(3DDD ADBD|ADFA "Em"BE (3EEE|
"D"ADFA (3AAA Bd|egfd "G"efdB|"D"AD (3DDD ADBD|ADFA "Em"BE (3EEE|
"D"DEFG AFAB|"Bm"defd "Em"efge|]!
"D"a2fd efdf|a2fd "Bm"edBd|"D"a2 fd edef|"Em"gefd "G"edBd|"D"a2fd
efdf|adfd "Bm"edBd|"D"faaa agfe|"Bm"defd "Em"eaag|]"D"f2df efde|fedf
"G"edBd|"D"fddd edef|"Em"gafg "G"edBd|"D"f2df efde|fedf
"Bm"edBd|"D"faaa agfe|"Bm"defd "G"efdB|]
"D"Adfd edfd|Adfd "G"edBd|"D"Adfd edef|"Em"gefd "G"edBd|"D"Adfd
edfd|Adfd "Bm"edBd|"D"faaa "Em"agfe|"Bm"defd "G"AddB|]
 

X:148
M:2/4
O:I
R:R
Z: posted by Gil Benson 3/99
T:Long Journey Home
T:Randy Howard fiddle break on JD Crowe "Flashback"
C:Trad.
K:A
z2(3[EA][EA][EA] [E2A][F2A]        | {^D}[E4A] - [E2A]{F}[E2A]         |\
{^F}[A4A] [AA][FA][E2A]            | [e4a] - [e2a][c2e]                |\
[A4c] - [A4c]                      | [e4a] - [e2a][c2e]                |
[A4c] - [A2c][E2B]                 | [=F3=c][EB] FEDB,                 |\
A,3=C B,G,^CB,                     | A,CA,B, CEFD                      |\
EGBF GABA                          | "/"e2a2 - a=ga=c'                 |
a=ged AcA2                         | [a2c'][a2c'] [e2a][e2a]           |\
[B2=g][B2=g] [e2=g][d2g]           | [=c2g][Ae][Gd] [EB][=Gd][EB][DA]  |\
[EB]"\"[^D^A][=D=A][=CE]           | [CE][EA][CE][=CE] [A,2E]"/"[C2E]  |\
[CE][EA][FA][EA] [Ac][G=c][A2^c] ||

X:147
T:John Hardy
T:Vassar Clements fiddle break on Tony Rice's "Cold on the Shoulder" album
T:Transcribed by GJB
Z: posted by Gil Benson 3/99
C:Trad.
M:2/4
O:I
R:R
K:G
"one"z4 "two"z4 | "three"z2E=F ^FGAB | [c4e] - [c2e]A2 |\
{^g}a4 g4 | "fall-off"d4 - d2{^A}B2 | G4 - G2EG |
"slide"([ce][Be][c2e] [c2e])A2 | a4 g4 | [d4g] - [d3g][eg] |\
[d4g] - [d2g]gf | aged cA((3^AB^A) | AG3 A^ABA |
((3^ABA)AG EFGE | =FEDC B,A,G,2 | "fall-off"[^D4^A] - [^C4^G] |\
A,B,C2 DEFG | ABce c4 | cecA cBAG |
AGFE DEFG | "slide"{=f}f2dc BGED | G4 - G"fall-off"A3 - | A2A,2 F4 ||


X:146
M:2/4
O:I
R:R
Q:1/8=163
T:Blackjack
T:Aubrey Haynie fiddle break on Bluegrass '96
T:Transcribed by GJB
Z: posted by Gil Benson 3/99
C:J.D.Crowe/D.Lawson
K:B
z([=FB][^F3B]) - [FB][GB][Bf][GB] | "/"[B4f] ([=df][^d3f]) |\
([df][=df])[Bf]G FGBc | dfBB [B2a][=c2a] | [c4a] - [c2a]g- | gbgf efec |
Bcef gf"H"a"H"b | fbfe dfdc | [B8f] | gfdB [c4e] - | [c3e]_d-  ^d2fg |\
{_d}d2BG FGBF | eB_d^d B4 - |
B2b2 - bgfa | gfbg fagf | agfa fgb2 - | bgfg a3g | e=dea gage | =dedg
age=d |
c=def bfe^d | Bdef bfed |  Bdef acfa | gBeg fbfe | dfdc Bd"o"e"II"f |\
bf=d'^d' b4 ||


X:145
M:2/4
O:I
R:R
T:Earl's Breakdown
T:Fiddle break on the "Essential Flatt & Scruggs"
C:Earl Scruggs
Z: posted by Gil Benson 3/99
K:G
z2DC (B,C)DG | EFGA Bcde | d3^A BGAd |\
BGEG DEDC | B,G,^A,B, G,CB,C | DGEF GABc |
BAGD EFAc | BAce d4 - | d4 [d3g][eg] |\
[d3g]^A BGAd | BAGF EFGB | AGEG D4 - |
DEDC B,CDG | EFGA Bcde | d3^A - BGAd |\
BGED G4 - | G4 [D4D] - | [D4D] DCB,G, |
DCB,G, EFGB | AGEG DEDC | B,G,^A,B, G,CB,C |\
DGEF GABc | BAGD [E4^c] | [A2c][D2A] [F4d] - |
[F4d] [d4g] - | [d4g] - [d3g][eg] | [d3g]^A - BGAd |\
BGEG D4 - | DEDC B,CDG | EFGA Bcde |
d3^A - BGAd | BGED GEDC | B,G,^A,B, G,4 :|

X:144
T:Blackberry Blossom
T:Sam Bush fiddle break on Tony Rice "Manzanita" album
T:Transcribed by GJB
Z: posted by Gil Benson 3/99
M:4/4
C:Trad.
K:G
((3def) || (gb)gb (fa)fa | efge dcBG | FGEG DFGc | BAGB [A2A]D2 |
g3b fafa | efge dgeg | ((3fgf)ed BAGB | AGEF G4 :|
((3FGF)E2- E3G | FEDF EDB,D | EB,EF GFGA | BGB^c dcd^d |
eBeg ((3fgf)eB | dedB - _BAG_B | AGEF GABd | efga (fg)gg |
(fg)gg (ef)ff | dfeB dedB - | _BAG_B AG(_B=B) | e(_B=B)e (_B=B)eB |
e(B_B)A GEDG | EDEF GABd | cdfa gedc | BGAF G4 ||

X:143
T:Drops of Brandy
R:slip jig
Z:posted by Philippe Varlet 4/99
L:1/8
M:9/8
K:G
d2c BGB BGB|d2c BGB cBA|d2c BGB BGB|cBc A2B cBA:||
GBd gdB gdB|GBd gdB cBA|GBd gdB gdB|cBc A2B cBA |
GBd gdB gdB|GBd gdB cBA|GBd gba gdB|cBc A2B cBA ||

X:142
T:American Hornpipe
D:First of May by James Bryan
Z:Nigel Gatherer
Z: posted by Nigel Gatherer 4/99
M:4/4
L:1/8
K:D
FG|ABAG F2AF|G2Bc dAFD|GABA GFED|CDEF E2FG|ABAG F2AF|G2Bc dAFA|
dfeg (3fgf ec|dz dc d2::(3ABc|d2 d2 fedf|edef dAFA|dcde fgaf|
edef e2 (3ABc|dcde (3fgf df|edef dAFA|(3B=CB GB Age^c|d2 d2 d2:|]


X:141
T:An Dro #3
M:4/4
L:1/8
S:Claus Steinort, Ir-Trad, 3/97
O:Breton
N:Session in Doolin: Michael Queally, Noel O'Donoghue, Tola Custy, Cyril
N:O'Donoghue
Z:posted by Trish O'Neil 7/97
K:Bm
Bffe ~f3e|dfef d2B2|cded cBA2|BdcA BAFA|
Bffe ~f3e|dfef d2B2|cded cBA2|BdcA ~B3A:|
BdcB A2 A2|ABcd cBBA|BdcB A2A2|ABcd ~B3A|
BdcB A2 A2|ABcd cBBA|BdcB A2A2|ABcd ~B3A:|

X:140
T:Andy Dejarlis Jig
M:6/8
L:1/8
Z:posted by Barbara Rubenstein 6/97
K:E
z|: EGB EGB |EGB c2 B|EGB EGB| =DFA B2 A|
EGB EGB |EGB c2 a|g2 f Bcd|1 e3 e3 :|2 e3 e2 ||
a |gbg efg |gba c3  |f2g f2e |dcB c2B|
gbg efg |gba c2 a| g2f Bcd | e3 e2 :|

X:139
T:Angus Campbell (Glasgow)
R:Reel
C:J. Scott Skinner
O:Scotland
M:4/4
Z:posted by Toby Rider 8/97
K:A
E2|\
A/2A/2A cA EAce | a2ga faec | \
d/2d/2d Bd c/2c/2c Ac | BFBA GEFG | \
A/2A/2A cA EAce | a2ga faec | \
defd ceaf | ecdB Aefg ||\
{g}a2ea caAa | c/2B/2A ce {g}aAce | \
{a}b2fb dbBb | d/2c/2B df bBdb |\
{g}a2ea  caAa | c/2B/2A ce aecA | \
defd ceaf | ecdB AEFG ||**

X:138
T:Archie Menzie's
R:Reel
C:John Lowe
M:4/4
L:1/8
Z:posted by Toby Rider 8/97
K:F
FE|~F CF AFEF|Acde fcA^F|G2DG BGDG|(3Bcd ef gdBG|!
~F CF AFCF|Acde fcAF|BdGB AcFA|GECE F2:||!
fe|ffcf afef|cfag fed^f|g2 dg bg^fg|dgba gfed|!
f2 cf afef|cfag fedc|BdGB AcFA|GECE F2:||

X:137
T:Archie Menzies
M:4/4
L:1/8
S:Wil Macaulay, Ir-Trad, 3/97
R:reel
A:Cape Breton
B:Sandy Macintyre's lesson book
Z:WM - 1 Dec 1996
Z:posted by Trish O'Neil 7/97
K:F
C2| F2(CF) AFCF | Acde fcAF | G2(DG) BGDG | Bdef gdBG |
F2(CF) AFCF | Acde fcAc | BdGB AcFA |  GECE F2 :|
(ueg) | f2 (cf) afef | cfag fed^f | g2(dg) bg^fg | dgba gfed |
cfef afef | cfag fedc | BdGB AcFA | GECE F2 :|

X:136
T:Atholl Brose
S:Logan's -- 55
E:7
M:4/4
Z:posted by Toby Rider 8/97
K:D
{gde}c{g}A3 {gAGAG}A4 {gef}e3A {gAGAG}A2d2|{gde}c{g}A3 {gAGAG}A3e {ag}a3f
{gef}e3d|\
{gde}c{g}A3 {gAGAG}A4 {gef}e3A {gAGAG}A2d2|{g}cde2 {g}G3{g}B {gf}g2G2
{dc}d3B:|\
{g}ce3 {gf}g3e {ag}a3e {gf}g3e|{g}ce3 {gf}g3e {ag}a4 {GdG}a3d|\
{g}ce3 {gf}g3e {ag}a3e {gf}g3e|{gef}e3d {gf}g3d {gBd}BG3 {dc}d3{g}B|\
{g}ce3 {gf}g3e {ag}a3e {gf}g3e|{g}ce3 {gf}g3e {ag}a4 {GdG}a2d2|\
{g}c{GdG}e3 {gf}g2a2 {f}g3e {g}f3d|{g}efg2 {GdB}d3c {gBd}B{g}G3 {dc}d4||\

X:135
T:The Road to Batosh
M:4/4
L:1/8
Q:240
S:Jimmy Larocque (Turtle Mountain, ND)
R:reel
Z:posted by Philippe Varlet 5/97
K:E Dorian
E2 B,E GFEG | B=cBG EGFE | D2 A,D FE (3DEF | ABAG FEDF |
E2 B,E GFEG | B=cBG E2 (3ABc | dBcA B2 AE |1 GEFD E3 F :|2 GEFD E4 ||
{B}e4  e2 ef | gef^d efec | (3ABc de f2 de | fdec (3dcB AF |
EBef edef | gef^d e2 (3ABc | dBcA B2 AE | GEFD E4 :||

X:134
T:Tommy Bhetty's Waltz
M:3/4
L:1/8
Q:180
Z:posted by Andrew Kuntz 1/99
K:G Major
|:D2|G3BdB|G3BdB|d2b3a|ga fg ef|
G3BdB|G3 BdB|D2F2A2|c2~B2A2|
G3BdB|G3BdB|d2b3a|ga fg ef|dg3Bc|d3cAF|G2B2BA|G3:|
 |:gfg|a2f2d2|A2F2D2|C2b3a|ga fg ef|d3ed2|B3AB2|D2F2A2|c2~B2A2|
d2Bc dB|db3af|g2b3a|ga fg ef|dg3Bc|d3c AF|G2B2BA|G3:|

X:133
T:The Bird in the Bush
M:4/4
L:1/8
Q:230
S:Paddy Glackin, Gael-Linn CEF 069, 1980
R:reel
Z:posted by Philippe Varlet 4/97
K:G
v{A}~Buc | {e}d2 vgue vduBvAuB | {e}dBvAuB vGuBvAuG |
vEuA (3vAuAvA uBGvGuA | vBuGBd vguavgue |
vdugveuB {e}dBvAuB | {e}dBvAuB v~G3 uE |
DEvGuA {d}BAvBud | {e}dBvAuc BGvBuc ||
vdugveuB {e}dBvAuB | {e}dBvAuB vGuBvAuG |
vEuA (3vAuAvA uBGvGuA | vBuGvBud gavgue |
vdugveuB {e}dBvAuB | {e}dBvAuB v~G3 uE |
DEvGuA {d}BAvBud | {e}dBvAuc vBuGvGuA ||
Bdveuf (3vguavg fug | afvduf {a}gfveud |
Bdveuf {a}gfvgub | (3vauavg aub g2 vgua |
vbug~g2 vaugveuf | {a}gfv{a}gue vduB~B2 |
vDuEvGuA {d}BAvBud | {e}dBvAuc vBuGvGuA ||
(3vBucvd uevf ug2 vfug | vaufvduf {a}gfveud |
vBudveuf {a}gfvgub | v~a3  ub g2 vgua |
vbug~g2 vaugveuf | {a}gfv{a}gue vduB~B2 |
vDuEvGuA {d}BAvBud | {e}dBvAuc  BGvBuc ||

X:132
T:Bird's Nest, The
R:reel
D:Altan: Harvest Storm
O:Cape Breton
Z:id:hn-reel-461
M:C|
Z:posted by Trish O'Neil 7/97
K:Ador
cA~A2 GABG|A2AB cded|cA~A2 GABG|1 Aage dced:|2 Aage decd||
|:ecag egcd|ecgc acgc|1 ecag edcd|eage decd:|2 ae~e2 edcd|eage dced||

X:131
T:Birks of Invermay, The
R:Strathspey
S:Rogart
O:Scotland
M:4/4
Z:posted by Toby Rider 8/97
K:G
B>c |\
d3e d>B A>G | A>G A>B E3G |\
D>E D>B, D2G>D | B,2D>E D2 G>B |\
d2ef/g/ dG | c>B AG E2B>A |\
G>E D>B, D2 G>A | B2A>G G2||\
D>C |\
B,3D E>D EG Ad>ed>B c>B Ad c>B A2 d>c |\
B>d e>f g3e | d>B A>G E2 B>A |\
G>E D>B, D2 G>A | B2A>G G2 ||**

X:130
T:Blackberry Blossom, The
R:reel
D:Mary Bergin: Feadoga Stain.
D:Planxty: The Well below the Valley
Z:id:hn-reel-117
M:C|
Z:posted by Bruce E. Baker 12/98
K:G
ge|:dBAd BG~G2|dBBA B2ge|dBAd BG~G2|1 eaag abge:|2 eaag agef||
~g3f gaba|~g3b agef|~g3f gbag|ea~a2 agef|
~g3f gaba|~g3b a2ga|agaf gfed|eaag abge||

X:129
T:Blue Water Quadrille
C:from Larry Older
N:Larry was a fiddler and singer from Middle Grove,
N:a village not many miles west of Saratoga Springs, NY.
Z:Transcription by Joel Shimberg
Z:Posted by Joel Shimberg 12/98
M:6/8
Q:350
K:G
GFE|:D2B, B,2D|E2C C2B|c2B A2G|F2E D2E |D2B, B,2D|E2C C2E|\
FED A2F|1G3 GFE:|2G3 d3||g3 gfg|e2c cBc|A2a A2a|f2d d^cd|\
B2g B2g|e2c c2^g|a2^g a2^c |d3 d2=c|Bcd g2d|e2c cBc|\
A^ce a2g|f2d d ga|b2g d2B|e2c A2G|FGA DEF| G3||**
 

X:128
T:Bonaparte's Charge
R:March
C:Unknown
S:Nick Hallman
Z:transcribed by Bo Bradham
Z:This is the way I play it.
Z:Try it in DDAD tuning!
Z:Not sure about the number of repeats in the low part.
Z:posted by Bo Bradham 2/99
M:c|
K:D
|:A2|d2d2 e2de|f2df edBA|d2d2 e2de|fa2b a2A2|\
d2d2 fafe|d2B2 BcdB|A2F2 DEFD|E2D2 D2:|\
|:AB|A2F2 F2AB|A2D2 D2AB|A2F2 DEFD|E2D2 D2:|\
|:AB|AA,F2 F2AB|AA,D2 D2AB|AA,F2 DEFD|EA,D2 D2:|\

X:127
T:Boston O'Connor (Irish name)
M:4/4
L:1/8
Q:190
D:Patrick Street, "Irish Times"
S: IrTrad, 3/97
N:Philippe Varlet, name from Henrik Norbeck,
N: who doesn't know the Breton name
R:strathspey
Z:posted by Trish O'Neil 7/97
K:G
DGGA (3GGG GB | dBgB (3AAA AB | GAGF EDEG
|1DCB,A, (3G,G,G, G,B, :|2  DCB,A, (3G,G,G, G,2 ||
gage (3ggg ge | gbag {a}geef | gdeg dgBd | AGAB (3GGG G2 |
gage (3ggg ge | gbag {a}geef | gdeg dgBb | agab (3ggg g2 ||

X:126
T:Bostony
M:4/4
L:1/8
Q:160
S:John Hartford's "Wild Hog in the Redbrush" transcribed by Llarry Brandon
Z:posted by Llarry Brandon 1/98
K:G
de|:"G" gfgb a2 f2| gega g2 dc|Bcde gega|"D7"b2 a2 a4|!
c'4 e4| fefg f2 fe| BABc dBAc|"G" B2 G2 G2 [1de:|[2|B2 G2 G2 GE|!
|:"G" DEGA BABd|e2 d2 d2 B2|"D7"cBAG FDEF|"G" A2 G2 G2 GE|!
DEGA BABd|e2 d2 d2 B2|"D7"cBAG FDEF|"G" A2 G2 G2 GE:|
 
X:125
T:Branles de villages 1
S:Andy Hornby, UGB record
R:Branle
O:France
M:4/4
Z:posted by Trish O'Neil 7/97
K:GMix
dd|\
ge dc|B2c2|d2dd|BG dd|ge dc|B2c2|B2Ac|G2::
GA|\
BA/B/ cc|BA B/c/d|G/A/B A2|A2GA|\
BA/B/ cc|BA B/c/d|G/A/B A2|G2:|


X:124
T:Branles de villages 2
S:AH; UGB record
R:Branle
O:France
M:2/4
L:1/8
Z:posted by Trish O'Neil 7/97
K:C
cc BA/B/|cB/A/G2|cc BA/B/|cG AG::\
A/B/c BA|GF E>F|
ED ED/E/|C/D/E/F/ G2|\
A/B/c BA|GF EA|AG/F/ EG|GG/F/ EF/E/|D/C/D C2||

X:123
T:Branles de villages 3
S:AH; UGB record
R:Branle
O:France
M:2/4
L:1/8
Z:posted by Trish O'Neil 7/97
K:Gm
Gc GA|BA G>A|BB AG|cB AG::\
G/A/B AG|FE D>F|
ED ED/E/|C/D/E/F/ G2|\
G/A/B AG|FE D>E|F/G/_A/F/ GF/E/|F/E/D C2||
 
X:122
T:Breton #1
R:Other
O:France
M:6/4
A:Brittany
Z:posted by Trish O'Neil 7/97
K:G
G2DG B2c2 A2AB | GB DG B2c2 A2AA ::
B2BA B2d2 G4 | A2cB G2GB ABA2 | \
B2BA B2d2 G4 |  A2Ac BGAF G4 :|

X:121
T:Breton #2
R:Other
O:France
M:6/4
A:Brittany
Z:posted by Trish O'Neil 7/97
K:Em
G2FG E2D2 E4 | GEFG A2B2 G2E2 | \
G2FG E2D2 E4 | GEFG A2GB F4 :|
|: E2BA B2c2 AcB2 | A2BA G2E2 AGFB |\
E2BA B2c2 AcB2 | A2GA B2A2 GFE2 :|

X:120
T:Breton #3
S:transcribed by RR from Loose Moose Ceilidh band tape
R:Other
O:France
M:4/4
A:Brittany
Z:posted by Trish O'Neil 7/97
K:Em
EBBE GFED | EBBE G2E2 | EBBE GFED | EBBE G2E2|\
EBBE GFEG | FGAF A2GF |
G2FE DEF2 | FGAF G2E2:| \
K:DMix
DGGG ABG2 | GE EF/E/ D2D2 | \
DGGG ABG2 | GE EF/E/ D2D2 |
DGGG ABG2 | GcBc A2AG | F2FG AB G2 |\
GE EF/E/ D2D2  ||**

X:119
T:Bride of the Winds
M:6/8
L:1/8
Q:1/4=108
C:Jim Magill
R:Jig
B:"The Cornhuskers Book of Square Dance Tunes"
N:) 1944 Thomas Burt & Co., Toronto
Z:posted by Chris Falt 8/97 
K:C
e|"C"g^fg agf|gec G2c|"G7"BdB GAB|"C"cBA G2^f|!
"C"g^fg agf|gec G2c|"G7"BdB GAB|"C"c3 z2:|!
|:G|"C"GEG cBc|"D7"ABA d2c|"G7"Bgg g^fg|"C"ag^f gec|!
"C"GEG cBc|"D7"ABA d2c|"G7"Bgg age|"C"c3 z2:|


X:118
T:Amelia's
L:1/8
M:3/4
C:Bob McQuillen
Z:Posted by Paul O'Brien 11/98
Z:(with abc fixes from Laurie Griffiths and Graham Ross Walden)
K:D
A, |: "D"D3 E D2|"D"D2 F3 E|"Bm"D2 F2 BF|"F#m"A3 F A2|\
"G"B2 G3 B|"D"A2 F3 E|"Bm"D2 B,3 ^A,|"G"B,4 A,2|
"D"D3 E D2|"D"D2 F3 E|"Bm"D2 F2 BF|"F#m"A3 F A2|\
"G"B3 c d2|"G"d2 e2 f2|"A"e2 c2 A2\
|1 "A"A3 G FE :|2"A"A3 f ag ||
|: "D"f2 a3 b |"D"a2 f2 df|"A"e3 c B2|"A"A3 c fe|\
"Bm"d3 c d2|"Bm"f3 e d2|"F#m"c3 B A2|"F#m"F3 E F2|
"G"G2 B3 G|"D"F2 A2 d2|"A"e3 c e2|"D"f2 d2 f2|\
"G"g3 f g2|"D"a2 f2 e2|"A"d2 e2 c2|"D"d4 z2 :|

X:117
T:Branles de villages 4
S:AH; UGB record
R:Branle
O:France
M:2/4
L:1/8
Z:posted by Trish O'Neil 7/97
K:CDor
c2 BA|G^F G>G|ED CD/E/|FE DC|\
c2 BA|GF/G/ EF/E/|D/E/C/D/ =B,C/D/|E/F/D C2::
ED/C/ DG|E/F/G/A/ B>c|dc/B/ AG|G^F G2|\
ED/C/ DG|E/F/G/A/ B>C|
DC/B,/ A,G,|A,/B,/A, G,D|\
GF/E/ DC|GF/E/ DC|_AA G_A|GF E2|zF GC|FG C2:|

X:116
T: Bridget's Mazurka
M: 3/4
C: Jeff McKeen, Liberty ME
L: 1/8
Z:title notwithstanding, this was 
Z:written to be played as a waltz.
Z:posted by John Erdman 8/96
K:D
(uAB)|: "D"AF D2 (uAB)|"D"AF D2 (ude)|"D"f2 ({g}ufe) dA|"A"E4 (uAB)|
"D"AF DF AB|"D"AF D2 (ude)|"G"f2 ({g}ufe) "A"dc|1 "D"d4 (uAB):|2 "D"d3 (ue fg)|
|: "F#m"a2 (uag) fe|"Em"{f}g2 (gf) ed|"A"ef gd Bd|"A"AB AF "D"Df|
"F#m"a2 (uag) fe|"Em"{f}g2 (ugf) ed|"A"ef ec Ac|1 "D"d3 (ue fg):|2 "D"d4|]

X:115
T:Campbell's Farewell to Redcastle
Z:Footnote: 16 July 1996
M:4/4
L:1/8
Q:212
Z:posted by Gary Smith 7/97
K:A
e2A3Bc2|d2e2 a2e3dc2 A2A2|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2
BA=G2|B2A4A2|=gf e2 a2a2|=gfe2 a2e3dc2 A2A2|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2
BA=G2|B2A4-A2|e2 A3Bc2|d2e2 a2e3dc2
A2A2|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2 BA=G2|B2A4A2|=gf e2 a2a2|=gfe2 a2e3dc2 A2A2
|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2
BA=G2|B2A4-A2|= gf e2 a2a2|=gfe2 a2e3dc2
A2A2|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2 BA=G2|B2A4-A2|

X:114
T:Captain Campbell
O:Scotland
M:4/4
Z:posted by Toby Rider 8/97
L:1/8
K:C
G|EB  c>A  BA B>d c/2B/2A/2G/2|EB  c>B cB A2 A:|
B|Ag  e>d   ceg>e  d/2c/2B/2A/2  G>B|Ag e>d cB A2A>B|
Ag e>d c>e|d>eg>e  d/2c/2B/2A/2  G>B| cB  e>d  cB  A2A|

X: 113
T:Catharsis
M:C|
L:1/8
C:Amy Cann
S:Natalie MacMaster ("No Boundaries" CD)
Z:Transcribed by Tony Ludiker
Z:Posted by Tony Ludiker 12/97
K:Gm
DFGF DFGF|DFGA BGA(F|DF)GF DFGF|DED(C B,C)A,B,|
G,FGF DFGF|DFGA ({Bc}B3)c|dc((3B/c/B/A) (BA)GF|1 DG((3G/A/G/F)G4:|2
DG((3G/A/G/F G)ABc||
|:dGGc GGBG|GAGG AGAc|dFFc FFBF|FAFF AGAc|
dEEc EEBE|EAEE AGAc|dc((3B/c/B/A) (BA)GF|1 DG((3G/A/G/F G)ABc:|2
DG((3G/A/G/F)G4||


X:112
T:Return To Chernobyl
M:4/4
L:1/8
C:Vincent Blin
Z:posted by Trish O'Neil 6/97
K:Dm
D2DF ADFA|DFAD FAFD|A,2A,C EA,CE| A,CEA, DGFE|D2DF ADFA|DFAD FAF=B|
c2Gc EcGe|[1fedc dcAF :|[2 fedc dcAc |
|d2fd gdfd|d2fg gfdc|B2fB gBfB|eeef eABA| [1 d2fd gdfd|d2fg gdfg|
aAAa gAAg|fAAf eABA:| [2d2fA dfdA|BBfB dfdB|ccgc egcg|ag



X:111
T:Clog Double
R:reel
S:Jean Carignan; Hommage a Joseph Allard, Philo
M:C|
E:7
Z:posted by Bruce Culbertson 12/96
K:Bb
|:B2dB fBdB|gBaB bBAB|FBAB GcBc|AecA BAGA|\
B2dB fBdB|gBaB bBAB|FBAB GcBc|AecA  BFGA:|
|:B2dB fBdB|bagf =egfd|B2dB fBdB|AecA FAcA|\
B2dB fBdB|bagf =egfd|B2dB fBdB|AecA BFGA:|

X:110
T:Moving cloud
M:4/4
L:1/8
Q:1/4=180
Z:posted by redace@total.net 9/96
K:F
FD |: "F" CFAF "Db+" _DFAF | "F" CFAF "Dm" GFDF | "Bb6" GB (3BcB "Bb7"
Acfa | "C7" gfdc AGFD |
"F" CFAF "Db+" _DFAF | "F" CFAF GFDF | "Bb6" GABc "Bb7" dgfd |1 "C7"
cAGA "F" FGFD :|2 "C7" cAGA "F" FGAB |:
"F" c2 fc acfc | (3ccc ac gcfc | "Gm" d2 gd bdad | "Bb6" (3ddd "C7" bg
agfd |
"F" c2 fc acfc | "F" (3ccc ac gcfa | "Bb6" bagf "Bb7" agfd |1 "C7" cAGA
"F" FGAB :|2 "C7" cAGA "F" F|

X:109
T:Devil take the hindmost
L:1/8
M:6/8
C:Laurie Griffiths and Judith Beton
Z:posted by Laurie Griffiths 12/98
K:A
efg |\
"A"a3 a3 | "A"agf edc |\
"E7"Bcd cBA | "E7"Bc\
d efg | "A"a3 a3 |\
"A"agf edc | "E7"Bcd dcB \
|1 "A"A3 :|2 "A"A6 |
"E"Bcd dcB | "A"cde edc |\
"E"Bcd dcB | "A"cde e3 |\
"D"fga agf | "A"edc Bcd |\
"E7"efe dcB | "A"A6 |
"Bm"Bcd dcB | "C#m"cde edc |\
"D"Bcd dcB | "E"cde "E7"efg |\
"A"a3 a3 | "A"agf edc |\
"E7"Bcd efg | "A"a3 ||

X:108
T:Dick Glasgow's
M:9/8
L:1/8
S:Dick Glasgow, Scotland (fiddle)
R:Slip Jig
H:I suspect a home compostion
D:Private tape
Z:Bernie Stocks
Z:posted by Trish O'Neil 7/97
K:G
ABA dcA d2c | ABA cdA G3 | ABA dcA d2e | g2d ege dBG ::\
GBB GBd g3 | GBB fge fed | GBB GBd gag | fgf efe dBA :|



X:107
T:Donald Ian Rankin
R:Jig
S:Brian Millar
O:Scotland
M:6/8
Z:posted by Toby Rider 8/97
K:F
Acc FAA | CFF A,CC | A,CC FAA | FEE E2C | \
CEE EGG | GBB Bcc |
|1 cee ecc | BAA A3 :|2  cee ede | gff f3 :| \
aff cee | aee dcc | aff cff | fee e3 | \
gee cee | gee dcc | gee cee | dcc c3 | \
aff cee | aee dcc | aff cff | fdd d3 |\
dBB FBB | CFF A,CC | cee ede | gff f3 |]

X: 106
T:A Boy's Lament for his Dragon
S: Kate Russum from JP Cormier, Boston WS 5/4/97
M:4/4
L:1/8
Q:300
Z:posted by John Erdman 7/97
K:D
A2|A2 d2 d2 ef|g>fe<d f4|g2 B2 B2 cd|e>fe<c A4|
A2 d2 d2 ef|g>fe<d e4|g2 B2 f>ed<c|d4 d2:|
|: fg |a2 A2 A2 =c2|B2 G2 A4|A2 d2 A2 d2|e>dc<B A2 fg|
a2 A2 A2 =c2 |B2 G2 A4|A2 d2 f>ed<c|d4 d2:|




X:105
T:When the Wind Shakes the Barley
M:4/4
L:1/8
Q:1/4=140
C:trad.
S:transcription of Joey McKensie jamming at Weiser 1997 by LL.B.
Z:posted by Llarry Brandon 12/97
K:D
|A2 AB AFED|G, [D2B2]  A BcdB|AFAB AFED|gfed BcdB|!
AGAB AFED|G, [D2B2]  A BcdB|AGBG ABde|fded BcdB||!
AFAB AFED|BGDG BcdB|AFBF ABde|fded BcdB|!
AFAB AFED|G, [D2B2]  A BcdB|AFAB AFED|gfed Bcde||!
f2 fd g2 gd|f2 fd edBd| f2 ef g2 fg|afed Bcde|!
fefa gega|fefa edBd|fdef gefg|afed Bcde||!
[A2f2] fd [B2g2] gd|[A2f2] fd edBd|fdef gefg|afed BcdB|!
|A2 AB AFED|G, [D2B2]  A BcdB|AFAB AFED|"And On and On"gfed BcdB

X:104
T:Drummond Castle
R:Jig
O:Scotland
M:6/8
Z:posted by Toby Rider 8/97
K:C
G|ABA a3|age g3|c2c edc|Bdg dBG|\
ABA a3|age g3|e>ge deg|edB A2:|*
|:B|c2c cec| d2d ded| c2c edc| Bdg dBG|\
c2c edc| deg a2g| age deg| edB A2:|**

X:103
T:Old Dutch Churn, The
S:as played by Buddy MacMaster
R:Jig
O:Canada
M:6/8
I:speed 300
A:Cape Breton
E:8
Z:posted by Trish O'Neil 7/97
K:Gm
A| \
B3 Bd2 | G2d dcB | A3 Ac2 | F2c cBA | \
B3 Bd2 | G2d dcB | dfd cBA| G3 G2 :|
z| \
b3 g3 | b2g gfd | a3 f3 | fgf agf | \
b3 g3 | b2g gfd | fdB Bdf | g3 g2a |
b3 g3 | b2g gfd | a3 f3 | fgf agf |\
b3 g3 | a2g gfd | dfd cBA | G3 G3|]

X:102
T:Fairy Dance
T:Largo's Fairy Dance
R:reel
C:Niel Gow, Scotland
D:Paddy Moloney & Sean Potts: Tin Whistles.
M:C|
Z:posted by Trish O'Neil 7/97
K:D
f2fd f2fd|f2fd cdec|f2fd gfed|1 cABc dcde:|2 cABc defg||
|:a2af b2ba|gfge a2ag|fefa gfed|1 cABc defg:|2 cABc dcde||

Version 2:
|:(3faf dg (3faf dg|(3faf dB cdeg|(3faf df gfed|1 cABc dfag:|2 cABc
defg||
|:aAdf bagf|gece agfe|fdBd gfed|1 cABc defg:|2 cAGE D3g||

X: 101
T:Festival Waltz
M:3/4
L:1/8
Z:posted by Tony Ludiker 7/98
K:A
CB,|A,2C3E|G2F3E|F2G2A2|C4CB,|
A,2C3E|G2F3E|F2D2C2|(B,4B,)A,|
B,2C2D2|E2F2G2|A2G3A|G4GF|
E2B,3E|=C4E2|(C4C)D|C4CB,|
A,2C3E|G2F3E|F2G2A2|C4CB,|
A,CEGAc|B4A2|a2f3A|f4AA|
a2f3A|a2=f3A|a2e2cB|A2E2GB|
e4e2|c3dcB|(A4A)B|ABcd(3efg|
a3baf|g3age|f3gfe|c4ee|
f2e2cB|A2c3e|e2d2B2|G4E2|
b2g3a|g2f2e2|b2g3a|g4gf|
e2B3e|=c4e2|(c4c)d|c3Ace|
a3baf|g3age|f3gfe|c4AA|
A2B2=c2|c3BA2|a2f3A|f4AA|
a2f3A|a2=f3A|a2e2cB|A2E2GB|
e4e2|c3dcB|(A4A)B|A4|

X:100
T:Fishing Rod Reel
R:Reel
M:C|
L:1/8
Q:300
Z:Transcribed by Tony Ludiker
Z:posted by Tony Ludiker 12/97
Z:%Gdor? I'm not sure. It fingers like F, but
Z:begins and ends on a Gm chord
K:F
u(DF)|"Gm"G2DG (BA)GB|"F"AFcF AcFA|"Gm"G2DG (BA)GB|"D7"AdcA "Gm"G2(~BA)|
G2DG (BA)GB|"F"AFcF AcFA|"Gm"G2DG (BA)GB|"D7"AdcA "Gm"G2:|
|:ue^f|"Gm"ug2dg bgde|"F"ffcf afdf|"Gm"g2dg (bg)de|"D7"^fefa "Gm"gdef|
g2(ga) bag2|"F"(~fe)fg afdf|"Gm"(g^f)(ga) g_edc|"D7"BGA^F G2:|

X:99
T:Flower of the Flock, The
R:reel
D:Bothy Band: 1975
M:C|
Z:posted by Trish O'Neil 7/97
K:G
DEGA BG~G2|cABG AGEG|DEGA ~B3e|1 dBAB ~G3E:|2 dBAB G4||
~g3e dGBG|~A3B AGEG|~g3e d2 (3Bcd|eaab agef|
~g3e dGBG|A2BG AGEG|DEGA ~B3e|dBAB G2GE||

X:98
T:Chief O'Neill's
T:Flowers of Adrigole, The
R:hornpipe
N:1st bar of 2nd part also played |=FEFG AGAB|. Also played with ^F in
this bar.
D:Paddy Glackin: In Full Spate
M:C|
Z:posted by Trish O'Neil 7/97
K:Dmix
de|fefg afge|fded dcAG|~F3D FGAB|cAdc A2de|
fefg afge|fded dcAG|FEFD GBAG|F2D2 D2:|
|:DE|=F2FE FGAB|cAdB cAGB|Adde fded|^cAdc A2de|
f2fg afge|fded dcAG|F2FD GBAG|F2D2 D2:|

X:97
T:Flowers of Edinburgh
R:Reel
O:Scotland
O:Ireland
M:4/4
Z:posted by Trish O'Neil 7/97
K:G
GE|\
D2DE G2GA|BGBd cBAG|FGFE DEFG|AFcF E2GE|\
D2DE G2GA|BABd ef(3gfe|
dcBA GFGA|B2G2 G2::\
Bd|\
g2g2 gbag|f2fe fagf|
edef gfed|B2ed e2ge|\
dBGB d3d|edef g2fe|dcBA GFGA|B2G2 G2:|


X:96
T:Flowers of Spring, The
T:Tom Billy's
R:jig
D:De Dannan
Z:Also played in Ador.
M:6/8
Z:posted by Trish O'Neil 7/97
K:Edor
~E3 EFA|BAF D2F|AFE DED|DFA BAd|~E3 EFA|BAF D2F|AFF dFF|1 EFE E2D:|2 EFE
E3||
|:Bee ede|~f3 edB|BdB DFA|~B3 dBA|Bee ede|~f3 edB|BdB AFD|1 EFE E3:|2
EFE E2D||




X:95
T:Footprints in the Snow
M:4/4
L:1/16
S:Arr. Joey McKenzie (as played at the 1997 "national" fiddle contest in
Weiser, Idaho)
Z:Trans. Tony Ludiker
Z:The B part (begins on line 5) is bowed du u du u du u du u.
Z:The last note of line 5 should slur into the first note of line 6.
Z:Each (e_e=e) is fingered with the fourth finger, followed by an open
"E" note.
Z:posted by Tony Ludiker 8/98
K:E
([G2B2]|[EB])B,EF G([Be][c2e2]) ([ce][e3e3]) ([fe][g2e2]e)|=gfef gfe(=d
c^B)cf ecAc|
BFBc dfgd fB(=d^d) B2bg|f(B=d^d) B([GB][FB][GB])
([E4B4][EB])([EB][=GB][^GB])|
[EB]B,EF G([Be][c2e2]) ([ce][e3e3]) ([fe][g2e2]e)|=gfef gfe(=d c^B)cf
ecAc|
BFBc dfgd fB(=d^d) B2bg|f(B=d^d) B([GB][FB][GB])
([E4B4][EB])([FB][E2B2])||
[GB][GB] z[GB] [GB][GB] z[GB] [Ac][Ac] z[Ac] [GB][GB]
z[GB]|(3([GB][AB][GB][F2B2] [F2B2])([FB][GB] [F6B6])=d2|
dfzd fz (ag) fB=d^d BBcB|eB=dc B([GB][FB][GB]) [EB]z
(3[B,E][B,E][B,E][C2E2]^D2|
([=DA][E3B3])([FB][G3B3])([ce][e3e3])([fe][g2e2]e)|=gfef gfe(=d c^B)cf
ecAc|
BFBc dfgd fB(=d^d) B2bg|f(B=d^d) B([GB][FB][GB]) [E6B6](ef)||
gbge fecd edf(e g2)ec|=defa gfe(d |c^B)cf ecAc|
BFBc dfgd fB(=d^d) B2bg|f(B=d^d) B([GB][FB][GB]) ([E4B4][EB])(e_e=e)|
e(e_e=e) e(e_e=e) edf(e g2)ec|=defa gfe(d  c^B)cf ecAc|
BFBc dfgd fB(=d^d) B2bg|f(B=d^d) B([GB][FB][GB])
([E4B4][EB])([FB][E2B2])||
[GB][GB] z[GB] [GB][GB] z[GB] [Ac][Ac] z[Ac] [GB][GB]
z[GB]|(3([GB][AB][GB][F2B2] [F2B2])([FB][GB] [F6B6])fg|
agag ffgf af=d^d BBcB|eB=dc B([GB][FB][GB]) [EB]z
(3[B,E][B,E][B,E][C2E2]^D2|
([=DA][E3B3])([FB][G3B3])([ce][e3e3])([fe][g2e2]e)|=gfef gfe(=d c^B)cf
ecAc|
BFBc dfgd fB(=d^d) B2bg|f(B=d^d) B([GB][FB][GB]) [E6B6]|

X:94
T:Fraser's Jig
R:Jig
O:Canada
M:6/8
I:speed 300
C:Dan Hughie MacEachern
A:Cape Breton
Z:posted by Trish O'Neil 7/97
K:C
GAG d3| dcd g3| f2 c dfd | cAF AGF| \
GAG d3| ded g2 a| f2 d cAF| G3 G3:|
g3 def| gfg d2 e| f2 c dfd| cAF F3| \
g3 def| gfg d2 e| f2 d cAF| G3 G3|
g3 def| gfg d2 e| f2 c dfd| cAF F3|\
GAG dcd| gfg a2 g| f2 d cAF| G3 G3|]


X:93
T:Full-Rigged Ship, Da
R:Jig
O:Shetland
M:6/8
Z:posted by Toby Rider 8/97
K:Am
e2a aea|aea aba|e2^f g2g|gag ^f2d|\
e2a aea|aea aba|g2e edB|A3 E3::
efe edB|A2B c3|B2G B2G|Bcd E3|\
efe edB|A2B c2d|efe dBG|A3 A3::
EGE EGE|EGE c3|EGE E2D|E2F GEC|\
EGE EGE|EGE c2d|efe dBG|A3 A3:|


X:92
T:President Garfield's Hornpipe
C:Harry Carleton
M:4/4
R:Hornpipe
A:Cape Breton
B:Sandy Macintyre's lesson book
Z:posted by Wil Macaulay 4/97
K:Bb
|: dc | BFDF BFDF | BABc dcde | fcAc fcAc | f=efg f_edc |
BFDF BFDF | BABc dcde |  fgag fedc | B2 d2 B2 :|
|: (ba) | geBG EGBg | fdBF DFBf | eAgf eAgf | dBgf dBba |
geBG EGBg | fdBF DFBf | =efag f_edc | B2 d2 B2 :|


X:91
T:The Geezer and the Guiser
M:4/4
L:1/8
Z:posted by Lani Herrmann 3/98
K:C
EE | AGAB cBcd | e2ec d2cd |1 e2A2 AcbA | G2E2 E2 :|
2 ea2b aged | c2A2 A2 ||
K:G
| ea2b agef | gedB G2 G2 | ea2b agef | g4 g4 |
ea2b agef | gedB G2 cd | ee2e d2 B2 | A6 ||

X:90
T:Glenburnie Rant
Z:Footnote: 16 July 1996
M:4/4
L:1/8
Q:212
Z:posted by Toby Rider 8/97
K:E
|:E2EF E2EF|DEFG AFDF|E2EF E2B2|efe^d e2e2|
W: Em D Em B Em
E2EF E2EF|DEFG AFDF|E2EF E2B2|efe^d e2B2|
W: Em D Em B Em
e2ef g2fe|defg afdf|e2ef g2fe|efe^d e2B2|
W: Em D Em B Em
e2ef g2fe|defg afdf|g2ag f2gf|efe^d e2z2:|
W: Em D G D B Em

X:89
T:Hills of Glenorchy, The
R:jig
O:Scottish
M:6/8
Z:posted by Trish O'Neil 7/97
K:Edor
B2E EFE|BAB d2B|A2D DED|AFD FAd|B2E EFE|BAB d2e|dBd AFD|1 EFE E2d:|2 EFE
E2B||
|:efe edB|efg f2e|ded dAF|dfe dAF|efe edB|efg f2e|dBd AFD|1 EFE E2B:|2
EFE E2d||

X:88
T:Good-Bye, Girls
C:from a tape of Manco Snead
N:Recorded 7/28/64 by Glenn Massey in Manco's home.
N:^ in bar 3, line 2, indicates sharpened note.
N:Hold in bar 1, line 4 played sometimes, sometimes not.
M:C
L:1/8
Z:posted by Joel Shimberg 11/98, chords added by Dave Barton 12/98
K:AMix
"A" ABcA E3 D | CEDC A,4 |"Em" E2 F2 G2 G2 |"A" ABAG E A3 |
ABcA E3 D | CEDC A,4 |"G" {C}A,G,A,B, "^"=CDED |"A" E2 [A2A2] A4 :|
|:"A" ABcd e2 (3ABc |"D" defd "G" g3 (3D/2E/2F/2 |\
 G2GB dedB | GBGB "Bm" d2 cd |
"Em" e3f Hg4 | e3d "A" c2 (3BcB |"Em" ABAG EDCD |"A" E[A3A3]A4 :|


X:87
T:Hawk, The
R:Hornpipe
O:England
M:4/4
C:James Hill
A:Northumberland
Z:posted by Ted Hastings 12/97
K:E
B|\
e2ge Begf|egfa gbag|f2af cfag|fedc BcdB|\
e2ge Begf|egfa gbag|
fefg aBcd|eBgf e3::\
(3B/B/B/|\
Bbge Bafd|Bged edcB|
cBdc edfe|gfag f2fg|\
abga fgef|dbca BgAf|defg aBcd|eBgf (e2[ee']):|


X:86
T:Hens March Through The Midden
M:C
L:1/8
C:Trad.
S:John Tait
Z:posted by Larry Warren 6/96
K:D
A|:d2A2 d>ef>g|(3fga g>f e2A2|d2d>d f2f2|g>fg>^g a2a>a|
a>gf>a g>fe>g|f>ed>f e3A|d>fe>g (3fga g>f|1e2A2d3A:|
2e2A2d4||:A2e2A2e2|A2A>c e2f2|d2f2d2f2|d2d>e f2a2|
d2d>e g2b2|d2d>e f2a2|d2d>d g2b2|d2d>ef2a2|a>gf>a g>fe>g|
f>ed>f A4|d>fe>g (3fga g>f|e2A2d4 A:|


X:85
T:High Level hornpipe, The
R:Hornpipe
C:James Hill
A:Northumberland
O:England
M:4/4
Z:posted by Toby Rider 8/97
K:Bb
dc|\
Bd FB DF Bd|fb df Bd c=B|\
ce Ac FA ce|gf =ef gf _ec|\
Bd FB DF Bd|fb df Bd cB|\
GA Bc de =ef|gf ec B2::\
cB|\
Af cf Af df|AF Ad fd Ac|\
df Bf df Bf|dB df bf df|\
=eg cg eg cg|=ec eg bg eg|\
fe fa gb eg|f=e fg f=e dc:|

X:84
T:High road to Linton, The
R:Reel
O:Scotland
M:4/4
Z:posted by Toby Rider 8/97
K:Hp
cefe a2ae|f2fe a2ae|cefe a2ae|faec B2A2::
ceeg fddf|ecce fBB2|ceeg fddf|ecac B2A2::
a2a2 efa2|efae faef|a2a2 efae|faec B2A2::
c2ec defd|c2ec BcdB|c2ec defg|afec B2A2:|

X:83
T:O'er the Hills and far awa
C:From Aird 1782-1785
M:C
Z:Posted by Dan Mozell 11/97
K:G
DE | G3 A G>ABA | G2 E2 E2 DE | G3 A GABG | B2 A2 A2 DE | G3 A GABA |
G2 E2 c4 | E2 D2 DEGA | B2 A2 A2 :||: Bc | d3 e dcBA | G2 E2 E2 Bc |
d3 e dBAG | B2 A2 A2 Bc | d3 e dcBA | G2 E2 c4 | E2 D2 DEGA | B2 A2 A2 :||:
DE | GABA GABA | G2 E2 E2 DE | GABA GABG | B2 A2 A2 DE | GABA GABG | AGFE
c4 | E2 D2 DEGA | B2 A2 A2 :||: Bc | dgfe dBAB | G2 E2 E2 Bc | dgfe dBAG |
B2 A2 A2 Bc | dgfe dcBA | G2 E2 c4 | E2 D2 DEGA | B2 A2 A2 :||


X:82
T:Round the Horn
C:Jay Ungar
M:2/4
L:1/16
Z:posted by John Erdman 4/98
K:Edor
D|:"G"G2GA BAGA|Bd2ed4| "C"=cdef e2g2|"D"a6ga|
| "G"b2b2 "D" agfa| "Em"gfed "G"BAG2| "D"A2D2 "Bm"GAG2| "Em"E6:|
B|: "Em"e3f e2d2| "G"Bd2e d4| "Am"A3A G2A2| "Bm"Bd2e d4|
| "Em"g3a gfe2| "D"ded=c "G"BAGB| "D"A2d2 "Bm"BAG2| "Em"E6:|


X:81
T:Untitled hornpipe
M:4/4
L:1/8
Q:170
S:"Teddy Boy" Houle
R:hornpipe
Z:posted by Philippe Varlet 5/97
K:A
cd | e2 (3efg a2 a2 | cecB A2 cd | efed cBAc | B2 e2 E2 cd |
e2 (3efg a2 a2 | cecB A2 Bc | dcBA GEFG | A2 c2 A2 :||
F=G | A2 GA B2 A=G | F2 f2 f2 zF | A2 =g2 e2 zc/2B/2 | A2 f2 d2 zF |
A2 GA B2 A=G | F2 f2 d2 ef | =gfed cABc | d2 f2 d4 ||



X:80
T:The Iron Man
Z:Footnote: 16 July 1996
M:4/4
L:1/8
Q:1/4=128
Z:posted by Toby Rider 8/97
K:A
A2c3/2A/ B3/2G/A3/2B/|c2e3/2c/ d3/2B/c/e3/2|f2d/f3/2 e2c/e3/2|(3dcB(3cBA
G/B3/2B3/2c/|
W:. A E7 A A E7 A D A E7
A2c3/2A/ B3/2G/A3/2B/|c2e3/2c/ d3/2B/c/e3/2|f2d/f3/2
e/a3/2c3/2A/|(3Bcd(3dcB c/A3/2A2|
W:. A E7 A A E7 A D A E7 A
a3/2A/g3/2A/ f3/2A/e3/2A/|(3cBAe3/2g/ a3/2e/c3/2A/|d3/2E/c3/2E/
B3/2E/c3/2E/|(3dcB(3cBA (3Bcd(3efg|
W:. F#m E D A A Bm A E A E7 A Bm E7
a3/2A/g3/2A/ f3/2A/e3/2A/|(3cBAe3/2g/ a3/2e/c3/2A/|d2f3/2d/
(3eag(3fed|(3cBA(3GAB A2A2|
W:. F#m E D A A D A Bm A E7 A

X:79
T:Jean's Reel
M:4/4
L:1/8
C:Bobby MacLeod
S:As Played By Natalie MacMaster
R:Reel
Z:posted by Toby Rider 11/97
K:G
(3DEF|:G3A BGBd|gB (3BBB eBdB|A3B AGEG|AcBA GEDE|!
G2 GA BGBd|gabg abge|d2 Bd gedB|1AGFA G2 EF:|2AGFA G2 Bd||!
gBdg BBgB|dgBd gBdg|fdda fdaf|gfga baga|!
(3bag gf gfe^d|efgf edBd|d2 Bd gedB|1AGFA G2 Bd|AGFA G3A||!
BD (3DDD EDB,D|(3DDD B2 (3DDD B2|A2 (3DDD ADFA|dD^cD =cAFA|!
BDGB (3DDD B2|GBDG BDGB|ADFA dD^cD|cAFA G3A|!
BD (3DDD EDB,D|(3DDD B2 (3DDD B2|A2 (3DDD A,2 (3DDD|d2 (3DDD c2 (3DDD|!
BDGB (3DDD B2|GBDG BDGB|ADFA dD^cD|cAFA G2 Bd||!
gBdg BBgB|dgBd gBdg|fdda fdaf|gfga baga|!
(3bag gf gfe^d|efgf edBd|d2 Bd gedB|AGFA G2 Bd|!
gBdg _Bdg=B|dg_Bd g=Bdg|fdda fdaf|gfga baga|!
(3bag gf gfe^d|efgf edBd|d2 Bd gedB|AGFA G2||!

X:78
T:Jean's reel
R:Reel
C:Bobby MacLeod
O:Scotland
M:4/4
Z:posted by Toby Rider 8/97
K:F
C2|\
F2FG AFAc|fA (3AAA dAcA|GFGA GFD2|GBAG FEDC|\
F2FG AFAc|fgaf gfdf|c2Ac fdcA|GFEG F2||\
Ac|\
fAdf AdfA|cfAc fAcf|eccg ecgc|fefg acfg|\
afge fedc|defe dcAc|d2cA fdcA|GFEG F2||
FG|\
ACCA CCAC|FACF ACFA|ECCG ECGC|cC=Bc _BGEG|\
ACCA CCAC|FACF ACFA|ECEG cC=Bc|BGEG F2||\
Ac|\
fAdf AdfA|cfAc fAcf|eccg ecgc|fefg acfg|\
afge fedc|defe dcAc|d2cA fdcA|GFEG F2||


X:77
T:Untitled Jig #1
M:6/8
L:1/8
Q:3/8=140
S:Lee Cremo
R:jig
Z:posted by Philippe Varlet 5/97
K:A
cd |: efe c2 d | efe c2 e | dcd B2 c | d3 {e}dcd |
efe ce=g | fef dfa | g2 b gfg |1 a3 a3 :|2 a3 a2e ||
agf edc | Bcd f2 e | cde eae | cde f2 e |
agf edc | Bcd f2 a | efe dcB |1 c/2B/2A2 ea2 :|2 BA2 A3 ||

X:76
T:Untitled Jig #2
M:6/8
L:1/8
Q:3/8130
S:Lee Cremo
R:jig
Z:posted by Philippe Varlet 5/97
K:A
a |: c'2 a e2 c | A3 AzC | A,CE Aca | g3 gag |
f2 d B2 A | G3 G3 |1 GFE GFE | C2z a2 b :|2 EFE EFG | A3 A2 ||
C/2B,/2 |: A,2 C E2 A | c3 c2 e | cAe cAc | B3 BGF |
E2 G B2 c | d3 fa2 | gfe dcB |1 c3 c2z :|2 A3 A3 ||

X:75
T:Untitled Jig #3
M:6/8
L:1/8
S:Lee Cremo
R:jig
Z:posted by Philippe Varlet 5/97
K:A
E3 EFA | B3 Bce | fea fec | ecA BAF |
E3 EFA | B3 Bce | fea fec |1 ecA A2F :|2 ecA Acd ||
e3 ecA | f3 fga | fec BAB | cAF FAc |
e3 ecA | f3 fga | fec BAB | cAA Acd |
e3 ecA | f3 fga | fec BAB | cAF Fzf |
ecA Ace | fdf fga | fec BAB | cAA A2z ||


X:74
T:Untitled Jig #4
M:6/8
L:1/8
Q:3/8=180
S:"Teddy Boy" Houle
R:jig
Z:posted by Philippe Varlet 5/97
K:E
b2 e g2 e | gbe gbe | Bdf/2g/2 agf | e2 g |
b2 e g2 e | gbe gbe | Bdf/2g/2 agf |1 efe e3 :|2 efe e2 ||
f/2g/2 | agb agf | ecf ecA | =dBG EGB | fec A2 f/2g/2 |
agb agf | ecf ece | f2 e =dcB | AAA A2 :||


X:73
T:Jimmy in the Swamp
M:1/2
L:1/8
Q:220
S:John Hartford's "Wild Hog in the Redbrush" transcribed by Llarry Brandon
Z:posted by Llarry Brandon 1/98
K:G
GE |:"G"DEGA BAGA| Bded ef .g2|DEGA BAGA|BAGB"D" AGEG|!
  "G" DEGA BAGA|Bded  efga|bgag efge|1"D"dBAF "G"G2 GE:|2dBAF G2 z2| !
|"Em"|:{d}e4 B4| efed B2 gf|"G"e2 .E2 EFGA|BAGB AGE2|!
 "Em"{d}e4 B4 | efed B2 gf|"G"e2 .E2 EFGA|"D"BGAF"G" G4 :|

X:72
T:Jock Wilson of Fenton
M:4/4
L:1/8
Z:C.G.P
Z:posted by Johnny Adams 12/98
K:D
|:AG|FAd2d2ed|cdefg2ag|fedc dfaf|gfed cBAG|FAd2d2ed|cdefg2ag|fedf
efge| f 2d2d2::dc|Bcde fede|fedcB2cB|ABcd edcd|edcB
ABAG|FAd2d2ed|cdef g2ag|fedf efge |f2d2d2:||
X:71
T:Josefin's Baptism Waltz
C:Roger Tallroth
R:waltz
D:Dervish, "At the End of the Day". Vasen: "Essence"
M:3/4
L:1/4
Z:posted by Philippe Varlet 6/98
K:F
CFG|AcB|AGF|C2D|B,>B,B,|DFE|D3|C3|
CFG|AcB|AGF|C2D|B,>B,B,|DEF|G3-|1 G3:|2 GAB||
|:cAc|f2e|d3|c3|Bdc|BAG|A>BA|GAB|
cAc|f2e|d3|c3|Bdc|BAG|A>BA|GAB|
AGF|E2F|F3|B,CB,|A,CF|EDE|F3-|1 FAB:|2 F3||

X:70
T:Kohler's Hornpipe
M:C
L:1/8
Q:230
C:Traditional
S:Kohler's Repository
R:Hornpipe
Z:posted by John Erdman 4/98
K:C
G2|"C"c2cB cdef|"C"g^fga "C7"gedc|"F"A^GAB cdcA|"C"GEcA "C7"GECE|
"F"FEFG AGAB|"C"cBcd "A7"egag|"Dm"fedc "F"Ac"G7"Bd|"C"eccB c2:|
|:g2|"C"egcg egcg|"G"dgBg dgBg|"Am"ceAe ceAe|"Em"GcEc "C7"GcEc|
"F"FEFG AGAB|"C"cBcd "A7"egag|"Dm"fedc "F"Ac"G7"Bd|"C"eccB c2:|


X:69
T:Lady of the Lake
M:4/4
L:1/8
Q:180
S:John Hartford's "Wild Hog in the Redbrush" transcribed by Llarry Brandon
Z:posted by Llarry Brandon 1/98
K:D
|"D"A2 B2 =c2 d2|egfa g2. d=c|"C"BAGA B=c d2| B=cBc dcBc| !
"D" ABAB =cBcd|egfa gfef|"C" gbge d=cBc|"D"AF D6| !
"D"ABAB =c2 cd|egfa g2 d=c|"C" BAGA B=c d2|B=cBc d=cBc| !
"D"ABAB =cBcd| egfa gfef|"C"gbge d=cBc|"D"AF D4 eg || !
"D"a4 a4 |abag e2 ef|"C"gfge  dega| bagf e2 eg| !
"D"a2 a2 a2 a2| abag edef|"C" gedg edBd|"D" AF D4 eg| !
"D"a2 a2 a4|abag e2 ef"C"|gfga gede|bagf e2 eg| !
"D"a2 a2 a2 a2|abag edef|"C"gedg edBd|"D" AF D6|| !


X:68
T:Lady Margaret Stewart
B:Athole Collection
M:C
Z:posted by Ted Hastings 4/97
K:Bm
g | ~f (Bf) {c}dBfB | sf^gas (ef) ~cAec | ~f (Bf) {c}dBed | ec{^g}ac
B/2B/2B ~B :||
A | (FB)Bc {c}dBcA | (EA)AB (cd)ec | (FB)Bc {c}dBdb | afec B/2B/2B ~BA |
(FB)Bc {c}dBcA | (EA)AB (cd)ec | {c}dBdb cAce | {c}dfec B/2B/2B B ||

X:67
T:Lake Pontchartrain Waltz
M:3/4
L:1/8
C:Tony Ludiker (composed 8-8-98)
N:I composed this waltz between New Orleans and Salt Lake City on the
airplane after teaching at a Suzuki violin camp. The title comes from the
lake located just a block from my hosts' home (Bruce and Sue Daigrepont).
Z:posted by Tony Ludiker 8/98
K:Bb
u(Bc)|"Bb"d2B3F|B2e2(de)|"F"d2(c3d)|c3(=Bcd)|
"Cm"e4((3ded)|"F"c2(f3e)|"Bb"e2(d3e)|"Bb7"d4ga|
"Eb"b2g3b|"Dm"a2f2df|"Cm"e2f2((3gag)|"Bb"uf3 (udBc)|
d2(c3d)|"F7"e2(cB (3ABc)|"Bb"([B4D4][BD][cD])|[B3D3]vA u(Bc)||
d2B3F|B2(e3d/e/)|d2(c3{dc} =B)|c3=B(cd)|
e3(d (3ded)|c2({fg}f3e)|e2(d3e)|d4ga|
b2g3b|a2f2dB|e2(fg (3gag)|vf3 ((3ud/_d/c/ Bc)|
d2(c3d)|e2(c (3B/c/B/ (3ABc)|([B4D4][BD][cD])|([B4D4][BD])uA||
"Gm"BA2G3|D4((3DEF)|"Cm"F2([E3G,3][FG,])|([E4G,4][EG,])[vEG,]|
"C"[v=E2G,2][E3G,3]((3C/=B,/A,/|G,C)(=E3G)|"F"((3GAG)(F3{GF} =E)|(F4F)uF|
"F#dim"u^FA(ce)^fa|c'2(a3c')|"Gm"(b2g)(dBG)|(D4D)uE|
"C7"(u=EG)c=ege|[b2c2]([a2c2](3gag)|"F"[f3A3](g/f/=ef)|"F7"[e3f3](Bc_d)||
(d2B)(F (3FGF)|D2(e3d/e/)|d2(c3{dc} =B)|c3(=Bcd)|
e3(d (3ded)|c2({fg}f3e)|e2(d3e)|d6|
(bg3)b2|a2f2dB|e2f(g (3gag)|vf3 ((3ud/_d/c/ Bc)|
d2(c3d)|e2(c (3B/c/B/ (3ABc)|([B4D4][BD][cD])|[B3D3](uABc)||
(d2c)d2(e|e2)ug2ua2|([b6d6]|[b4d4])|]

X:66
T:Amelia's Waltz
M:3/4
L:1/8
C:Charlie Gore
Z:Transcribed into ABC format by Larry Warren with permission
Z:Posted by Larry Warren 11/98
K:D
AG|F2A2d2|f2a2f2|g2e2d2|c2A2 Bc|d4 AF|G2 A2B2|A2F2D2|E4 DE|
F2A2F2|G2B2G2|A2c2e2|d2A2dc|B2G2ed|c2A2fe|d4ec|d2 AGFE|
F4 Ad|f4af|g2e2 ed|c2 cB A2|d2 fedc|B2 g2f2|e2B2d2|c4AG|
F2 FGAF|G2 GABG|A4 Bc|d2A2dc|B4ed|c4fe|d2 dece|d3 def|
g3 eag|f2d2ef|e2A2ce|f2d2dc|B3c dB|A2d2f2|f2e2d2|c4AG|
F2 FGAF|d2 defd|gf e2d2|c2A2Bc|d2 AG F2|B2 GF E2|A2e2c2|d4




X:65
T:The Five Stringed Fiddle
C:Nigel Gatherer
N:In honour of Dick Rutter, violin
N:maker, Edinburgh
L:1/8
Z:posted by Nigel Gatherer 12/98
M:3/4
K:D
A,2|D4 FG|A4 D2|B2 c2 d2|F A3 D2|G3 ABG|F4 D2|B, E3 D2|C2 A2 A,2|
D4 FG|A4 D2|B2 c2 d2|F A3 D2|G3 ABG|F3 EDF|E3 DCE|D4:|]
AB/c/|d2 f3 d|c2 e3 c|B3 cdB|A F3 D2|G3 ABG|F4 D2|B,2 E3 d|C2 A3 G|
F2 d3 F|G2 e3 G|A3 ceg|f3 dAF|G3 Beg|f3 edc|e2 d3 d|d4:|]

X:64
T:Acrobatic Reel
M:C|
L:1/8
S:Les Raber - Hastings
R:Breakdown
A:Michigan
Z:posted by Paul Tyler 6/97
K:A
e2|a2ed cBAc|BAGB A2A2|EFGA BcdB|cecA B2e2|
a2ed cBAc|BAGB A2A2|EFGA Bcde|cABc A2:|
f2|:ecAc ecfc|ecAc e2f2|ecAc ecfc|dcBc d2ef|
ecAc ecfc|ecAc e2f2|agfe dcBA|1Bcde f2ef:|2BAGB A2||

X:63
T:Ale is dear, The
R:Reel
S:Sessions
O:Scotland
M:4/4
Z:posted by Toby Rider 8/97
K:Bm
f2ef B2fe | faef cA Ac | \
f2 ef B2 fe | fa ec B2 Bc :|*
|:BB Bc d2 cB | AA AB cA Bc | \
BB Bc d2 cB | f2 ec B2 B2 :|**



X:62
T:Lantern in the Ditch
M:4/4
L:1/8
Q:180
S:John Hartford's "The Fun of Open Discussion"
Z:by Llarry Brandon
Z:posted by Llarry Brandon 1/98
K:D
P:A
DE|:F2 A2 A2 FE|F2 A2 FEDB,|A,B,DE D2 fe|dBAF D2 DE|!
F2 A2 A2 FE|F2 A2 FEDB,|A,B,DE D2 fe|1dBAF D2 DE:|2dBAF D2 fg||!
P:B
a2 ab a2 fg|abaf efde|faab a2 ba|faec d2 fg|!
a2 ab a2 fg|abaf efde|faab a2 ba|1faec d2 fg:|2faec d2 AB||!
P:C
|:defd e2 fe|dBAF EF D2|Adfd efaf|gfec d2 AB|!
defd e2 fe|dBAF EF D2|Adfd efaf|1gfec d2 AB:|2 gfec d2 z2||!

X:61
T:President Lincoln's Hornpipe
C:Harry Carleton (19th century American)
N:Can be found in Cole's as Lincoln's Hornpipe.
N:Recorded by Jay Ungar & Molly Mason On "Civil War Classics"
N:Jay plays it with a bit of Scottish flavor.
M:C
Z:posted by Dan Mozell 7/96
K:A
(3EFG | A2 c>A E>Ac>A | G>AB>G A2 c2 | f>ed>c d>cB>A | G>AB>G E>dc>B |
A2 c>A E>Ac>A | G>AB>G A2 c2 | d>fe>d c>BA>G | A2 c2 A2 :||: c>d |
e>Ac>e a>gf>e | G>AB>c d>EF>G | A,>CE>A F>dB>A | G>AB>G E2 c>d |
e>Ac>e a>gf>e | f>Bd>f b>ag>f | c>eA>c B>dG>B | A2 c2 A2 :|

X:60
T:Loch and Quay
M:C
L:1/8
C:Martin Stillion
Z:Posted by Martin Stillion 2/99
K:DMix
"G"DGFG "G"ABAG | "D"FGAG "D"FDEF | "G"DGFG "Am"ABAa |"C"gedc "G"BG G2|
"G"DGFG "G"ABAG | "D"FGAG "D"FDEF |"G"DGFG "Am"ABAa |[1 "A"ged^c "D"d3z:|[2
"A"ged^c "D"d2 ag||
"D"fefg "A"fed^c|"E"def^g "A"a2 ab|"Am"c'aef "Em"geBc |"D"dcBA "G"G2E2|
"G"DGFG "G"ABAG | "D"FGAG "D"FDEF | "G"DGFG "Am"ABAa |[1 "A"ged^c "D"d2
ag:|[2 "A"ged^c "D"d3z||

X:59
T: Lover's Waltz
M:3/4
L:1/8
C:Jay Ungar & Molly Mason
S:Bill Mattieson's "The Waltz Book"
Z:posted by John Erdman 6/97
K:G
|:DGB|"G"d3 d BG|"C"E3 D CB,|"G"(D6|D3) D GB|"G"d3 d BG|"C"E3 D CB,|
"Am"(D6|"D7"D3) D EG|"Am"A3 G AB|"C"A G3 ED|"G"(D6|D3) D EG|
"C"A3 G AB|"Am"A G3 ED|"D"(d4 d)e|d4 GF|"G"G4 GF|"Am7"G4 GF|
"G"G3 G GF|"C"G2 c3 B|"G"G4 GF|"Em"G4 ED|"Am"(E4 E)D/2E/2|"D7"D4 GF|
"C"E3 F G2|"D"F2 G2 A2|"Em"B3 c BA|G4 GF|"C"E2 F2 G2|"D7"A2 G3
F|1"G"(G6|G3):|2 "G"G6|A3|
K:D
|:Adf|"D"a3 a fd|"G"B3 A GF|"D"(A6|A3) A df|"D"a3 a fd|"G"B3 A GF|
"Em"(A6|"A7"A3)A Bd|"Em"e3 d ef|"G"e d3 BA|"D"(A6|A3) A Bd|
"G"e3 d ef|"Em"e d3 BA|"A"(a4 a)b|a4 dc|"D"d4 dc|"Em7"d4 dc|
"D"d3 d dc|"G"d2 g3 f|"D"d4 dc|"Bm"d4 BA|"Em"(B4 B)A/2B/2|"A7"A4 dc|
"G"B3 c d2|"A"c2 d2 e2|"Bm"f3 g fe|d4 dc|"G"B2 c2 d2|"A7"e2 d3 c|"D"(d6|d3):|




X:58
T:Planxty Lumen
C:Written by Ruth Temple, 8/16/96, a birthday waltz
M:3/4
A:Aptos, California
N:Note that as it came to me it's clear that the second-to-last
N:measure of the A part should be played differently every time
Z:posted by Ruth Temple 8/96
K:G
GA |: B3 A Bc | de d2 ef|g2 f2 e2|d3 d cB|cd edcB|AB cd Bc|AB AF GE|F2 D2 GA :|
| d4 B2 | c>d e3 f | ga fg ef|d3 gf|ef e2 ed|cB c2 dc|BA GB cA|G4 Bc :||

X:57
T:Mabel Waltzes
M:3/4
Z:posted by Tony Ludiker 11/98
K:C
"C"E4F2|G6|"G7"F4E2|D6|
"C"E4F2|G4A2|"G7"G2(B4|B6)|
"F"A4B2|c6|"C"G4F2|"Am"E6|
"G7"D2F4|G,4B,2|"C"(C6|C6):||
"F"A4B2|c6|"Em"B4G2|E6|
"F"A4A2|G4F2|"C"E2(G4|G6)|
"F"F4E2|"G7"D6|"C"G4E2|"Am"C6|
"G7"D2G,4|B,4E2|"C"(C6|C6):|

X:56
T:Marie Claire
R:Reel
C:Unknown
O:Unknown
Z:This is the way I play it.
Z:I saw it in a book of Cape Breton tunes once.
Z:Posted by Bo Bradham 12/97
M:c|
K:Bb
|:dc|B2FD B,DFD|EG,B,E G2FE|DFBd f2=ef|gf=eg fcAc|
B2FD B,DFD|EG,B,E G2FE|DFBd ceAc|BdcA B2:|
|:Bc|dcBd cABc|dBFD B,DFD|EGFE DFBc|dcBd c2Bc|
dcBd cBAc|BdFB DFB,D|EGFE DFBd|ceAc B2:|



X:55
T:Mrs McLeod's
R:reel
C:Niel Gow
H:The original title is "Mrs McLeod of Raasay".
N:In Scotland the parts are played in the opposite order, and the tune
is in A.
D:Music at Matt Molloy's.
M:C|
Z:posted by Trish O'Neil 7/97
K:G
G2BG DGBG|B2BA BcBA|G2BG DGBG|A2AG AcBA|
G2BG DGBG|B2BA B2d2|~e3f edef|gedB AcBA:|
|:G2gf edeg|B2BA BcBA|G2gf edeg|a2ag a2ba|
g2bg efge|dBBA B2d2|~e3f edef|gedB AcBA:|

"Variations:"
|:GABc dBGA|B2BA BcBA|GABc dBGB|A2AG AcBA|
GABc dBGA|B2BA B2d2|edcB cdef|gdBG AcBA:|
|:G2gf edeg|B2BA BcBA|G2gf edeg|agfe dcBA|
G2gf edeg|B2BA B2d2|edcB cdef|gdBG AcBA:|

X:54
T:Morpeth Rant,Tom Hughes
N:This is an older version of Morpeth.
M:4/4
L:1/8
S:Tom Hughes,Borders
Z:C.G.P
Z:posted by Johnny Adams 12/98
K:G
|:BA|G2DD B,2DG|ECEE DB,DF|G2AB cBAG|F2A2AcBA|G2DD B,2DG|
ECEE DB,DF|G2AB cBAF|D2G2G2:||:ef|gfed B2GB|cBAG F2DF|
ECEB cBAG|F2D2D2F2|ECEB cBAG|FDFA dcBA|Ggfg edB G|A2G2G2:||


X:53
T:Muscatatuck Waltz
M:3/4
L:1/8
Q:220
S:Ken Smelser - Paoli, Indiana - from the Brown County Revelers
H:Rec. by Paul Tyler, 1980
Z:P. Tyler
Z:Posted by Paul Tyler 11/98
K:F
A,B,=B,||C6|=B,C DE FG|[F6A6]|[_E3c3] dc2|
[D3B3]c B2|D2 F2 B2|A3^G AB|A2 G2 F2|
C6|=B,C DE FG|A4- AB|c2 B2 A2|
G6|D2 E2 F2|G2 ec d2|c2 A2 G2|
C6|=B,C DE FG|([F4A4] AB|[_E3c3])d c2|
(A[D2B2])c B2|D2 F2 B2|A3^G AB|A2^G2 A2|
d6|e4 d2|c3d cB|A3(A B)=B|
c3(C =B,)C|A4 G(E|F)G AB ce|f2|:
AB ce|f4 A2|e4 d2|CD EF GA|B2 e2 d2|
CD EF GA|B2 e2 d2|([F6A6]|[F2A2]) AB ce|
f4 {cd}c2|=B4 c2|([F6d6]|[F2d2])c2 _B2|
A3(C =B,)C|A4 G(E|F)G AB ce|f2:|



X:52
T:NEFFA By-Pass
M:C
L:1/8
Q:1/4=120
C:Larry Warren
R:reel
H:This tune popped into my head right after learning, from Peter
H:Yarensky's Seacoast Country Dance Newsletter, that Bob McQuillen had
H:open heart surgery and missed the New England Folk festival.
Z:5/7/98
Z:posted by Larry Warren 11/98
K:D
dB|ABAF DFAd|fefg fed2|ABAF DFAF|BAGF EFE2|
ABAF DFAd|fefg fed2|fefg fedB|ABAF D2
:||:de|fefg fed2|gfga gfe2|fefg fed2|gfed efe2|fefg fed2
|gfga gfe2|fefg fedB|ABAF D2:|



X:51
T:Norwegian Waltz
M:3/4
L:1/8
S:Buttons & Bows
Z:posted by Naka Ishii 9/97
K:G
EDC|:B,2D3G|B2d3e|d2c2A2|E3E (3EFE|
D2F2AB|c2B2A2|G2B2de|d3 def|
gd dB BG|GD DB, B,A,|A,2C3E|G3 GFE|
D2d3^c|=cE3F2|G3 FGA|1G3 EDC:|2G3 def|
|g2d3B|g3 gfg|a2e3c|a3abc'|d'2c'2a2|f2d2cA|
G2B2de|d3 def|g2d3B|g3gfg|a2e3c|a4bc'|
d'2c'3a|f2d2ba|1g3fga|g3 def:|2g3fga|g3||

 
X:50
T:Off She Goes
L:1/8
M:6/8
Z:posted by Laurie Griffiths 3/98
Z:thanks to Dave ingledew of the 
Z:Bursledon Village Band
K:D
Q:368
"D"F2 A "G"G2 B | "A"ABc "D"d3 |\
"D"F2 A "G"G2 B | "D"AFD "A"E3 |\
"D"F2 A "G"G2 B | "A"ABc "D"d2 e |\
"D"f2 d "G"g2 f | "A"edc "D"d3 ::
"D"faf def | "Em"gbg "A"efg |\
"D"faf d2 f | "A7"ecA A3 |\
"F#m"faf "Bm"def | "Em"gbg "A"e2 g |\
"D"fed "G"g2 f | "A7"edc "D"d3 :|

X:49
T:Oot Pik
M:3/4
L:1/4
Q:90
R:waltz
Z:posted by Robert Loeffler 11/98
K:G
|(3D/E/F/|"G"G> F G/B/| "D"A G E/D/| "G"E G> A| G B d| "Em"e>d e/f/| ed
 B/G/| "G"B d>e| d2 B/d/| "Em"e>d e/g/|e d B/A/| "G"B d B/A/| "Em"G E D
| "C"C> B, C/E/| "D"D F E/D/| "G"E G> A| G B d|| "Em"e B> A| B2 e| "Bm"d
 B> A| B2 B| "Am"A> G A/B/|  A G E/D/|"Em"E G A|G B d| "Bm"e B> A|B2 f/e/|  
d B>G|  B2 B| "Am" A> G A/B/| A G E/D/| "Em"E G E| "D" D2||


X:48
T:Sweet Cream and Peaches
C:from John W. Summers
M:C
L:1/8
Q:385
Z:posted by Joel Shimberg 12/98
K:D
fa | a2b2a2 fe | defd edBd | AFAB dBde | fdfa e2fa |
a2b2a2 fe | defd edBd | AFAB dBde | fdec d2::A2 ||
A6dA | BAFD EFDE | FAAF ABde | fedf edBd |
A6dA | BAFD EFDE | FAAF ABde | fdec d2:|


X:47
T:Reel du Pecheur 1
R:reel
S:Jean Carignan; Songs, Fiddle Tunes and a Folktale from Canada, Folkways
M:C|
E:8
Z:posted by Bruce Culbertson 12/96
K:Bb
|:B3c BFDF|BcdB cB3|df2g fdBd|cAFA cedc|\
B2Bc BFDF|BcdB cB3|df2g fdBd|cAFA B4:|
|:f3g fdBd|gagf g2ga|bagf edcB|ABcA F4|\
f3g fdBd|gagf g2ga|bagf edcB|ABcA B4:|




X:46
T:Reel du Pecheur 2
R:reel
S:Jean Carignan; Songs, Fiddle Tunes and a Folktale from Canada, Folkways
M:C|
E:7
Z:posted by Bruce Culbertson 12/96
K:Bb
BF|:DFBF dBFB|EGBG eBGB|FAcA ecAc|BdcB AcBF|\
DFBF dBFB|EGBG eBGB|FAcA ecAc|Bbfd B4:|
fe|:dfBd cecA|FAcA BcdB|FBdB ecAc|Bf=eg f2f_e|\
dfBd cecA|FAcA BcdB|FBdB ecAc|Bbfd B4:|

X:45
T:Untitled Polka
C:from John W. Summers
H:JWS learned this tune from Tom
H:Riley, fiddler from KY.
N:The figures in the first 2 halves of
N:bars 1 and 2 were frequently used by
N:JWS. The second note is tied to the lower
N:note of the double-stop, while the upper
N:note of the d-s is caught by a scooping
N:down of the bow hand.
Z:Transcribed by Joel Shimberg
Z:Posted by Joel Shimberg 12/98
M:C|
L:1/8
Q:375
K:G
vduc|vBuG u+G2B2+ +G2vB2+ GG|uEuC u+C2E2+ v+C2E2+ (3EFE|\
    DEFG ABcA|"a"BG +G2B2+"a"[G2B2]:|
Bc|:"b"d2B2"b"g4|(3fgf e2 (+e2c2+ +e2e2+)|\
    e2"c"d"c"e dAFG|A2G2"d"G2B"d"c|
"e"d2B2"e"g3 B|c2A2a3g|f2 "f"AB cAFA|1"f"G6Bc:|\
    +B2g2+ +gB+ +gB+ +g2B2+||

"options:"z4z4|"a"B2 GG"a"G2||"b"d2Bd"b"g4||"c"d"c"d||\
    "c"d2||"d"GBG""B||"e"d2Bd"e"g3||"f"a2e2f2|1 "f"g6||


X:44
T:La Polverita Fiera
C:L. E. McCullough
M:3/4
L:1/8
Z:Posted by Chris Perry 10/98
K:G
Bc | \
"G"dG Bd cB | "D"AD FA cB | "Em"G>A GF DB, | "C"C4 B,C |
"G"DB, DG BG | "C"c3 dcB | "Am"Ad cB AG | "D"A4 Bc |
"G"dG Bd cB | "D"AD FA cB | "Em"G>A GF DB, | "C"C4 BA |
"G"GD GB dB | "C"c3 dcB | "D"Ad cA FA | "G"G4 FG |
"D"AD cD BD | "D"AD cD BD | "D"A>B cA (3EFG | "D"A4 GF |
"Em"EG BG AB | "C"c3 dcB | "D"Ad cA FA | "G"G4 FG |
"D"AD cD BD | "D"AD cD BD | "D"A>B cA (3EFG | "D"A4 GF |
"Em"EG BG AB | "C"c3 dcB | "D"Ad cA FA | "G"G4 |]


X:43
T:Reel de Port Neuf
R:reel
S:Jean Carignan; Hommage a Joseph Allard, Philo
M:C|
E:7
Z:posted by Bruce Culbertson 12/96
K:Bb
(3fga|:bfdB FBdf|gecB AcFE|DFBd ecAc|Bf=eg f2(3fga|\
bfdB FBdf|gecB AcFE|DFBd ecAc|Bbfd B4:|
FD|:B,DFB dBFD|CEGc ecGc|Bdfd egce|dfAc BGFD|\
B,DFB dBFD|CEGc ecGc|Bdfd gecA|Bbfd B4:|

X:42
T:Rabbit, Where's Your Mammy?
M:C|
Z:posted by Tony Ludiker	11/98
K:D
((3vdcB|A2)F2A3A|B2d4((3dcB|A2)F2A3F|F2E4((3dcB|
A2)F2A3A|B2d4((3dcB|A2)F2A3F|E2D4:|
|:(v=f2|^f2)a2f3e|d2B4(=f2|^f2)b2a3f|f2e4(=f2|
^f2)a2f3e|d2B4((3dcB|A2)F2A3F|E2D4:||


X:41
T:Untitled Reel #1
N:Reel, from the playing of Rafe Stefanini at a workshop
M:4/4
L:1/16
Z:posted by Loretta Reardon 6/97
K:C
G,B,\C2CA, G,A,CD EGAC A2GA|
cdeg edcG egab a2ag|abcb agec e2e2 {de}d2cA|
GEDB, [E2C2][E2C2][E2C2]FED CDEG|
AcAG AcAG Acde dcAc|egab a2ag abcb agec|
e2e2 {de}d2cA GEDB, [E2C2][E2C2] :|
z2 {gagf}g2|edcA g2[cg]g egag e2[ec][dc]
e2a2 {ga}g2eg abag edcA|
G2[GC ][GC] ggcc egag edcd|
{eaga}g2eg abag edcA|A3D EGED CB,CD EGAG|
([C3E3]E[E2C2] :|

X:40
T:Untitled Reel #2
N:Reel, from Chirps at a workshop
M:2/4
L:1/16
Z:posted by Loretta Reardon 6/97
K:G
FE|DEGA BGB2|:d4 d2d2|dedB AGAc|d2dB d2dB|
BAGB AGEG|DEGA BAGB :|
dBGB AGBc|dBGB AGBc|dBGB AGEG|
[1 DEGA BAGB :|
[2 dBGB AG


X:39
T:Untitled Reel #3
M:4/4
L:1/8
Q:240
S:Lee Cremo
R:reel
Z:posted by Philippe Varlet 5/97
K:G
D2 |: G2 {d}BA BGGB | dedB BGGB | dedB degd | egdB A2 {d}BA |
G2 {d}BA BGGB | dedB BGGB | dedB degd |1 egdB G2 {d}BA :|2 egdB G2 G2 ||
gage gdde | gage degd | eaab ageg | abag gede |
gage gdde | gage degd | eaab agea | gedB G2 G2 :||



X:38
T:Untitled Reel #4
M:4/4
L:1/8
Q:240
S:Lee Cremo
R:reel
Z:posted by Philippe Varlet 5/97
K:G
GA | B2 BG DGBd | c2 cB Aceg | f2 fe dfaf | {a}gfga gedc |
B2 BA GBdB | c2 cB Aceg | f2 fe dcBA | G2 B2 G2 :||
ef | g2 ga gdBd | (3ccc cB Aceg | f2 fe dfaf | {a}gfga gdBd |
g2 ga gdBd | (3ccc cB Aceg | f2 fe dcBA | G2 B2 G2 :||

X:37
T:Untitled Reel
M:4/4
L:1/8
Q:240
S:"Teddy Boy" Houle
R:reel
Z:posted by Philippe Varlet 5/97
K:A
EA | A2 cA BAcA | EDAc eaga | f2 ec d2 Bd | c2 Ac BcBA |
GEFG A2 (3cBA | E2 Ac eaga | f2 ec d2 Bd | ceaf ecBc | A2 :||
(3efg | a2 ga faae | cAce aece | ebgb ebgb | ebbe gefg |
a2 ga faae | cAce aece | defe ceaf | ecBc A2 :||

X:36
T:Robertson's Reel
M:4/4
L:1/8
R:Reel
Z:posted by Ward Beebe 10/96
K:A
AB|c2 Bc e2 cB|ABAF E2 AB|c2 Bc e2 c2|B4 B2 AB|
c2 Bc e2 cB|ABAF E2 AB|cBce BABc|A4 A2:||:
cd|e2 ce a2 ga|fecd e2 cd|e2 cea2 g2|f4 f2 e2|
a2 A2 A2 cB|ABAF E2 AB|cBce BABc|A4 A2:||

X:35
T:Rock Valley
M:6/8
L:1/8
Q:1/4=108
C:John Burt
R:Jig
B:"The Cornhuskers Book of Square Dance Tunes"
N:) 1933 Thomas Burt & Co., Toronto
Z:posted by Chris Falt 8/97
K:C
((3G,/2A,/2B,/2)|"C"C2E GFE|"G7"D2E F2A|GAG GBd|"C"cBc AGE|!
"C"C2E GFE|"G7"D2E F2A|GAG GBd|"C"c3 c2:|!
|:g|"C"gag gag|e2c "F"cBA|"C"G2c cBc|"G7"ed^c d2g|!
"C"gag gag|e2c "F"cBA|"G7"GAc Bcd|"C"c3 c2:|



X:34
T:Sailor's Wife
T:Leith County Dance
M:6/8
L:1/8
C:Trad.
R:Double Jig
Z:posted by Ward Beebe8/96
K:Dm
|:DEF ~E2D|Ade f2g|agf edc|AcA GEC|!
DEF ~E2D|Ade f2g|agf ed^c|1 d3 dAF:|2 d3 d2e|!
|:fga fga|f~f2 agf|ecg ecg|e2e gfe|!
fga agf|efg gfg|def ed^c|1 d3 d2e:|2 d3 dAF|!



X:33
T:Salimony Waltz
M:3/4
L:1/8
S:Eric Robertson
R:Waltz
Z:posted by Ethan Hack 10/98
K:D
FA3 A>B | A>F E2 D2 | B3A B>c | B4 A2 | FA3 A>B | A>F E2 D2 | E3 D E>F |
G2 F2 E2 | FA3 A>B | A>F E2 D2 | B3A B>c | d4 d>e | f4 f>d | A4 F>A |
G2 F2 E2 |1 D6 :|2 D4 A2 |: f3e f>g | a2 f2 d2 | c3d (3cBA | E6 |
c3B c> d | e4 e>f | g2 f2 e>d | Bd3 A2 | d3e f>g | a4 f2 | g3a (3gfe |
B4 d>e | f4 f>d | A4 F>A | G2 F2 E2 |1 D4 A2 :|2 D6 ||

X:32
T:Salamonie Waltz
M:3/4
L:1/8
C:Fred Weaver
S:Fred Weaver, Gas City, IN
I:Fred named this tune after the Salamonie River,
I:which ran abouut 20 miles from his home.
R:Waltz
Z:Posted by Joel Shimberg 11/98
K:D
F2A2 A>B|A2F2D2|B2 G2 D2|G,4 DE|FA3 A>B|A2 F2 D2|
E4 EF|E2-(3E F ED2|F2A2 A>B|A2 F2 D2|B2 G2 D2|G,4zf|
f3 edB|A2F2A2|G2F2E2|D6::f3 efg|a2f2d2|
c3 d c B|A3zAB|c3 Bcd|e2f2g2|f2d2B2|A4z2|
d3 efg|a2f2d2|g4b2|b4z2|a3fdB|A2F2A2|G2F2E2|D6:|

variant of last part:
d3 efg|a2f2d2|B2d2g2|b4z2|a3fdB|A2F2A2|G2F2E2|D6:|
              ^^^^^^

X:31
T:Saratoga Hornpipe
M:2/4
L:1/16
S:Wil Macauley, Ir-trad, 3/97
R:Hornpipe
A:Cape Breton
B:Sandy Macintyre's lesson book
Z:WM - Feb 1997
Z:posted by Trish O'Neil 7/97
K:F
|: AB | c=BcA d_Bfd | cAFA cAdc| BAGB AGFA | Gc=Bd c_BAB |
c=BcA d_Bfd | cAFA cdef | defg efga |f2f2f2 :|
|: ef | aAgA fAeA | fAeA dAfA | eA^ce agfe | fgef defg |
aAgA fAeA | fAeA dAdf | efga bgeg | f2f2f2 :|


X:30
T:Schottische
C:From John W. Summers
N:Learned 5/72
N:Summers played this with a gentle swing, the dotted-eighth/sixteenth
N:pair is a bit overstated, but eighth-note pairs would be understated. Beyond
N:this,there was a fair amount of variation in his timing of the pairs. This
N:is not a precise transcription of a particular playing by Summers.
M:C
L:1/8
Q:270
Z:posted by Joel Shimberg 11/98
K:C
E>F|:G>E C>E G2G2|F>A D<F A2A>c|B2g2A2B2|1d>c B>A GFEF:|[2 c4c2 Bc||
K:G
|:{B}d2d2g2c2 | {c}B>A B>c d3e|1 dcAF DFAc|BGDB, G,B,DG:|[2 d>g f>e d>c
B>A|G2G2G>=F E>F||
K:C
|: G>E C>E G2G2 | F>A D>F [A2A2]Ac |1 B2g2A2B2| (3ced (3cBA G2 E>F:|[2BABg
AcBd| c2c2c2z2||
[e2e2]e2f2e2 | d2F2A3c| B2 D>E {G}FEFA | G>E CEG2c>d| e2e2f2e2|d2f2a3a|
b>a ge fdAB | c2c2c2z2 || [e2e2]e2f2e2 | d2F2A4| (3Bgg g2 (3Bgg g>g | 
a>g^f>g agec | e2e2f2^c2| d2f2a3a| b>a ge fd A>B | c2e2c>E F>^F |
|:G>E C>E G2G2|F>A D<F A2A>c|BABg AcBd | c>d (3cBA G>F E>F ||
G>E C>E GCEG|F>A DF [A2A2]A>c| BABg AcBd | Hc6|]


X:29
T:Seneca Square Dance
M:4/4
Z:posted by Frank Tetler 8/97
K:G
P:A
D2G2 ||:B4 B3A |d2B3AG2 |B4 B3B |A2G3ED2
|B4 B3A |d2B3AG2 |ABAG E2F2 |G4 D2G2 :||
P:B
B2d2 ||:g4 g3g |d2B4d2 |g4 g3a |b2e6
|gaba g2e2 |d4 BAG2 |ABAG E2F2 |G4 B2d2:|

X:28
T:The Shetland Fiddler
R:Reel
M:C|
L:1/8
Q:300
S:Crystal Plohman (as taught at 10/97 Mark O'Connor Fiddle Camp)
N:Originally posted as "Left-Handed Fiddler" in error
N:Ornament beginning line two is a slide
Z:Transcribed by Tony Ludiker
Z:Posted by Tony Ludiker 12/97
K:D
(vA2|{Bc}d2f)(d Ad~fe)|def(g af)df|~e2(ge) Bege|cde(f g/f/e)cA|
(~d2f)(d Ad~fe)|def(g af)de|(3(fga) fd (3(fga) fd|~Bge(c d2):|
|:vcd|eAfA gAaA|faa(f ~gf)ed|AEBE cEdE|efe(d ~cA)Bc|
dAeA fAgA|faa(f ~gf)ed|(3(fga) fd (3(fga) fd|~Bge(c d2):|

X:27
T:The Isle of Skye
M:4/4
Z: posted by Frank Tetler 8/96
K:G
Z: posted by Frank Tetler 8/96
ge|:d2 G2 cBAG|d2 G2 cBAG|e2 A2 ABcA|e2 A2 ABcA|
B2 GB d2 Bc|dgfe d2 cB|cBAG ABcA|B2 G2 G2 :|
|:ga|b2 g2 g2 gf|g2 d2 edcd|e2 A2 ABcA|e2 A2 ABcA|
b2 gb d2 bc|dgfe d2 cB|cBAG ABcA|B2 G2 G2:|



X:26
T:Smith's Reel
M:4/4
L:1/8
Q:180
S:Joey McKensie - Transcribed from a Weiser jam tape 1997  LL.B.
Z:posted by Llarry Brandon 6/98
K:D
"A"fg|abaf bafe|dgfd efdB|AFAd Bcd2|=f/2 fedf edfg|!
abaf b3 (A/2B/2c/2)|d2 fd efdB|AFAd Bcde| fdec defg||!
abaf bafe|dgfd efdB|AFAd Bc d2|=f/2 fedf edfg|!
abaf bafe|dgfd f=fdB|AFAd Bcde|fdec d2 fe||!
"B"d2 Bd AFAd|BAFD EDB,D|A,B,DE FAde|fafd eafe|!
dABd AFAd|BAFD EDB,D|A,B,D=F FAde|fdec d2 fe||!
d2 Bd AFAd|BAFD ED B,2|A,B,D=F FABd|fafd eafe|!
dABd AFAd|BAFD EFB,D|A,B,DE FAde| fdec defg||!
"A"abaf b3 A/2B/2c/2|d2 fd efdB|AFAd Bcd2|=f/2 fedf edfg|!
abaf bafe|dgfd efdB|AFAd Bcde|fafd eafg||!
abaf b3 A/2B/2c/2|d2 fd efdB|AFAd Bcde|fafd eafg|!
abaf b3 A/2B/2c/2|d2 fd efdB|AFAd Bcde|fdec d2 fe||!
"B"dcBd BABc|dBAF EFDB,|A,B,DE FAde|fafd eafe|!
dcBd BABc|dBAF EFDB,|A,B,DE FAde|fafd eafe||!
dcBd BABc|dBAF EFDB,|A,B,DE FAde|fafd eafe|!
dcBd BABc|dBAF EFDB,|A,B,DE FAde|fdec d2 f/2a/2||!
"3rd Position"aead' bafe|"1st Position"defd edBd|A/2B/2c/2 d2 fede f
|A/2B/2c/2 dfed e2|!
"3rd Position"aead' bafe|"1st Position"defd edBd|AFAd Bcde|fdec d4 f/2a/2|!
"3rd Position"aead' bafe|"1st Position"defd edBd|A/2B/2c/2d2fede f |A/2
B/2c/2 dfed e2|!
"3rd Position"aead' bafe|"1st Position"defd edBd|AFAd Bcde|fdec d4 ||

X:25
T:Hot Springs
M:4/4
L:1/8
Q:180
S:Transcription of Jimmy Don Bates, Weiser 1997 by LLarry Brandon
Z:posted by Llarry Brandon 6/98
K:F
ce|f2 fg fecA|cdcA FcAG|ECEd cAEC|DEFG Acdc|!
faga fdcA|cdcA Fcdc|ECEd cAEC| F2 (G/2F/2E/2) F3 c|!
f2 fg fecA|cdcA FCDF|EAGF ECDE|FGAc dcde|!
faga fdcA|cdcA Fcdc|ECEd cAEC|F2 (G/2F/2E/2) F3 (F/2E/2D/2)||!
A,DDC DCA,C|DCDE FE F2|AcAG FAGF|ECED ECDC|!
A,DDC DCA,C|A,CDE FcAG|FDEC DCED|A,C D2 D4|!
"4"D2 "4"D2 DEDC|A,CDE F3 F|"4"A2 d2 A2 d2|A_AGF GFDC|!
A,CDC DEDC|A,CDE FEFG|AFGE FDEC|A,CDE FGAc||!
faga fdcA|cdcA FcAF|EC E A2 G EC|DEFG Acde|!
f2 eg fdcA|cdcA FCDF|EdcA ECDE|F2 (G/2F/2E/2) F3 c|!
f2 eg fdcA|cdcA FcAF|EC E A2 G EC|DEFG Acde|!
fc'ag fdcA|cfdc AdcA|FEFd cAEC|F2 (G/2F/2E/2) F3 (F/2E/2D/3)||!
D d3 cdc Ac|dcde fdeg|a3 f gfge|fagf egfe|!
d2 d cdc Ac|dcde fdeg|afge fded|A2 a2 a4|!
d4 dcAd|dcde fdeg|a2 fa (g/2a/2g/2) eg|faga f (cdc)|!
Acdc dcAc|dcde fdfg|afge fded|cGAB cdec||!
f2 fg fecA|cdcA FcAG|ECEd cAEC|DEFG Acdc|!
faga fdcA|cdcA Fcdc|ECEd cAEC|F2 (G/2F/2E/2) F4|!
aaga fcdc|Fdc[FA] [FA] c dc|ECEd cAEC|FEFG ABce|!
f2 eg fdcA|cdcA FAGF|ECEd cAEC|F2 (G/2F/2E/2) F3 (D/2C/2B,/2)||!
A, D2 C DCA,C|DCDE FEFG|A2 FA FAGF|EDEC DCA,C|!
A,CDC DCA,C|DCDE FEFG|AFGE FDEC|A,C D2 D4|!
DDDE DCA,C|DCDE FEFG|A2 A2 A2 A2|AGFD GFDC|!
A,CDD DEDC|A,CDE FEFG|AFGE FDEC|A,CFG Acde||!
fefg fdcA|cdcA FcAG|ECEd cAEC|A,CFG Acde|!
f2 fg fecA|cdcA FCDF|EdcA ECEG|[F2A2] [C2F2] [D4F4]||

X:24
T:The Squirrel Hunters
M:4/4
L:1/8
Q:175
S:John Hartford's "Wild Hog in the Redbrush" transcribed by Llarry Brandon
Z:posted by Llarry Brandon 1/98
K:D
|:"4"e3d .B2 Bd|efed .B2 BA|GABc d2 dc|dBcA BcBA|!
"4"e3d .B2 Bd|efed .B2 BA|GABc d2 B2|1"4" A8:|2"4" A6|!
|:Bd|edeg a2ag|edef g2BA|GABc d2dc|dBcA BcBA|!
edeg abag|edef g2BA|GABc d2B2|1"4"A6:|2"4"A8||

X:23
T:Cold Rolled Steel
M:4/4
L:1/8
Q:180
S:Transcribed from Pete Martin jamming at Weiser.
Z:by Llarry Brandon
Z:posted by Llarry Brandon 6/98
K:E
"Parts played in this order by Pete: AA,BB,AA,BB,C,A,B,D"
.e2 .e2||:e2 egfe cd|efec B2 ef|gfgf ec (B/2c/2d/2)|efec B4|!
e2 efec Bc|"4"e"0"efe g2 ef|gb (f/2g/2f/2) efgf|1ec BG E4:|2ec BG E2 FE|
!
P:B
|:G2 EG FECE|G2 EC B,CEF|G2 BG Bcec|geBG E2 FE|!
G2 EG FECE|G2 EC B,CEG|FEFG BcdB|1(c/2e/2c/2) BG E2 FE:|2(c/2e/2c/2) BG
E4||!
P:C
"3rd Position"ebd'b d'bab|d'bag e2 "1st Position"(B/2c/2d/2)|eceg fbgf|e
gfe c2 d2|!
"3rd Position"ebd'b d'bab|d'bag e2 "1st Position"(B/2c/2d/2)|eceg fbgf|e
cBG E4:||!
P:D
"slide"[B2G2] "Pic" e2 GFEF|GFEC B,4|"slide"[B2G2] "Picasso" e2 GFEC
|B,CEF
E4|!
"slide"[B2G2] "Pic" e2 GFEF|GFEC B,CEG|FEFG Bcec|geBG E2 [B2E2] :||!
"Parts played in this order by Pete: AA,BB,AA,BB,C,A,B,D"


X:22
T:John Stetson's #2
M:C
L:1/8
Z:Posted by Graham Ross Walden 11/98
K:A
|: cB | ABcA B2 cB | ABcA BAFA | ABcA B2 ef | edcA BAFA |
ABcA B2 Bc | ABcA BAFA | d2 dc dfed | cABc A2 :|
|: cd | edcd edcd | edcA BAFA | edcd edcA | B2 cA BAFA |
edcd edcd | edcA BAFA | d2 dc dfed | cABc A2 :|


X: 21
T:Untitled Strathspey 1
M:4/4
L:1/8
S:Northern Fiddler 192(a)
S:Danny O'Donnell
Z:posted by Ted Hastings 3/98
K:Bb
E>D DC B,CDG|F<D Dd cA G2|F<D DC B,CDF|dcBG F>D C2:||!
DFBF GFBF|DFBF G<F D2|DFBF GFBF|dcBG F<D C2|!
DFBF GFBF|DFBd fd e2|d<b fd ecdB|({d}c)ABG F<D C2||
 

X: 20
T:Untitled Strathspey 2
M:4/4
L:1/8
S:Northern Fiddler 192(b)
S:Danny O'Donnell
Z:posted by Ted Hastings 3/98
K:F
EFAF cFAF|CFAF D<G G2|CFAF cAfd|1cBAG (3FFF +F2A2+:||2cBAG (3FFF FA||!
cfaf ({a}g)faf|cfaf e<g g2|cfaf ({a}g)faf|({a}g)faf (3ff+fA+ +A2f2+|!
cfaf ({a}g)faf|cfgf e<g g2|f<a d<f c<f Ad|cBAG (3FFF F2||


X: 19
T:Untitled Strathspey #3
M:4/4
L:1/8
S:Northern Fiddler 192(c)
S:Danny O'Donnell
Z:posted by Ted Hastings 3/98
K:F#m
C|FGAB c<F Ac|B^dec B/2A/2G/2F/2 EG|FGAB c<F Ac|Be c/2B/2A/2G/2 A<F F:||
!
g|agfc fgaf|faBe GBeg|abga fgaf|ec c/2B/2A/2G/2 A<F Fg|!
agfc fgaf|bg e<B e/2f/2g/2a/2 bg|accB ceBG|ec c/2B/2A/2G/2 A<G F||



X: 18
T:Untitled Strathspey #4
M:4/4
L:1/8
S:Northern Fiddler 193
S:Danny O'Donnell
Z:posted by Ted Hastings 3/98
K:A
E||:ABGA FAEC|DFCE (3B,CD (3EFG|ABGA FAEd|(3cAc (3BGB (3Afe (3dcB|!
ABGA FAEC|DFCE (3B,CD (3EFG|AFGE FdEd|CABG ({E}A) AB|!
AaBb aece|dfce Bd c/2B/2A/2G/2|Aa B<b aecd|(3cAc (3BGB (3Afe (3dcB|!
Aa B<b aece|dfce Gd c/2B/2A/2G/2|AECE FDB,d|(3cAc (3BGB  A2 +C2E2+:||


X:17
T:Untitled Strathspey #5
M:4/4
L:1/8
Q:190
S:Lee Cremo
R:strathspey
Z:posted by Philippe Varlet 5/97
K:G
DGGA (3GGG GB | dBgB (3AAA AB | GAGF EDEG
|1 DCB,A, (3G,G,G, G,B, :|2  DCB,A, (3G,G,G, G,2 ||
gage (3ggg ge | gbag {a}geef | gdeg dgBd | AGAB (3GGG G2 |
gage (3ggg ge | gbag {a}geef | gdeg dgBb | agab (3ggg g2 ||


X:16
T:Tamerack'er Down
M:4/4
L:1/8
C:Donald Angus Beaton
S:Donald Angus Beaton: C.B. Scottish Violin Music
R:reel
O:Cape Breton, Nova Scotia
Z:posted by Toby Rider 10/97
K:A
f| ecBc AFEF| A2 af ecce| =g2 fa ecBc| AFEF A2 Af| ecBc A2 A:|!
f| eAce =g2 fa| eAce fBBa|1 ecce f2 af| ecBc A/2A/2A A:|2 ecce fgaf| ecBc
A/2A/2A A||

X:15
T:Tenpenny Bit, The
T:Three Little Drummers, The
R:jig
Z:id:hn-jig-16
M:6/8
Z:posted by Paul O'Brien 12/98
K:Ador
eAA eAA|BAB GBd|eAA eAA|def gfg|eAA eAA|BAB GBd|~e3 gdB|BAG A3:|
|:eaa aga|bab age|eaa aga|bgf ~g3|eaa aga|bab ged|~e3 gdB|BAG A3:|

X:14
T:Grandmammy Look at Uncle Sam
M:4/4
L:1/8
Q:1/4=140
S:John Hartford "Wild Hog in the Redbrush" transcribed by Llarry Brandon
K:Am
P:A
Z:posted by Llarry Brandon 1/98
|:.A,2 A,B, CA,CD|EDEF AB.c2|.A,2 A,B,CA, CE|GBAG EDCE|!
.A,2 A,B, CA,CD|EDEF ABcd|egab a2 ea|^ fged cA A2:|!
P:B
|:eg a2 a2 ab|aged g2 B2|Bdga bgag|edcd eg a2)|!
a4 Aceg|a2 abag ed|g2B2 Bdga|bgag edcd|eg a2 a4:|!
P:C once
"4"[A2A2] [Ac][AA] [AB]AAA|cABc ABAF|GFGA BGAG|EDCD EA A2|A4
z4|]

X: 13
T:Unknown tune (Sweet Cream and Peaches?)
M:6/8
L:1/8
S:John W. Summers
Z:posted by Paul Tyler 12/98
K:D
dAd faa|Add fga|aba gfe|{fg}fed {cd}cBA|
dAd faa|Add fga|1aba gfe|fed cAc|d2d d3:|
2bag fed|cAc d2B|:
A2F EDE|AFD A,CE|D2F/2G/2 A2A|def {fg}fef|edB {Bc}BAB|
A2F {EF}EDE|AFD EDE|D2F A2A|def {fg}fed|Ace d3:|


X:12
T:The Cape Breton Visit to Shetland
M:4/4
L:1/8
C:W. Hunter (1982)
S:Ir-Trad, 3-97; Wil Macaulay  (wil@syndesis.com}
R:Reel
A:Cape Breton
B:Sandy Macintyre's lesson book
N:a note of explanation - the tune has
N:a different ending the last time thru - in CB (Cape Breton, not
N:C****d) it's played through twice, usually as the last tune in a set
N:and the last ending is what I've marked in as 'coda'.
N:  Play AABBAABB', where B' is B with the coda
Z:WM - 1 Dec 1996
Z:posted by Trish O'Neil 7/97
K:A
AF |: E>C C/C/C ~C2 B,C | A,B,CE ~FECE | F>B B/B/B BcBA |
Bffe f2fg | a>c c/c/c e>A A/A/A | cBAF E>C C/C/C |
FGAF Eaaf |1 ecBc A2AF :|2 ecBc A2fg |
|: a>e e/e/e efed | c>e e/e/e fece | b>f f/f/f fgfe |
defd B2"Last time to Coda [*]" fg | a>e e/e/e efed | c>e e/e/e fece |1
fdge afed | cdBc A2fg :|2 fdec dBcA | Bagf eAGF |
"[*] Coda"ed | cdBc ABGA | FGEF DECD | B,CDE F^ABc | defg a4 ||


X:11
T:Walking Song
L:1/8
M:C
C:Trad Swedish?
S:J Erdman taught by Shana Hansen
Z:posted by John Erdman 7/97
K:G
D|:G2>D2 G2B2 |d6 Bc|d2 Bc d2 e2 |c2 cB A2 AB|c2 cd e2 dc|
Bc BAG2 BB|ABAF DDEF|1 G2 B2 G3 D:|2G2B2G2 Bd|
|: g2g2g2 fe| f6 gf|e2 e2 egfe|edd^c d2 ed|
c2 cBA2 GA|BcBAG2 BB| ABAF DDEF|1 G2B2G2 Bd:|2 G2B2G4|

X:10
T:untitled waltz #1
Z:posted by Frank Tetler 7/96
M:3/4
K: G
f g f |e d2 B2 A |G3 D D D |E2 G3 E |D3 E D C,
      |B,4 G B |e2 d2 B2 |A5 B |A3 f g f
      |e d2 B2 A |G3 D D D |E2 G2 c2 |e3 g f e
      |d B2 G2 B |A2 E3 F |G4-G A |G2 B2 d2

      |e4 e f |g2 f2 e2 |f2 B3 B |B4 B2
      |e2 e2 f2 |g2 f2 g2 |a6 |a2 g3 f
      |e d2 B2 A |G3 D D D |E2 G2 c2 |e3 g f e
      |d B2 G2 B |A2 E3 F |G4-G A |G3


X:9
T:Whalen's Breakdown
M:2/4
L:1/16
C:Don Messer
R:Breakdown
B:TV Favorites with Don Messer and his Islanders
N:) 1949 Canadian Music Sales, Toronto
Z:posted by Chris Falt 8/97
K:C
e>f|:"C"g2^f2 a2g2|gage c2dc|"G7"B2G2 A2B2|"C"cBcd e2ef|!
g2^f2 a2g2|gage c2dc|"G7"B2G2 A2B2|"C"(c4 c2)z2:|!
G>F|:"C"E2C2 D2E2|"F"FEFG A2dc|"G7"B2G2 A2B2|"C"cBcd e2GF|!
E2C2 D2E2|"F"FEFG A2dc|"G7"B2G2 A2B2|"C"(c4 c2)z2:|

X:8
T:Whiskey Before Breakfast
M:4/4
L:1/8
Z:posted by Naka Ishii 5/97
K:D
A,B,DE D2DE|FABF AFED|G2BG F2AF|EDEF EDB,G,|
A,B,DE D2DE|FABF AFED|G2BG F2AF|EDEF D4:|
|FGAc d2de|fedc BAAA|e2ef e2ef|gfed cABc|
d2fd c2ec|BABc BAFD|G2BG F2AF|EDEF D4:|

X:7
T:Whiskey Before Breakfast.
M:C|
L:1/8
Q:340
C:Trad. Walter Magee  Learned from a magazine years ago.
R:reel
Z:posted by John Erdman 5/97
K:D
|: "D"DEFG A2 AB|AGFE D2 EF|"G"GFEG "D"FEDF|"A7"EFED CB, A,2|
"D"DEFG A2 AB|AGFE D2 EF|"G"GFEG "D"FEDF|"A7"EDCE "D"D4 :|
|:"D"DEFA d2 de|"D"dB A2 FE D2|"Em"e2 ee e2 ef|gf e2 "A"cB A2|
"D"defd "A"cdec| "G"BcdB "A"AG F2|"G"GABG "D"FGAF|"A7"EDCE  "D"D2 D2 :|
 

X:6
T: Whiskey Before Breakfast
Z:Fiddler's Fakebook
M:4/4
L:1/8
Z:posted by John Erdman 5/97
K:D
"D"A,B,)D(E D2) D(E|F2) BF ABA(F|"G"G2) B(G F2) "D"A(F|"A"ED)EF EDB,(G,|
"D"A,B,)D(E D2) D(E|F2) BF ABA(F|"G"G2) B(G "D"FG)A(F|1 "A"ED)E(F "D"D2)
DB,:|2 "A"EDE(F "D"D2) d(B||
|:"D"A2) B2 d2 cd|efe(d cB) A2|"Em"e2 e(f e2) e(f|gf)e(d cA)B(c|
"D"d2) f(d "A"c2) e(c|"G"BA)B(c "D"dB)A(F|"G"G2) B(G "D"F2) A(F|1 "A"ED)E(F
"D"D2) dB:|2 "A"EDE(F "D"D2) z2|]

X:5
T:White Rose Waltz
M:3/4
Z:Posted by Tony Ludiker 11/98
K:D

FE|"D"D2F3D|"A7"E2G3E|"D"F2A3F|"G"G2B3B|
"D"A2d3d|d2e2f2|"A7"e4-ef|e4FE|
"D"D2F3D|"A7"E2G3E|"D"F2A3F|"G"G2B3B|
"D"A2d3d|"A7"c2f2e2|"D"d4-de|d6||
"Bb"d6|"F"=c3d=c2|"Bb"_B3=c_BG|=F6|
"Bb"d6|"F"=c3d=c2|"Bb"_B3=c_B2|"A7"A4FE|
"D"D2F3D|"A7"E2G3E|"D"F2A3F|"G"G2B3B|
"D"A2d3d|"A7"c2f2e2|"D"d4-de|d4||


X:4
T:Trip to Windsor
M:4/4
L:1/8
C:Dan R. MacDonald
O:Cape Breton, N.S.
Z:posted by Toby Rider 10/97
K:A
A/2A/2A (AB) Ace=g| f/2f/2f (fg) fef^g| agfe fgaf|1 ecBc AFEF:|2 ecBd cA
A2||!
c|: efec efae| ((3fga) (ec) BAcB| AFEC EFAE| ((3FGA) (EC) B,A,CB,| A,2 (C
E) FECE|!
AEcB Aceg| agfe fgaf|1 ecBd (cA) A:|2 ecBc ~ A4||


X:3
T:The World Turned Upside Down
C:Traditional
M:C
Z:Posted by Dan Mozell 12/97
K:G
D2 D2  G2 G2 | ABcd B2 AB | c2 E2 F2 G2 | A3 G G2 D2 |
D2 D2  G2 G2 | ABcd B2 AB | c2 E2 F2 G2 | A6 A2 |:
A2 FG A3 B | AGFG A3 B | AGFG A2 B2 | E3 D D2 D2 |
d2 dc B2 AG | ABcd B2 AB | c2 E2 F2 G2 |[1 A6 A2 :|[2 A3 G G2 A2 |\\
K:D
A2 A2  d2 d2 | efga f2 ef | g2 B2 c2 d2 | e3 d d2 A2 |
A2 A2  d2 d2 | efga f2 ef | g2 B2 c2 d2 | e6 e2 |:
e2 cd e3 f | edcd e3 f | edcd e2 f2 | B3 A A2 A2 |
a2 ag f2 ed | efga f2 ef | g2 B2 c2 d2 |[1 e6 e2 :|[2 e3 d d4 ||

X:2
T:West Virginia Hornpipe
M:4/4
L:1/8
Q:160
Z:posted by Llarry Brandon 4/98
K:C
"A"
G2 A2 B2|:cdea gedB|cdea gede|fgfe dedc|BcBA BcdB|!
cdea gedB|cdea gede|fgfe dedc|BcdB c2 cc:||!
K:G
"B"
DFAB dBAc|BGBd g2 gg|Acef afeg|fefe d2 dd|!
DFAB dBAc|BGBd gd g2|Acef afeg|fefe de f2|!
gedg edBd|cBAc BAGE|DEFD FGAG|ABcA Bdef|!
gedg edBd|cBAc BAGE|DEFD FGAc|BABA G2 G2||

X:1
T:Christmas Day Ida Morning
C:Traditional Shetland
M:6/8
Z:posted by Dan Mozell 10/97
K:D
f2 d f3 | e2 d c2 A | B2 G d2 c | B2 G G3 | e2 f g2 f | e2 d c2 B |
A2 A ABc | d3 d3 :||: e3 (4edef | g3 B3 | A3 A A3 A | B3 c d3 B |
e3 (4edef | g3 B3 | A3 e d3 B | +E3A3+ +E3A3+ :||